(Roughly) Daily

Posts Tagged ‘Prince

“You can have a healthy fossil-fuel balance sheet, or a relatively healthy planet”*…

The first two installments of what will be an on-going series from ProPublica and Drilled, covering fossil fuel companies in the 1990s who, even as they denied the reality of climate change, were quietly funding research that favored climate fixes that would protect their businesses…

An investigation by ProPublica and Drilled has found that fossil fuel companies have been funding climate research at prestigious U.S. universities for more than 30 years. Their support has helped amplify the work of scientists who promote the idea that we can stop the climate crisis without breaking our dependence on oil, gas, and coal.

The research produced by those schools in turn shaped global climate models, as well as the policy and technology solutions adopted by governments around the world.

Ultimately, it fostered a misperception that climate change could be solved without dramatically curtailing fossil fuels — a notion that has delayed emissions cuts by decades.

Corporate funders sponsored entire centers, paid the salaries of researchers, kept offices on campus and in some cases had veto power over projects.

Companies maintain they are supporting innovation and needed science. Universities say that with safeguards, sponsorship enhances research programs while preserving academic independence.

Still, the impact of funding constitutes a pattern that Benjamin Franta, an associate professor of climate litigation at University of Oxford, called the “colonization of academia.”…

Why Carbon Capture Can’t Conceivably Solve Climate Change“- For decades, oil companies have funded universities’ research into climate change “solutions” that would not require the public to stop using oil and gas. Carbon capture is one of their favored ideas. One snag: It won’t fix the climate crisis. From Katie Worth and Lucas Waldron.

How Oil Execs Shaped A Landmark Climate Study“- BP created an elite Princeton research center to address the climate problem without getting off fossil fuels. Its key work, a paper known as “Wedges,” shaped climate discourse for a generation. From Maddie Stone.

As the first piece concludes…

Climate experts know about the costs, technical troubles, and failures of CCS [Carbon Capture and Sequestration] test projects.

Yet many of them have continued to boost the technology, even as they have downplayed solutions showing greater progress.

For example, the same modelers who overestimated the potential of geological carbon storage repeatedly underestimated solar power — one of the energy technologies that would allow more oil to remain in the ground.

A distressing– but critically important– read. How the fossil fuel industry turned the plan to solve climate change into a plan to save itself: “Carbon Captured,” from @propublica.org and @drilledmedia.bsky.social.

And as a reminder that, while climate change is certainly reason enough, it’s by no means the only reason to care: “Five Americans die every hour from toxic vehicle emissions, study finds.”

* Bill McKibben

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As we face facts, we might give ourselves a short break on this, the anniversary of “Raspberry Beret,” by Prince & The Revolution, hitting #1 on the charts in 1985.

Here is the official video (now in 4K). Directed by his Purple Majesty himself, it features graphics and animation from Drew Takahashi, George Evelyn, and the crew at Colossal Pictures.

Written by (Roughly) Daily

July 6, 2026 at 1:00 am

“He’s like the ghost in the machine”*…

Sasha Kay on Clyde Stubblefield’s 20-second drum break that became one of the most sampled beats in music…

On November 20 1969, musical history was being made in a red-brick end-of-terrace in Cincinnati, Ohio. The sounds of cymbals and snares leaking out from under a garage roller door included a beat you’ve probably heard hundreds of times — perhaps without even knowing it.

At King Records’ low-key studio, drummer Clyde Stubblefield was improvising a 20-second breakbeat during a James Brown jam session which became known as “Funky Drummer”, a track that dramatically changed the course of music sampling and moulded the hip-hop genre which would be born a few years later.

Brown stresses Stubblefield’s genius in the song’s title and in various flamboyant asides stippled throughout the break — “Ain’t it funky” — but Mr Funky Drummer himself never received a penny from the track’s royalties. As was typical for the time, Stubblefield was on a work-for-hire contract, meaning his performance was legally attributed to Brown. Despite cooing “I wanna give the drummer some” over Stubblefield’s snares, Brown never gave Stubblefield a dime.

“Funky Drummer” fell short of the top 50 chart when it was released as a single in March 1970, but the record had a remarkable afterlife…

[Kay recounts the extraordinary life of the break as a sample in other musicians’ (especially Hip Hop artists’) works. See here for as complete a list as one’s likely to find– over 1,860 songs.]

… At the end of Stubblefield’s life, Prince paid around $80,000 of his medical bills — perhaps the singer’s personal reparation for mislaid royalties after sampling the beat in his “Gangster Glam” (1991).

Although “Funky Drummer” is a strong contender for the world’s most sampled beat, most wouldn’t recognise it in another tune, and much less know the drummer’s name. Stubblefield often said he was influenced by the sounds of factories and railways he grew up around — and no doubt many young instrumentalists have unknowingly been shaped by a music culture framed by his rhythm…

Funky Drummer — pop history was made when James Brown hollered ‘Hit it!’,” from @FT.

For an appreciation of Stubblefield by Ahmir Thompson (AKA Questlove), see here.

* Questlove on Clyde Stubblefield

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As we beatify the beat, we might spare a thought for another undersung hero of percussion, Uriel Jones; he died on this date in 2009. The drummer in Motown‘s in-house studio band, the Funk Brothers, during the 1960s and early 1970s, he can be heard on dozens of recordings, including classics like “I Heard It Through the Grapevine” by Marvin Gaye, “Cloud Nine” by the Temptations, “The Tracks of my Tears” and “I Second That Emotion” by Smokey Robinson & the Miracles, “For Once In My Life” by Stevie Wonder, and both versions of “Ain’t No Mountain High Enough” (Marvin Gaye & Tammi Terrell in 1967 and the 1970 remake by Diana Ross).

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“I like to open people’s eyes”*…

 

The #PurpleSyllabus presents essential topics, readings, and multimedia related to Prince. Prince’s impact and influence spreads across nearly all aspects of society and culture. This syllabus presents works written by scholars and journalists across diverse topics. Our hope is that this syllabus will serve as a resource for teachers and curriculum designers looking to infuse their classrooms and courses with Prince content.

Created by Prince fans affiliated with the University of Minnesota Libraries in conjunction with the Prince From Minneapolis Symposium

Dive deep at “The #PurpleSyllabus.”

* Prince

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As we acclaim The Artist, we might recall that it was on this date in 2015 that Prince staged a Dance Rally 4 Peace at Paisley Park to pay tribute to Freddie Gray, a 25-year-old African-American who died in police custody after his arrest in Baltimore, and to show support for the activists protesting his death.  With his backup band 3RDEYEGIRL, Prince performed a 41-minute concert including his protest song “Baltimore,” which was inspired by Gray’s death.

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Written by (Roughly) Daily

May 2, 2018 at 1:01 am

“Acting is all about big hair and funny props… All the great actors knew it. Olivier knew it, Brando knew it.”*…

 

* Harold Ramis

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As we dress the set, we might that it was on this date in 1983 that Prince played a 75-minute benefit concert for the Minnesota Dance Theatre at the recently re-branded First Avenue club in Minneapolis.  It was there that the budding pop star debuted many of the Purple Rain album tracks, and recorded the versions of “Purple Rain,” “I Would Die 4 U,” and “Baby I’m A Star” heard in the film and soundtrack.

Screen shot taken from video of Prince and the Revolution’s debut performance of Purple Rain, August 3, 1983

The night also included performances from the company, including a piece choreographed to Prince’s “DMSR.”

More on this extraordinary evening, including a set list, here.

 

Written by (Roughly) Daily

August 3, 2017 at 1:01 am

Going out gracefully…

Twenty-four more valedictions at Buzzfeed’s “The Last Words Of 25 Famous Dead Writers.”  And many more parting shots– like Oscar Wilde’s “My wallpaper and I are fighting a duel to the death. One or the other of us has to go”– at Wikiquote’s Famous Last Words.

As we rehearse our final scenes, we might spare a tuneful thought for trumpeter, bandleader, and composer Miles Dewey Davis III; he died on this date in 1991.  Davis was a pioneer of a number of jazz forms– bebop, cool jazz, hard bop, modal jazz, and jazz fusion, among others– but was perhaps even more influential for the musicians he launched in his bands (an extraordinary roster that includes Bill Evans, Gerry Mulligan, John Coltrane, Cannonball Adderley, Wayne Shorter, Herbie Hancock, Keith Jarrett, Chick Corea, Elvin Jones, and Jack DeJohnette) and for the bands and musicians he influenced (and equally amazing list that includes Lalo Schifrin, Tangerine Dream, King Crimson, Steely Dan, Frank Zappa, Duane Allman, Radiohead, The Flaming Lips, Lydia Lunch, Jerry Garcia, and Prince).

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