Posts Tagged ‘train’
“Sometimes that light at the end of the tunnel is a train”*…
As part of its ongoing overhaul, the New York Public Library has installed a very clever conveyer train that moves research materials from the expanded Milstein Stacks underneath Bryant Park to the main Stephen A. Schwarzman Building. Each adorably bright red car is able to travel either horizontally or vertically using conveyor rails embedded throughout the library, efficiently delivering its contents directly to library staff…
More on the system, which begins operating this week, at Laughing Squid’s “An Adorable Red Train That Delivers Books From Storage to the Main Branch of the NY Public Library” (and at Boing Boing, which is the source of the photo above).
* Charles Barkley
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As we check it out, we might send finely-drawn birthday greetings to Giovanni Battista (also Giambattista) Piranesi; he was born on this date in 1720. An Italian artist, he is best known for his etchings of Rome and of fictitious and atmospheric “prisons” (Le Carceri d’Invenzione). The latter, with their Kafkaesque, Escher-like distortions, influenced Romanticism & Surrealism.

Carceri Plate VII – “The Drawbridge”

Self-portrait
“Sometimes that light at the end of the tunnel is a train”*…

The moment of impact
As the U.S. remained mired in an economic depression in 1896, the Missouri-Kansas-Texas Railroad (commonly known as “the Katy” line) faced two major problems: how to boost revenue and ticket sales amid increasing competition in the rail industry and what to do with an aging fleet of locomotives as it upgraded to larger, more advanced steam engines. And so the company’s creative passenger agent for Texas, William Crush, pitched an idea that would address both problems in one spectacular fell swoop.
With atom bombs and Justin Bieber still far off on the horizon in the late 19th century, an explosive train collision was perhaps the most eye-catching manmade disaster imaginable. And Crush knew he had the trains, the space and the public appetite to attempt such a spectacle. His plan was simple: ferry paying spectators to an isolated locale where two obsolete locomotives would be positioned face-to-face on the tracks. After gunning the trains to full speed, the engineers would jump to safety, and the masses would enjoy the fiery demolition from a safe distance. “Oh,” the exuberant Crush effused to The Galveston Daily News, “but it’s going to be a smash-up”…
In the event, over 40,000 people gathered at in the temporary town of “Crush, Texas” (for the day, the second largest city in the State). And what a “smash-up” they saw. As planned, the engineers stoked their locomotives, got them steaming toward each other, and jumped clear… But though Crush had been assured by the railroad’s technicians that the engines’ boilers were strong enough to hold together on impact, both exploded. As The Dallas Morning News put it: “The rumble of the two trains was like the gathering force of a cyclone… [then, a huge explosion, and] the air was filled with flying missiles of iron and steel varying in size from a postage stamp to half of a driving wheel… black clouds of death-dealing iron hail.” Three spectators were killed, six others seriously injured; and countless onlookers were scorched by the hot shrapnel — many long after the explosion, when they picked through the flaming locomotive carcasses in a hunt for souvenirs.
Crush was immediately fired from the railroad. But given a lack of negative publicity, he was rehired the next day.
Read more at “Staging a Texas-size train disaster for fun and profit,” and check out the photos from the event here (one of which is used above).
* Charles Barkley
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As we ruminate on the rails, we might send foresightful birthday greetings to the extraordinary Jules Verne, imaginative writer non pareil; he was born in Nantes on this date in 1828.
Best known for his novels A Journey to the Center of the Earth (1864), From the Earth to the Moon (1865), Twenty Thousand Leagues Under the Sea (1869–1870), Around the World in Eighty Days (1873) and The Mysterious Island (1875), Verne is the second most translated (individual) author of all time (behind Agatha Christie). He is considered, with H.G. Wells, the founder of science fiction.
Verne was startlingly prescient: Paris in the 20th Century, for example, describes air conditioning, automobiles, the Internet, television, even electricity, and other modern conveniences very similar to their real world counterparts, all developed years– in many cases, decades– later. From the Earth to the Moon, apart from using a space gun instead of a rocket, is uncannily similar to the real Apollo Program: three astronauts are launched from the Florida peninsula– from “Tampa Town” ( only 130 miles from NASA’s Cape Canaveral)– and recovered through a splash landing. And in other works, he predicted helicopters, submarines, projectors, jukeboxes, and the existence of underwater hydrothermal vents that were not invented/discovered until long after he wrote about them.
“The light at the end of the tunnel is just the light of an oncoming train”*…
When General Electric debuted a new lower-emissions locomotive, the company commissioned Pulitzer Prize-winning aerial photographer Vincent Laforet to take some glamor shots. The results are industrial porn at its most artful.
Check it out at: “Vincent Laforet’s Aerial Shots Of Trains Look Like Abstract Art.”
* Robert Lowell
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As we hop aboard, we might spare a thought for Ephraim Shay; he died on this date in 1919. An inventor and logger, Shay invented and patented the “Shay locomotive,” a small, geared steam engine used to haul heavy logging (and ultimately also mining) trains at low speeds over rough terrain with poorly-laid, uneven track, sharp curves, and grades up to 14 percent. By 1945, when production ended, 2,771 Shays had been built.

Shat at the throttle of one of his locomotives
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