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Posts Tagged ‘Steele MacKaye

“All that we see or seem is but a dream within a dream”*…

 

Each night Dion McGregor would fall asleep; then he would narrate his dreams in astonishing detail.  Happily, his roommate recorded them– and the resulting tapes reveal the truly strange places our minds go to at night.

“Do you know Edwina didn’t even cry when that crocodile popped off her leg? She didn’t even cry, Edwina. She was fascinated, just fascinated. Her mother fainted dead away, and her father fainted dead away. Half the attendants fainted dead away. And Edwina just stood there and watched him chew up her leg… You know what? She said she always wanted to be Long John Silver!”

Welcome to the strange dream-world of the late Dion McGregor. By day, McGregor was an aspiring songwriter, whose Where Is The Wonder was eventually recorded by Barbra Streisand; by night, the world’s most dramatic sleep-talker…

More “Adventures in Slumberland” at “The dark tales of the world’s most epic sleep-talker.”

* Edgar Allan Poe

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As we nod off, we might stage a dramatic memorial for dramatist and scenic innovator James Morrison Steele (“Steele”) MacKaye; he died on this date in 1894.  A well-known theatrical actor and producer in his time, he is best remembered for his revolutionary contributions to theatrical design.  MacKaye opened the Madison Square Theatre in 1879, where he created a huge elevator with two stages stacked one on top of the other so that elaborate furnishings could be changed quickly between scenes.  MacKaye was the first to light a New York theatre– the Lyceum, which he founded in 1884– entirely by electricity.  And he invented and installed overhead and indirect stage lighting, movable stage wagons, artificial ventilation, the disappearing orchestra pit, and folding seats.  In all, MacKaye patented over a hundred inventions, mostly for the improvement of theatrical production and its experience.

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Written by LW

February 25, 2016 at 1:01 am

I for one welcome our new computer overlords…

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In the aftermath of Watson’s triumph over humanity’s best, your correspondent thought it wise to remind readers (and himself) that this is not the first time that we mortals have faced the onslaught of astounding new technology.

The good folks at Dark Roasted Blend have compiled a nifty through-the-ages recap of attempts to create “life” in new-fangled ways; from Leonardo’s “robot” and John Dee’s “flying beetle” to an “steam-powered hiker” and an “electric milk man” from Victorian England, there’s quite a selection in “Amazing Automatons: Ancient Robots & Victorian Androids.”

It’s all fascinating; but the sweet spot is surely the selection of creations from the 18th (and early 19th) centuries, when the then-highly-developed crafts of metal working and watchmaking were turned to automata.  Consider, for example…

Jacques Vaucason created numerous working figures, including a flute player, which actually played the instrument, in 1738, plus this duck from 1739. The gilded copper bird could sit, stand, splash around in water, quack and even give the impression of eating food and digesting it.

Pierre Jaquet-Doz created three automata, The Writer, The Draughtsman and The Musician, which are still considered scientific marvels today. The Draughtsman is capable of producing four distinct pictures, while the Writer dips his pen in the ink and can write as many as forty letters. The Musician’s fingers actually play the organ and the figure ends her performance with a bow.

More, at Dark Roasted Blend.

As we remind ourselves to re-read Kevin Kelly’s excellent What Technology Wants and then to retake the Turing Test, we might stage a dramatic memorial dramatist and scenic innovator James Morrison Steele (“Steele”) MacKaye; he died on this date in 1894.  He opened the Madison Square Theatre in 1879, where he created a huge elevator with two stages stacked one on top of the other so that elaborate furnishings could be changed quickly between scenes. MacKaye was the first to light a New York theatre– the Lyceum, which he founded in 1884– entirely by electricity. And he invented and installed overhead and indirect stage lighting, movable stage wagons, artificial ventilation, the disappearing orchestra pit, and folding seats. In all, MacKaye patented over a hundred inventions, mostly for the improvement of theatrical production and its experience.

Steele MacKaye

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