(Roughly) Daily

Posts Tagged ‘Philadelphia

“The world cannot be governed without juggling”*…

Innovation in juggling? David Friedman investigates…

How many new ways can there possibly be of throwing a bunch of balls up in the air and catching them? I mean, people have been juggling for thousands of years. There’s even an ancient Egyptian tomb that includes this wall painting of what sure looks like juggling [illustration above].

So as a modern juggling performer, how do you keep your routine fresh? Is it all about the patter and the performance? Or is there still room for innovation in the art and craft of throwing balls to yourself?…

With the help of professional juggler Luke Burrage, he finds some fascinating examples:

Luke’s “rotating room” routine
Adam Dipert‘s “Space Juggling”
Greg Kennedy in a cone
And the OG, MacArthur Fellow Michael Moschen

Even more at “Innovations in Juggling,” from @ironicsans.

John Selden

###

As we stay aloft, we might send amazingly entertaining birthday greetings to John Bill Ricketts; he was born on (or around, records are sketchy) this date in 1769. An English equestrian, famed for his trick riding, he was also an impressario– who brought the first circus performances to the United States in Philadelphia in 1793.

John Bill Ricketts, aka, Breschard, the Circus Rider, by Gilbert Stuart
The original “Big Top” (source: Tracy Chevalier)

Written by (Roughly) Daily

October 15, 2022 at 1:00 am

Back to the streets…

Following earlier assays of street signage from all over (e.g., here and here), the rubber finally meets the road itself.  Readers, the Toynbee Tile…

Franklin Square, Washington, DC (source)

Since the 1980s, several hundred tiles– all roughly the size of an American state license plate, and all bearing roughly the message above– have been found embedded in the pavement of roads in streets in two dozen major U.S. cities and four South American capitals.

There’s no consensus among scholars of the tiles as to their reference or meaning.  It’s pretty widely held that the “Toynbee” reference is to historian Arnold Toynbee, perhaps to a passage (in Experiences):

Human nature presents human minds with a puzzle which they have not yet solved and may never succeed in solving, for all that we can tell. The dichotomy of a human being into ‘soul’ and ‘body’ is not a datum of experience. No one has ever been, or ever met, a living human soul without a body… Someone who accepts – as I myself do, taking it on trust – the present-day scientific account of the Universe may find it impossible to believe that a living creature, once dead, can come to life again; but, if he did entertain this belief, he would be thinking more ‘scientifically’ if he thought in the Christian terms of a psychosomatic resurrection than if he thought in the shamanistic terms of a disembodied spirit.

Others suggest that the tiles allude to Ray Bradbury’s story “The Toynbee Convector,” to Arthur C. Clarke’s story “Jupiter V,” or– perhaps, given the direct 2001 reference, most likely– to Stanley Kubrick’s film (in which, readers will recall, hibernating astronauts who had secret training were to be revived upon arrival on Jupiter).

And while there’s no agreement on the identity of the tiler, a majority of enthusiasts believe that “he” is from Philadelphia– both because the City of Brotherly Love hosts the highest concentration of the plaques and because a collection of tiles found there deviate from the norm to ascribe a plot to John S. Knight (of Knight-Ridder, the erst-while newspaper publishers), the Mafia, and others.

See a (nearly) complete list of tiles and their locations here, a set of photos here, and learn how they are implanted here.  Visit this site for a peek at a Sundance award-winning documentary on the Tiles.

UPDATE:  Further to earlier posts on Lorem Ipsum and it’s bastard children, Bacon Ipsum and Hipster Ipsum, more grievous greeking:  Velo Ipsum (for bicycling enthusiasts), and for the reportorially-inclined, Journo Ipsum.

As we watch where we’re walking, we might recall that it was on this date in 1504 that Michelangelo’s 17-foot-tall marble David was unveiled in a public square outside the Palazzo della Signoria, the seat of civic government in Florence.

source

%d bloggers like this: