Posts Tagged ‘Dr. Strangelove’
“Gentlemen, you can’t fight in here! This is the War Room!”*
In “Dr. Strangelove Dr. Strangelove,” Kristan Horton imitates the glorious satirical film Dr. Strangelove, using common household objects to re-create the world created by Kubrick—silverware become an airplane, plastic and coffee grounds become the sky…
The sublime, recreated with the mundane: “Dr. Strangelove Dr. Strangelove,” via the ever-illuminating The Morning News.
See also the “3-D Rooms Project.”
* Peter Sellers as President Merkin Muffley, one of three roles he played in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, produced, directed, and co-written (with Terry Southern, very loosely based on a novel by Peter George) by Stanley Kubrick
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As we ride it down, we might recall that it was on this date in 1883 that the volcano at Krakatoa (Krakatau) erupted with full force. The sound was heard over 2,000 miles away (that’s over 7.5% of the earth’s surface– the equivalent of an explosion in New York City being heard in San Francisco); tsunamis caused by the great blast killed 36,000 people in Java and Sumatra.
But there was another sense in which Krakatoa was importantly “the sound heard ’round the world”: While news of Lincoln’s assassination (only 18 years earlier) had taken almost two weeks to reach London, Europe and the U.S. knew of Krakatoa in about four hours. In the years between 1865 and 1883, there had been three interrelated developments: the global spread of the telegraph, the invention of Morse Code, and the establishment of Reuter’s news agency… and the world had become much smaller. (C.F., Tom Standage’s marvelous The Victorian Internet for the details– both remarkable and altogether resonant with today.)
As big as the explosion was, it was not the biggest in history: experts suggest that Santorini’s eruption in 1628 BCE was three times as powerful.
First Impressions…
Via the always-rewarding Dangerous Minds, a simple– and simply wonderful– graduation film made by Jurjen Versteeg, who explains the idea behind his project:
Designed as a possible title sequence for a fictitious documentary, this film shows a history of the title sequence in a nutshell. The sequence includes all the names of title designers who had a revolutionary impact on the history and evolution of the title sequence. The names of the title designers all refer to specific characteristics of the revolutionary titles that they designed.
This film refers to elements such as the cut and shifted characters of Saul Bass’ Psycho title, the colored circles of Maurice Binder’s design for Dr. No and the contemporary designs of Kyle Cooper and Danny Yount.
This title sequence refers to the following designers and their titles: Georges Méliès – Un Voyage Dans La Lune, Saul Bass – Psycho, Maurice Binder – Dr. No, Stephen Frankfurt – To Kill A Mockingbird, Pablo Ferro – Dr. Strangelove, Richard Greenberg – Alien, Kyle Cooper – Seven, Danny Yount – Kiss Kiss Bang Bang / Sherlock Holmes.
As we remember to “tell ’em what we’re going to tell ’em,” we might recall that it was on this date in 1946 that the first Cannes Film Festival opened. It had originally been scheduled for September, 1939 as an “answer” to the Venice Film Fest, which had become a propaganda vehicle for Mussolini and Hitler; but the outbreak of World War II occasioned a delay.
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