(Roughly) Daily

Meet the new boss, painfully similar to the old boss…

While people in and around the tech industry debate whether algorithms are political at all, social scientists take the politics as a given, asking instead how this politics unfolds: how algorithms concretely govern. What we call “high-tech modernism”—the application of machine learning algorithms to organize our social, economic, and political life—has a dual logic. On the one hand, like traditional bureaucracy, it is an engine of classification, even if it categorizes people and things very differently. On the other, like the market, it provides a means of self-adjusting allocation, though its feedback loops work differently from the price system. Perhaps the most important consequence of high-tech modernism for the contemporary moral political economy is how it weaves hierarchy and data-gathering into the warp and woof of everyday life, replacing visible feedback loops with invisible ones, and suggesting that highly mediated outcomes are in fact the unmediated expression of people’s own true wishes…

From Henry Farrell and Marion Fourcade, a reminder that’s what’s old is new again: “The Moral Economy of High-Tech Modernism,” in an issue of Daedalus, edited by Farrell and Margaret Levi (@margaretlevi).

See also: “The Algorithm Society and Its Discontents” (or here) by Brad DeLong (@delong).

Apposite: “What Greek myths can teach us about the dangers of AI.”

(Image above: source)

* “The functionalist organization, by privileging progress (i.e. time), causes the condition of its own possibility–space itself–to be forgotten: space thus becomes the blind spot in a scientific and political technology. This is the way in which the Concept-city functions: a place of transformations and appropriations, the object of various kinds of interference but also a subject that is constantly enriched by new attributes, it is simultaneously the machinery and the hero of modernity.” – Michel de Certeau

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As we ponder platforms, we might recall that it was on this date in 1955 that the first computer operating system was demonstrated…

Computer pioneer Doug Ross demonstrates the Director tape for MIT’s Whirlwind machine. It’s a new idea: a permanent set of instructions on how the computer should operate.

Six years in the making, MIT’s Whirlwind computer was the first digital computer that could display real-time text and graphics on a video terminal, which was then just a large oscilloscope screen. Whirlwind used 4,500 vacuum tubes to process data…

Another one of its contributions was Director, a set of programming instructions…

“March 8, 1955: The Mother of All Operating Systems“

The first permanent set of instructions for a computer, it was in essence the first operating system. Loaded by paper tape, Director allowed operators to load multiple problems in Whirlwind by taking advantage of newer, faster photoelectric tape reader technology, eliminating the need for manual human intervention in changing tapes on older mechanical tape readers.