Posts Tagged ‘Descartes’
“The door handle is the handshake of the building”*…
Door handle and rose (1833–47), manufactured by Copeland & Garrett, Stoke-on-Trent. Victoria and Albert Museum, London
We have all become suddenly more aware of the moments when we cannot avoid touching elements of public buildings. Architecture is the most physical, most imposing and most present of the arts – you cannot avoid it yet, strangely, we touch buildings at only a very few points – the handrail, perhaps a light switch and, almost unavoidably, the door handle. This modest piece of handheld architecture is our critical interface with the structure and the material of the building. Yet it is often reduced to the most generic, cheaply made piece of bent metal which is, in its way, a potent critique of the value we place on architecture and our acceptance of its reduction to a commodified envelope rather than an expression of culture and craft.
Despite their ubiquity and pivotal role in the haptic experience of architecture, door handles remain oddly under-documented. There are no serious histories and only patchy surveys of design, mostly sponsored by manufacturers. Yet in the development of the design of the door handle we have, in microcosm, the history of architecture, a survey of making and a measure of the development of design and how it relates to manufacture, technology and the body.
For as long as there have been doors there have been door handles…
An appreciation of the apparati of accessibility: “Points of contact – a short history of door handles.”
* The Eyes of the Skin: Architecture and the Senses
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As we get a grip, we might send thoughtfully-wagered birthday greetings to a man whose thought open a great many (metaphorical) doors, Blaise Pascal; he was born on this date in 1623. A French mathematician, physicist, theologian, and inventor (e.g.,the first digital calculator, the barometer, the hydraulic press, and the syringe), his commitment to empiricism (“experiments are the true teachers which one must follow in physics”) pitted him against his contemporary René “cogito, ergo sum” Descartes…
“Friends share things”*…
Readers may recall that (R)D has contemplated black before [and here], more particularly, the emergence of the (then) “blackest black,” Vantablack. Here, via the always-amazing Imperica, an update:
I’ve featured Stuart Semple and his work in here quite a lot over the past few years; this is the latest in his gloriously petty (but also actually sort of serious) one-man project to annoy Anish Kapoor by creating a paint as-black as Kapoor’s famously VERY black Vantablack (if you want the background to the story you can read all about it [at the link below], but basically Semple thinks that Kapoor is a pompous, self-important arsehole and, by all accounts, Semple is absolutely 100% right). Anyway, if you want the chance to own some of the blackest paint EVER MADE, here’s your chance – the Kickstarter for it is 3x funded with over a month left to go, so this is definitely happening, and it’s worth backing it purely to have the chance to draw ACME-style Wil E Coyote-esque fake tunnels on walls all over London…
Semple says, “we’ve created a paint that absorbs 98-99% of visible light, we want to share this black hole in a bottle with all artists and creators.” Learn more– and but some of your own– at “The blackest black paint in the world! Black 3.0.”
* Pythagoras
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As we get dark, we might spare a thought for a man who did his best to dispel a different kind of darkness: René Descartes, the French philosopher and mathematician who thought and therefore was; he died on this date in 1650.
Many contemporaries (perhaps most notably, Pascal) rejected his famous conclusion, the dualist separation of mind and body; more (Voltaire, et al.), since. But Descartes’ emphasis on method and analysis, his disciplined integration of philosophy and physical science, his insistence on the importance of consciousness in epistemology, and perhaps most fundamentally, his the questioning of tradition and authority had a transformative– and lasting– effect on Western thought, and has earned him the “title” of Father of Modern Philosophy.
“In order to improve the mind, we ought less to learn than to contemplate.”
– Rene Descartes
Frans Hals’ portrait of Descartes, c. 1649
“One cannot conceive anything so strange and so implausible that it has not already been said by one philosopher or another”*…
There comes a moment in every philosophy student’s life, perhaps when struggling through a logic set or trying to parse some impenetrable Derrida essay, that the inevitable question comes up: What’s the point? A new philosophy paper, published in the June 2018 edition of the Journal of Practical Ethics, argues that there isn’t one.
At least, there’s not a singular coherent point that the field is working towards. Whereas history is clearly focused on understanding our past and biology is devoted to explaining living organisms, there’s some confusion as to philosophy’s purpose. There are clear themes of course, such as the meaning of life, and what constitutes reality. But the subject is huge and sprawling, encompassing questions about metaphysics, epistemology, language, and ethics, among others. Is the point of philosophy to unravel the nature of the universe, or how we know what we know, or the role of language, or answer some other great question?…
Find out why (and whether it matters) at “What’s the point of philosophy? A new philosophy paper says there isn’t one.”
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As we wax philosophical, we might recall that it was on this date in 1961 that Billboard Magazine reported that the teenage dance craze, The Twist, was being picked up by the adult crowd in Philadelphia.
“Secret codes resound. Doubts and intentions come to light.”*…
Music cryptography is a method in which the musical notes A through G are used to spell out words, abbreviations, or codes…
Early 17th- and 18th-century mathematicians and cryptologists such as John Wilkins and Philip Thicknesse argued that music cryptography was one of the most inscrutable ways of transporting secret messages. They claimed that music was perfect camouflage, because spies would never suspect music. When played, the music would sound so much like any other composition that musically trained listeners would be easily fooled, too. Thicknesse wrote in his 1772 book A Treatise on the Art of Deciphering, and of Writing in Cypher: With an Harmonic Alphabet, “for who that examined a suspected messenger would think an old song, without words, in which perhaps the messenger’s tobacco or snuff might be put, contained a secret he was to convey?” Written letters don’t have this advantage…
This music cipher was supposedly proposed by Michael Haydn (brother of Franz Josef Haydn). It appears in an appendix to a biography about Haydn by Werigand Rettensteiner published in 1808.
More musical mischief at “With Musical Cryptography, Composers Can Hide Messages in Their Melodies.”
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As we bury the lede, we might tip the plumed birthday bonnet to Rene Descartes, the French philosopher and mathematician who thought and therefore was. He was born on this date in 1596.
Many contemporaries (perhaps most notably, Pascal) rejected his famous conclusion, the dualist separation of mind and body; more (Voltaire, et al.), since. But Descartes’ emphasis on method and analysis, his disciplined integration of philosophy and physical science, his insistence on the importance of consciousness in epistemology, and perhaps most fundamentally, his the questioning of tradition and authority had a transformative– and lasting– effect on Western thought, and has earned him the “title” of Father of Modern Philosophy.
“In order to improve the mind, we ought less to learn than to contemplate.”
– Rene Descartes
Frans Hals’ portrait of Descartes, c. 1649
“The ghost in the machine”*…
Pity (detail), by William Blake, c. 1795
How is it that mind and body manage to interact and affect each other if they are such different things? This question was pressed on Descartes in the spring of 1643 by a young woman of twenty-four, Elisabeth von der Pfalz, also known as Princess Elisabeth of Bohemia. When others raised such difficulties, Descartes tended to brush them aside. But he listened to the princess…
* Gilbert Ryle (The Concept of Mind, in part a critique of Descartes’ mind-body dualism)
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As we try to get it together, we might that it was on this date in 1404 that King Henry IV signed into law the Act Against Multiplication– which forbade alchemists to use their knowledge to create precious metals… and effectively, thus, outlawed chemistry in England. Since the time of Roger Bacon, alchemy had fascinated many in England. The Act of Multipliers was passed by the Parliament, declaring the use of transmutation to “multiply” gold and silver to be felony, as a result of concern that an alchemist might succeed in his project– and thus bring ruin upon the state by debasing the national currency and/or furnishing boundless wealth to a designing tyrant, who would use it to enslave the country. The Act was in force until 1689, when Robert Boyle and other members of the vanguard of the scientific revolution lobbied for its repeal.
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