(Roughly) Daily

Posts Tagged ‘Berry Gordy

“The gambling known as business looks with austere disfavor upon the business known as gambling”*…

A smartphone displaying an online casino game with a slot machine interface, set on a green casino table with poker chips and playing cards featuring aces.

The quote above, from Ambrose Bierce, was true enough until relatively recently. Business has embraced gaming. When the Supreme Court struck down the federal ban on sports betting in 2018, Americans, who had legally wagered less than $5 billion on sports annually. Last year, they bet $150 billion, most of it online (with the active involvement of leagues and the broadcasters who serve up their games). And now prediction markets are on the scene, widening the apperture for online casino-like wagering to include politics, the Golden Globe awards, the return of Jesus Christ and virtually anything else… which could be a problem.

Indeed, just this past week, Common Sense Media released a report on gambling by young boys that reveals (among other deeply concerning things) that 1 in 3 American boys ages 11-17 are gambling before they can vote. (Full report here.)

Gambling addiction has been an issue in the U.S. for decades. But with the onslaught of new ways to wager, the problem is surging. And as Benjamin Errett (observes in an amusing piece on “McGuffins“– objects, devices, or events necessary to plot and the motivation of characters, but insignificant, unimportant, or irrelevant in itself), it’s a particularly problematic problem…

There’s a compelling argument to be made that money is the true MacGuffin. George Ainslie [here], a psychiatrist and behavioural economist, makes that case in a very readable paper on addiction and regrettable choices. He gets right to the weird thing about gambling as a compulsive behaviour: Spending money for a chance of getting more money (with the likelihood of losing it) is illogically direct. (I too got stuck on this paradox in The Wit’s Guide to Gambling, and some part of my brain is still spinning on the roulette table.) If you simply must have cocaine or hot fudge sundaes or hot cocaine fudge sundaes, the immediate pleasure and later pain are in different modalities. And so Ainslie concludes that money is a MacGuffin because it’s “the object of a hedonic game that is justified by its instrumental believability but which is actually shaped by its production of satisfaction in its own right.” Ergo, capitalism is a Hitchcock movie….

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Ainsle’s essay, prepared for a conference on addiction, is eminently worth reading and pondering.

Ambrose Bierce

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As we turn our backs on baccarat, we might recall that it was on this date in 1960 that “Money (That’s What I Want)” by Barrett Strong entered the Billboard Hot 100. Written by Berry Gordy and Janie Bradford, the single was the first hit record by Gordy’s Motown Records (released on Motown’s Tamla label). The song peaked at #23 in April and was the only song recorded by Strong that reached the Hot 100, though Strong went on to write many of Motown’s biggest hits. It was, of course, covered by The Beatles, among many others.

Close-up of a vintage vinyl record label for 'Money (That's What I Want)' by Barrett Strong on the Tamla label.

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And we might note that today is the first day of a “prefectly square” month…

“I’m always flattered and honored when people cover my music or sing my songs, no matter where it is”*…

 

Our most beloved songs have a longer history than we might think. They might exist in hundreds of alternative versions created by other artists in distant decades. Those versions can differ in character and style and reach completely different audiences.

We looked closely at the 50 most popular cover songs as well as the original works. Galaxy of Covers is the result of this analysis and allows you to explore the evolution from idea to recording.

The panorama view shows the 50 top songs as individual planetary systems with the original work as the sun. Each planet represents a version of the song and it’s appearance indicates characteristics including genre, popularity, tempo, valence, energy, and speechiness. The radius of its orbit around the sun shows the years between the publication dates. This view allows you to compare the structure and density of the constellation of different songs from a high-level perspective.

The detail view [as above] lists the versions of one song in cross section. The characteristics and positioning of the planets is consistent with the panorama. This view allows you to compare different versions of the same song individually…

From Interactive Things, a music lover’s delight: “Galaxy of Covers.”

* Amos Lee

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As we remark on the sincerest from of flattery, we might recall that it was on this date in 1958 that a new group released it’s first single, “Got a Job”– a answer to to the hit “Get A Job” by the Silhouettes– and so it was that The Miracles (AKA Smokey Robinson and the Miracles) were introduced to the world.  Berry Gordy had produced the tune, which netted the group and their producer $3.19.  At Robinson’s urging, Gordy formed his own label, Tamla (the forerunner to Motown)… and the rest is history.

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Written by (Roughly) Daily

February 19, 2016 at 1:01 am