(Roughly) Daily

Posts Tagged ‘accordion

“Speed is carrying us along, but we have yet to master it”*…

Kitchen #26 (2021) by Samuel Richardson

A call to contemplate the potential negative effects of internet technology along with its promise…

Conversations about technology tend to be dominated by an optimistic faith in technological progress, and headlines about new technologies tend to be peppered with deterministic language assuring readers of all the wonderful things these nascent technologies “will” do once they arrive. There is endless encouragement to think about all of the exciting benefits to be enjoyed if everything goes right, but significantly less attention is usually paid to the ways things might go spectacularly wrong.

In the estimation of philosopher Paul Virilio, the refusal to seriously contemplate the chance of failure can have calamitous effects. As he evocatively put it in 1997’s Open Sky, “Unless we are deliberately forgetting the invention of the shipwreck in the invention of the ship or the rail accident in the advent of the train, we need to examine the hidden face of new technologies, before that face reveals itself in spite of us.” Virilio’s formulation is a reminder that along with new technologies come new types of dangerous technological failures. It may seem obvious today that there had never been a car crash before the car was invented, but what future wrecks are being overlooked today amidst the excited chatter about AI, the metaverse, and all things crypto?

Virilio’s attention to accidents is a provocation to look at technology differently. To foreground the dangers instead of the benefits, and to see ourselves as the potential victims instead of as the smiling beneficiaries. As he put it in Pure War, first published in 1983, “Every technology produces, provokes, programs a specific accident.” Thus, the challenge becomes looking for the “accident” behind the technophilic light show — and what’s more, to find it before the wreckage starts to pile up. 

Undoubtedly, this is not the most enjoyable way to look at technology. It is far more fun to envision yourself enjoying the perfect meal prepared for you by your AI butler than to imagine yourself caught up in a Kafkaesque nightmare after the AI system denies your loan application. Nevertheless, if Virilio was right to observe that “the invention of the highway was the invention of 300 cars colliding in five minutes,” it would be wise to start thinking seriously about the crashes that await us as we accelerate down the information superhighway… 

The work of Paul Virilio urges us to ask: What future disasters inhere in today’s technologies? “Inventing the Shipwreck” from Zachary Loeb (@libshipwreck) in @_reallifemag. Eminently worth reading in full.

For a look at those who don’t just brush aside Virilio’s caution, but actively embrace speed and the chaos that it can cause:

Accelerationism holds that the modern, Western democratic state is so mired in corruption and ineptitude that true patriots should instigate a violent insurrection to hasten its destruction to allow a new, white-dominated order to emerge. Indeed, some of the foremost exponents of accelerationism today were at the U.S. Capitol on January 6. They included: the Oath Keepers, whose grab-bag ideology states that “paranoid anti-federalism envision[s] a restoration of ‘self-government’ and ‘natural rights’;” QAnon adherents, who remain convinced that the 2020 presidential election was stolen and that former President Donald Trump was thwarted from saving the world from a Satan-worshipping pedophilia ring run by Democrats, Jews, and other agents of the deep state; and, of course, Trump’s own die-hard “Stop the Steal” minions, who, against all reason and legal proof, seek to restore the former president to office.

The objective of accelerationism is to foment divisiveness and polarization that will induce the collapse of the existing order and spark a second civil war…

Read the full piece: “A Year After January 6, Is Accelerationism the New Terrorist Threat?

* Paul Virilio

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As we practice prudence, we might recall that it was on this date in 1854 that Anthony Fass, a Philadelphia piano maker, was awarded the first U.S. patent (#11062) for an accordion.  (An older patent existed in Europe, issued in Vienna in 1829 to Cyrill Demian.)

“Music helps set a romantic mood. Imagine her surprise when you say, ‘We don’t need a stereo – I have an accordion’.”  – Martin Mull

“A gentleman is someone who can play the accordion, but doesn’t.”  – Tom Waits

accordion_patent

source

“I don’t mean to be presumptuous, but I liken myself to the robber barons”*…

 

shkreli

 

In the spirit of the Razzies and the “Golden Fleece Award,” The Lown Institute initiated “The Shkreli Awards”…

A top ten list of the worst examples of profiteering and dysfunction in health care, named for Martin Shkreli, the price-hiking “pharma bro” that everyone loves to hate…

Nominees for the Shkreli Awards are compiled by Lown Institute staff with input from readers of Lown Weekly. Winners are determined by an esteemed panel of patient activists, clinicians, health policy experts, and journalists…

Browse the list of 2019’s (genuinely astounding, but sadly all-too-real) “winners” here.  Also see the 2018 and 2017 winners.

* Martin Shkreli

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As think healing thoughts, we might recall that it was on this date in 1854 that Anthony Fass, a Philadelphia piano maker, was awarded the first U.S. patent (#11062) for an accordion.  (An older patent existed in Europe, issued in Vienna in 1829 to Cyrill Demian.)

“Music helps set a romantic mood. Imagine her surprise when you say, ‘We don’t need a stereo – I have an accordion’.”  – Martin Mull

“A gentleman is someone who can play the accordion, but doesn’t.”  – Tom Waits

accordion_patent source

 

Written by (Roughly) Daily

January 13, 2020 at 1:01 am

“I am the Ghost of Christmas Present”*…

 

The 13 most popular Christmas songs on Spotify, a music-streaming service, have amassed 1bn plays between them. The most popular of them, “All I Want for Christmas Is You”, written in 15 minutes and recorded by Mariah Carey in 1994, accounts for 210m of those plays. It has earned over $60m in royalties since its release.

Despite its ubiquity during December, the appeal of festive music varies significantly by geography. Spotify provided The Economist with data for Christmas listening across 35 countries, and for every American state, on a day-by-day basis for the two months leading up to Christmas Day 2016. The data demonstrate that music lovers in Sweden and Norway listen to festive tunes most frequently. One in every six songs they streamed on Spotify during December last year received this classification (the list includes some 1,500 Christmas songs performed in English and local languages). By contrast, during the same period in Brazil—a country with a comparable proportion of Christians—just one song in 150 was Christmas-themed. Listening habits in American states also vary, though to a smaller degree: in New Hampshire Christmas songs accounted for one in nine streams, whereas in Nevada, the state where such tunes are least common, it was one in 20…

Why?  Find out at “The music industry should be dreaming of a white Christmas.”

* Charles Dickens, A Christmas Carol

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As we deck the halls, we might recall that it was on this date in 1957 that 55-year-old German accordionist Will Glahé outsold many established Rock And Roll artists when his “Liechtensteiner Polka” reaches #19 on the Billboard Pop chart. Glahé’s first success in America had come in June, 1939 when his rendition of “Beer Barrel Polka” hit the top of the US Hit Parade, selling over a million copies. (Your correspondent has no explanatory link for this one…)

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Written by (Roughly) Daily

December 8, 2017 at 1:01 am

“A gentleman is someone who can play the accordion, but doesn’t”*…

 

An accomplished accordionist, driving to a performance, stopped in front of his dry cleaner and ran in to pick up his tux.  Arriving at the counter, he realized with a shock that he’d left his instrument on the back seat, in plain view.  He grabbed his suit, ran back to the car– and was horrified to see that his worst fear had come true.  As he peered through the broken back window of his car, he saw a second accordion lying next to his…

Readers who can help themselves can try out the browser accordion:

* Tom Waits

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As we get in touch with our inner Lawrence Welk, we might recall that it was on this date in 1844 that Samuel Morse tapped keys of a different sort to send the first telegraph message:  “What hath God wrought?” Morse sent the famous message from the B&O’s Mount Clare Station in Baltimore to the Capitol Building.  (The words were chosen by Annie Ellsworth, the daughter of the U.S. Patent Commissioner, from Numbers 23:23.)

Morse’s original apparatus

source

 

 

Written by (Roughly) Daily

May 24, 2013 at 1:01 am

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