(Roughly) Daily

Where, exactly is Heaven? Stephen Reid Case explains how a very concrete, physical answer to that question became much less concrete…

The Christian concept of heaven, so familiar today from popular depictions of clouds and haloed angels, was an invention – one that came about as early Christians interpreted their religious writings in the context of the Greek culture in which their movement grew up. Christian writers combined Plato’s ideas about the soul’s ascent to the sky at death with Aristotle’s understanding of the structure of the universe, a combination that allowed them to apply a cosmological framework to terms like ‘heaven of heavens’, as well as the ascents, described in the New Testament, of both Jesus and Paul. By the Middle Ages, anyone who uttered the words ‘Our Father, who art in heaven …’ had a clear spatial understanding of where heaven was: God dwelt in the third heaven, above the heaven of the air and the heaven of the stars. This third heaven, the empyrean, became an article of Christian faith – until the new cosmology of Copernicus and Galileo placed the Sun rather than Earth in the centre of the universe. This transformation from an Earth-centred to a Sun-centred universe did not simply displace Earth; it destroyed heaven as a place within the cosmos.

If I asked my astronomy students where heaven was located, I would no doubt receive a classroom full of bewildered stares, despite the fact that I teach at a Christian university – where the majority of students believe in both heaven and the afterlife. When pressed, they might offer thoughts about heaven being a different plane of reality or perhaps another dimension. They believe, but they don’t conceptualise heaven as a location; it is not a part of their spatial understanding of the universe. For most of the history of Christianity, though, the opposite was true…

For hundreds of years, Christians knew exactly where heaven was: above us and above the stars. Then came the new cosmologists: “Where God dwelt.”

* William Blake, “Auguries of Innocence” l. 1 (ca. 1803)

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As we muse on metaphor and morphology, we might recall that it was on this date in 1972 that the Apollo 17 mission launched; on their way to the moon, about 18,000 miles from the Earth, astronauts Harrison Schmitt and Ron Evans took the photo now known as “The Blue Marble”– one of the most reproduced images in history.

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