Posts Tagged ‘logos’
Designer Nicole Meyer has set herself a heroic– that’s to say, Herculean– task:
Lake logos have a tendency to be, well, fairly ugly. This project was created to rethink what they could be.
One Minnesota Lake. One Logo. Every day.
Should only take a little over 27 years to hit ‘em all.
Check in on her progress-to-date at Branding 10,000 Lakes.
As we chose our vacation spots, we might recall that it was on this date in 1908 that avid outdoorsman and staunch conservationist President Theodore Roosevelt designated the Grand Canyon a National Monument. Land and mining claim holders blocked efforts to reclassify the Canyon as a U.S. National Park for 11 more years. But Grand Canyon National Park was finally established as the 17th U.S. National Park by an Act of Congress signed into law by President Woodrow Wilson in early 1919.
TR on Jacob’s Ladder, Bright Angel Trail (source)
Luis Gispert was photographing car interiors when he stumbled upon a kitschy white Cadillac Escalade, its seats upholstered in fake material from Takashi Murakami’s 2009 collaboration with Louis Vuitton. While the owner showed off his pimped-out ride, the wheels turned in Gispert’s head. “I figured there had to be so many cars with counterfeit interiors”…
This inspired a two-year “obsessive quest” to document a subculture of people crafting custom designs from counterfeit materials. Gispert attended car shows across the country and captured interiors bedazzled with logos, from a Burberry-upholstered BMW to a Gucci-themed Mercedes. Honing in on the culture itself brought Gispert to more-intimate spaces, like the home of a Florida-based drug dealer, whose bedroom was decorated with Versace’s signature Greek Key motif. Gispert’s photographic journey is the subject of an upcoming solo exhibition, Decepcion, at the Mary Boone Gallery in New York [open now]…
He spent a year capturing cars before turning his lens on the owners themselves—many of whom had closets filled with backpacks, sneakers, and jackets custom-made from fake designer materials. Gispert’s project evolved to incorporate portraits of men and women modeling counterfeit fashion, such as a DJ clad in a pleather MCM jumpsuit…
Designer customization was born in the early 1980s, when a haberdasher named Dapper Dan began selling one-of-a-kind Louis Vuitton boots and $8,000 custom Gucci jackets out of his boutique in Harlem. “He was likely cutting up actual Gucci bags and using the materials to make jackets and luxury car interiors,” said Gispert. Dapper Dan’s clientele consisted of drug dealers—until LL Cool J and Mike Tyson took the street trend mainstream…
Unlike Canal Street vendors, Gispert’s subjects aren’t trying to pass off their creations as authentic. “These people are appropriating the material, the actual logos and fabrics, but they’re not trying to mimic high fashion,” he explained. One photograph from the series features a woman wearing a Louis Vuitton dress that Gispert described as “some kind of nightgown, flamenco hybrid.” It looks nothing like Louis Vuitton couture, yet it’s splattered with the designer’s cult logo. “In a way these people are hijacking signs of wealth, bastardizing logos and turning them into something completely unique.”
As we reckon with the collision of High and Low, we might wish a fashionable Happy Birthday to Coco Chanel’s greatest rival, Elsa Schiaparelli; she was born in Rome on this date in 1890. Schiaparelli, who collaborated with artists including Salvador Dali, Jean Cocteau, and Alberto Giacometti to dress socialites (like Daisy Fellowes) and celebrities (like Mae West) was frequently dismissed by Chanel as “that Italian artist who makes clothes.” While Schiaparelli is not as well remembered as Chanel, Schiaparelli made lasting contributions to fashion: she created wraparound dresses decades before Diane von Furstenberg and crumpled up rayon 50 years before Issey Miyake’s pleats and crinkles; she created the first evening-dress with a jacket and the first clothes with visible zippers. But her most fundamental contribution to couture was surely the sense of fun– of playfulness and “anything goes”– that she shared with her Dadaist and Surrealist friends.
Brandalism: Any advertisement in public space that gives you no choice whether you see it or not is yours. It belongs to you. It’s yours to take, rearrange and re-use. Asking for permission is like asking to keep a rock someone just threw at your head.”
— Banksy (Wall and Piece)
The good folks at Behance pondered the ways that familiar logos might be revised better to reflect their subject’s essence…
More at “Honest Logos.”
As we wonder if it can be printed on a tee shirt, we might recall that it was on this date in 1864 that the first instance of mass unsolicited electronic commercial communication occurred. As The Economist recounts: “several British politicians were disturbed by a knock at the door and the delivery of a telegram—a most unusual occurrence at such a late hour. Had war broken out? Had the queen been taken ill? They ripped open the envelopes and were surprised to find a message relating not to some national calamity, but to dentistry. Messrs Gabriel, of 27 Harley Street, advised that their dental practice would be open from 10am to 5pm until October. Infuriated, some of the recipients of this unsolicited message wrote to the Times. ‘I have never had any dealings with Messrs Gabriel,’ thundered one of them, ‘and beg to know by what right do they disturb me by a telegram which is simply the medium of advertisement?’ The Times helpfully reprinted the offending telegram, providing its senders with further free publicity. This was, notes Matthew Sweet, a historian, the first example of what is known today as ‘spam’.”