Posts Tagged ‘Utopia’
“Design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society”*…

Architect Walter Gropius founded the Bauhaus in 1919 in Weimar by merging the state schools of fine and applied arts. In this pamphlet with a frontispiece by Lyonel Feininger, he called on artists to return to craft and to collaborate on architecture, and outlines the new school’s curriculum.
The Harvard Art Museums hold one of the first and largest collections relating to the Bauhaus, the 20th century’s most influential school of art and design. Active during the years of Germany’s Weimar Republic (1919–33), the Bauhaus aimed to unite artists, architects, and craftsmen in the utopian project of designing a new world. The school promoted experimental, hands-on production; realigned hierarchies between high and low, artist and worker, teacher and student; sharpened the human senses toward both physical materials and media environments; embraced new technologies in conjunction with industry; and imagined and enacted cosmopolitan forms of communal living. The legacies of the Bauhaus are visible today, extending well beyond modernist forms and into the ways we live, teach, and learn.
In its mere 14 years of existence, and across its three locations, three directors, and hundreds of students from around the world, the Bauhaus entertained diverse political and artistic positions, and served as hothouse for a variety of “isms,” from expressionism, Dadaism, and constructivism to various hybrids thereof…
Tour the collection at “The Bauhaus.”
* Walter Gropius
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As we grapple with Gropius, we might spare a thought for another kind of utopian– physician and health-food pioneer John Harvey Kellogg, who died on this date in 1943, aged 91. For 62 years before his death, Kellogg operated a sanitarium in Battle Creek, Michigan that was run along holistic lines: a vegetarian, he advocated low calorie diets and developed peanut butter, granola, and toasted cereals; he warned that smoking caused lung cancer decades before this link was studied; and he was an early advocate of exercise. For all that, he is surely best remembered, for having developed corn flakes (with his brother Will, who went on to sweeten and commercialize them).
“It is easier to go down a hill than up, but the view is from the top”*…

Miami Beach, from above
Last weekend, tens of thousands made their annual end-of-summer pilgrimage to the beach…
On ground level, these crowds look like tidal waves of coconut-oiled flesh, but as seen in the work of Belgian photographer Antoine Rose, the effect is much different: from above, the crowds that gather on the beaches of New York and Miami take on splendid geometries that make each beachgoer’s place in the sand seem almost methodical.
The project that eventually became Rose’s Up In The Air series started back in 2000, when he was head photographer of the Kiteboarding World Cup. Using a helicopter to film kiteboarders as they raced, Rose became fascinated with aerial photography. But it was only after flying over the beaches of Ipanema and Copacabana during a kiteboarding final in Rio that Rose turned his lens from athletes to beachcombers, snapping the herd-like patterns of their oiled hides and colorful beach towels and umbrellas from the air…
The photographer insists he doesn’t coordinate his shots, nor does he alter them after the fact with Photoshop, aside from some standard color correction and post-processing. The beaches appear to us just as Rose saw them leaning out of the side of a helicopter with his camera pointed down.
Read more at “Beach Crowds Are Beautiful From 5,000 Feet In The Air,” and see more of Rose’s remarkable photos at his site.
* Arnold Bennett
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As we head for the high ground, we might recall that it was on this date in 1516 that Thomas More sent Libellus vere aureus, nec minus salutaris quam festivus, de optimo rei publicae statu deque nova insula Utopia (or, as we know it today, Utopia), his fictionalized work of political philosophy, to the printer. It was edited by Erasmus, and printed later that year. More, a lawyer, social philosopher, author, statesman, Renaissance humanist, and councillor to Henry VIII of England, was beheaded by Henry in 1535 for refusing to accept the king as Supreme Head of the newly-established Church of England. More was acting in accordance with his opposition to Martin Luther, William Tyndale, and the Protestant Reformation… for which he was canonized in 1935 by Pope Pius XI. (He is remembered by the Church of England as a “Reformation martyr.”) Utopia wasn’t translated into English until 16 years after his execution.

An illustration from the 1516/first edition of Utopia

Thomas More
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