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“Design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society”*…


Architect Walter Gropius founded the Bauhaus in 1919 in Weimar by merging the state schools of fine and applied arts. In this pamphlet with a frontispiece by Lyonel Feininger, he called on artists to return to craft and to collaborate on architecture, and outlines the new school’s curriculum.

The Harvard Art Museums hold one of the first and largest collections relating to the Bauhaus, the 20th century’s most influential school of art and design. Active during the years of Germany’s Weimar Republic (1919–33), the Bauhaus aimed to unite artists, architects, and craftsmen in the utopian project of designing a new world. The school promoted experimental, hands-on production; realigned hierarchies between high and low, artist and worker, teacher and student; sharpened the human senses toward both physical materials and media environments; embraced new technologies in conjunction with industry; and imagined and enacted cosmopolitan forms of communal living. The legacies of the Bauhaus are visible today, extending well beyond modernist forms and into the ways we live, teach, and learn.

In its mere 14 years of existence, and across its three locations, three directors, and hundreds of students from around the world, the Bauhaus entertained diverse political and artistic positions, and served as hothouse for a variety of “isms,” from expressionism, Dadaism, and constructivism to various hybrids thereof…

Tour the collection at “The Bauhaus.”

* Walter Gropius


As we grapple with Gropius, we might spare a thought for another kind of utopian– physician and health-food pioneer John Harvey Kellogg, who died on this date in 1943, aged 91.  For 62 years before his death, Kellogg operated a sanitarium in Battle Creek, Michigan that was run along holistic lines:  a vegetarian, he advocated low calorie diets and developed peanut butter, granola, and toasted cereals; he warned that smoking caused lung cancer decades before this link was studied; and he was an early advocate of exercise.  For all that, he is surely best remembered, for having developed corn flakes (with his brother Will, who went on to sweeten and commercialize them).


Written by LW

December 14, 2016 at 1:01 am

Auld Lang Syne…

Rob Sheridan has a day job; he’s the creative director of Nine Inch Nails.  But he moonlights as a photographer and artist pursuing his own interests… Recently they’ve run to what’s become of the mascots of well-known breakfast cereals:

… For some reason this image has been swimming around in my head for a few years now, and finally – after chipping away at it bit by bit over the last couple months – I’ve brought it to life as a large, absurdly detailed print. It’s kind of about the strange, uncomfortable feeling of reuniting with old friends only to find that the magic just isn’t there anymore – and in turn, about the melancholy “nothing will ever be as good as it used to be” type of nostalgia, of which I am increasingly fond. And of course, a tribute to the late, great, wood-paneled, shag-carpeted 1970’s rec room.

Cereal Mascot Reunion

Thanks to Monster Cereal Blog, where this stunner was featured.

As we watch the chocolate bleed into the milk, we might send birthday balloons to Christopher Robin Milne– real-life model for the wise young friend of Winnie the Pooh– born to Daphne and A.A. Milne on this date in 1920.

A.A. Milne, Christopher Robin… and a bear

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Written by LW

August 21, 2009 at 12:01 am

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