Posts Tagged ‘truth’
“Context is everything”*…
Figure and ground… do all grounds make bad stories, and only figures make good ones?
“What’s the story?”
No question is asked more often by editors in newsrooms than that one. And for good reason: that’s what news is about: The Story.
Or, in the parlance of the moment, The Narrative. (Trend.)
I was just 22 when I wrote my first stories as a journalist, reporting for a daily newspaper in New Jersey. It was there that I first learned that all stories are built around three elements:
1. Character
2. Problem
3. Movement toward resolution
Subtract one or more of those and all you’ll have is an item, or an incident. Not a story. Which won’t run. So let’s unpack those elements a bit.
The character can be a person, a group, a team, a cause—anything with a noun. Mainly the character needs to be worth caring about in some way. You can love the character, hate it (or him, or her or whatever). Mainly you have to care about the character enough to be interested.
The problem can be of any kind at all, so long as it causes conflict involving the character. All that matters is that the conflict keeps going, toward the possibility of resolution. If the conflict ends, the story is over. For example, if you’re at a sports event, and your team is up (or down) by forty points with five minutes left, the character you now care about is your own ass, and your problem is getting it out of the parking lot. If that struggle turns out to be interesting, it might be a story you tell later at a bar.)
Movement toward resolution is nothing more than that. Bear in mind that many stories never arrive at a conclusion. In fact, that may be part of the story itself. Soap operas work that way…
… we do have two big fails for journalism here:
1. Its appetite for stories proves a weakness when it’s fed by a genius at hogging the stage.
2. It avoids reporting what doesn’t fit the story format. This includes most of reality.
My favorite priest says “some truths are so deep only stories can tell them,” and I’m sure this is true. But stories by themselves are also inadequate ways to present essential facts people need to know, because by design they exclude what doesn’t fit “the narrative,” which is the modern way to talk about story—and to spin journalists. (My hairs of suspicion stand on end every time I hear the word “narrative.”)
So here’s the paradox: We need to know more than stories can tell, yet stories are pretty much all human beings are interested in. Character, problem and movement give shape and purpose to every human life. We can’t correct for it.
That’s why my topic here—a deep and abiding flaw (also a feature) of both journalism and human nature—is one most journalists won’t touch. The flawed nature of The Story itself is not a story. Same goes for “earned media coverage.” Both are features rather than bugs, because they cause much of journalism’s success, and debugging them has proven impossible…
Consider The Holocaust (six million dead) vs. the story of Ann Frank. The Rwandan genocide vs. Hotel Rwanda. China’s one child policy (untold millions of full-term fetuses aborted or born babies killed or left beside the road to die) vs. One Child Nation. The Rohingya conflict (more than 10,000 civilians dead, 128,000 internally displaced, 950,000+ chased elsewhere) vs. approximately nobody. Heard of Holodomor? How about any of the millions who died during Mao’s revolution in China?
Without a story, statistics are cemeteries of facts.
Sure, academics and obsessives of other kinds (including journalists) can exhume those facts. But Big-J journalism will always be preoccupied with stories. Including, unavoidably, the genius for generating them who currently occupies the White House…
We traffic in stories because people can’t help being interested in them. But stories also fail at telling truths that don’t fit a tale. Presupposition is part of the problem; but only part. More fundamentally it is the privileging of strong (pure) emotion over messy reality, of “narrative impact” over understanding. Doc Searls (@dsearls) on “Where Journalism Fails,” eminently worth reading in full.
For some practical advice, follow Searls’ link to Jay Rosen’s suggestions.
And for a painful case-in-point, consider the wise Patrick Wyman‘s thoughts on the horrors of January 6:
We have a strong tendency to understand events unfolding as a story, a narrative, with all the structural beats we expect from a story: beginning, rising action, climax, resolution. Even as we’re consciously aware that there will be a tomorrow, a next week, and a next year, it’s hard to avoid treating the most recent big thing – in this case, the riot on the Capitol – as either the end or beginning of one particular story.
Narrative is how we process information and give the world some shape and meaning. But it’s deeply misleading as an attempt to understand the complex interactions between past and present that define a political system…
Do read it in full here.
[Searls’ piece via friend MS]
* In this phrasing and others closely linked, many, many authors/speakers, including Mary Beard, Margaret Atwood, Mary Catherine Bateson, and A.D. Garrett
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As we only connect, we might send circumscribed birthday greetings to Edmund Burke; he was born on this date in Dublin on this date in 1729. An author, orator, political theorist, and philosopher, he moved to England and served for many years in the House of Commons of Great Britain as a member of the Whig party. He’s probably best remembered for his advocacy of the American and his opposition to the French revolutions. While Burke was held up as a beacon by both conservatives and liberals in the 19th century, the 20th century generally viewed him as the philosophical founder of modern conservatism.
In “Consistency in Politics” Winston Churchill wrote:
On the one hand [Burke] is revealed as a foremost apostle of Liberty, on the other as the redoubtable champion of Authority. But a charge of political inconsistency applied to this life appears a mean and petty thing. History easily discerns the reasons and forces which actuated him, and the immense changes in the problems he was facing which evoked from the same profound mind and sincere spirit these entirely contrary manifestations. His soul revolted against tyranny, whether it appeared in the aspect of a domineering Monarch and a corrupt Court and Parliamentary system, or whether, mouthing the watch-words of a non-existent liberty, it towered up against him in the dictation of a brutal mob and wicked sect. No one can read the Burke of Liberty and the Burke of Authority without feeling that here was the same man pursuing the same ends, seeking the same ideals of society and Government, and defending them from assaults, now from one extreme, now from the other.
And indeed, historian Piers Brendon credits Burke’ paternalistic insistence the colonial domination was a trust, with laying the moral foundations for the British Empire: Burke wrote that “The British Empire must be governed on a plan of freedom, for it will be governed by no other”– it was to be so exercised for the benefit of subject people that they would eventually attain their birthright—freedom” …a noble aim that was in the event an ideological bacillus, as Brendon observed, that would prove fatal.
“You can never plan the future by the past.” – “Letter to a Member of the National Assembly” (1791)
“Justice is itself the great standing policy of civil society; and any eminent departure from it, under any circumstances, lies under the suspicion of being no policy at all”. – Reflections on the Revolution in France (1790)

“All that is solid melts into air”*…

Ideas replaced with feelings. A radical relativism that implies truth is unknowable. Politicians who revel in lying openly, shamelessly, as if being caught out is the point of politics. The notion of the people and the many redefined ceaselessly, words unmoored from meaning, ideas of the future dissolving into nasty nostalgias with enemies everywhere, conspiracy replacing ideology, facts equated to fibs, discussion collapsing into mutual accusations, where every argument is just another smear campaign, all information warfare … and the sense that everything under one’s feet is constantly moving, inherently unstable, liquid …
Almost a decade ago I left Russia because I was exhausted by living in a system where, to quote myself invoking Hannah Arendt, “nothing is true and everything is possible.” Those were still relatively vegetarian days in Moscow — before the invasion of Ukraine — but it was already a world where terms like liberal or democracy were used to mean their opposite, where paranoia was increasingly replacing reasoned argument, and where spectacle had pushed out sense. You were left with only gut feelings to lead your way through the fog of disinformation. I returned to the thing once known as “the West,” living in London and often working in the United States, because, in the words of my naïve self, I wanted to live in a world where “words have meaning,” where facts were not dismissed as “just information war.” Russia seemed a country unable to come to terms with the loss of the Cold War, or with any of the traumas of the 20th century. It was ultimately, I thought, a sideshow, a curio pickled in its own agonies. Russians stressed this themselves: in Western Europe, America, things are “normalno” they would tell me. If you have the chance, that is where you send your wives, children, money … to “normalnost.”
Back in the West, however, I soon noticed things that reminded me of Moscow…
Peter Pomerantsev in an essay from his new book, This Is Not Propaganda: Adventures in the War Against Reality: “Normalnost.”
Pair with his essay “The Info War of All Against All” and this review of his book.
[image above: source]
* Karl Marx and Friedrich Engels, The Communist Manifesto
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As we get down with Diogenes, we might expect little or no help from today’s birthday boy, Henri-Louis Bergson; he was born on this date in 1859. A philosopher especially influential in the first half of the 20th Century, Bergson convinced many of the primacy of immediate experience and intuition over rationalism and science for the understanding reality…. many, but not the likes of Wittgenstein, Russell, Moore, and Santayana, who thought that he willfully misunderstood the scientific method in order to justify his “projection of subjectivity onto the physical world.” Still, in 1927 Bergson won the Nobel Prize (in Literature); and in 1930, received France’s highest honor, the Grand-Croix de la Legion d’honneur.
Bergson’s influence waned mightily later in the century. To the extent that there’s been a bit of a resurgence of interest, it’s largely the result, in philosophical circles, of Gilles Deleuze’s appropriation of Bergson’s concept of “mulitplicity” and his treatment of duration, which Deleuze used in his critique of Hegel’s dialectic, and in the religious and spiritualist studies communities, of Bergson’s seeming embrace of the concept of an overriding/underlying consciousness in which humans participate.
“No high-minded man, no man of right feeling, can contemplate the lumbering and slovenly lying of the present day without grieving to see a noble art so prostituted”*…

“Joesph’s Tunic” by Velasquez (in which Joseph’s sons lie to him…)
On the sad occasion of the passing of scholar, showman, and sleight-of-hand expert nonpareil Ricky Jay, your correspondent revisited this 2009 interview, conducted by another remarkable, filmmaker Errol Morris in the late, lamented New York Times‘ Opinionator blog….
We think we know what a lie is, but the moment we try to define it, we run into trouble. Take the definition in the Oxford English Dictionary. (A dictionary definition in an essay should be seen as a red flag, or at the very least, an amber cautionary light, but please bear with me.) According to the O.E.D., a lie is “a false statement made with intent to deceive.” The O.E.D. complicates matters by telling us that to deceive is “to cause to believe what is false, to mislead as to a matter of fact, to lead into error” [emphasis mine] [6]. It also tells us that “in modern use, the word [“lie”] is normally a violent expression of moral reprobation, which in polite conversation tends to be avoided, the synonyms falsehood and untruth being often substituted as relatively euphemistic.” This is where the trouble begins. Are “falsehood” and “untruth” really synonyms for a “lie?” Is lying an attempt merely to mislead or an attempt to get someone to believe that which is false? Or is lying used in two different ways? Here, I believe the O.E.D. is merely reinforcing a standard confusion. I would argue that all that is needed for lying are beliefs about what is true or false — not knowledge of what is true or false.
The fact that there are these two senses of lying gets us into trouble. When we focus on intent, the goal of lying seems utterly clear. When we focus on truth and falsity, we are often led into error…
Read it and reap: “Seven Lies About Lying, Part One and Part Two.”
* Mark Twain, “On the Decay of the Art of Lying”
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As we think about trickery, we might send mannerly birthday greetings to a master of the sly deception and the flattering white lie, Baldassare Castiglione; he was born on this date in 1478. A Renaissance soldier, diplomat, and author, he is most famous for The Book of the Courtier.– a prime example of the courtesy book, offering advice on and dealing with questions of the etiquette and morality of the courtier– which was enormously influential in 16th century European court circles.

Raphael’s portrait of Baldassare Castiglione
“A certain elementary training in statistical method is becoming as necessary for everyone living in this world of today as reading and writing”*…

The declining authority of statistics – and the experts who analyse them – is at the heart of the crisis that has become known as “post-truth” politics. And in this uncertain new world, attitudes towards quantitative expertise have become increasingly divided. From one perspective, grounding politics in statistics is elitist, undemocratic and oblivious to people’s emotional investments in their community and nation. It is just one more way that privileged people in London, Washington DC or Brussels seek to impose their worldview on everybody else. From the opposite perspective, statistics are quite the opposite of elitist. They enable journalists, citizens and politicians to discuss society as a whole, not on the basis of anecdote, sentiment or prejudice, but in ways that can be validated. The alternative to quantitative expertise is less likely to be democracy than an unleashing of tabloid editors and demagogues to provide their own “truth” of what is going on across society.
Is there a way out of this polarisation? Must we simply choose between a politics of facts and one of emotions, or is there another way of looking at this situation?One way is to view statistics through the lens of their history. We need to try and see them for what they are: neither unquestionable truths nor elite conspiracies, but rather as tools designed to simplify the job of government, for better or worse. Viewed historically, we can see what a crucial role statistics have played in our understanding of nation states and their progress. This raises the alarming question of how – if at all – we will continue to have common ideas of society and collective progress, should statistics fall by the wayside…
The ability of statistics to represent the world accurately is declining. In its wake, a new age of big data controlled by private companies is taking over – and putting democracy in peril. William Davies provides historical context, a clear diagnosis of the problem, and thoughts on a response in his important essay, “How statistics lost their power – and why we should fear what comes next.”
* H.G. Wells, World Brain (1938)
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As we take note of numbers, we might send insightful birthday greetings to Roger Newland Shepard; he was born on this date in 1929. A cognitive scientist and emeritus professor at Stanford, he has received both the National Medal of Science and the Rumelhart Prize. While his contributions to his field are many, Shepard is probably best known as inventor of multidimensional scaling, a method for representing certain kinds of statistical data in a plane (or in space) with minimal distortion, so that the data can be apprehended by non-specialists.


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