Posts Tagged ‘Rock History’
Gross!…
Michael Gross, the art director of the National Lampoon in its 70s heyday and creator of the (in)famous work above, also created a parody issue of Print.
Read all about it in “The Cutting Humor of Michael Gross” in ImPrint…
[TotH to J.J. Sedelmaier]
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As we reach for the rubber cement, we might recall that it was on this date in 1955 that Richard Wayne Penniman– better known as Little Richard– recorded Tutti Frutti.” As History.com reports,
“Tutti frutti, good booty…” was the way the version went that Little Richard was accustomed to performing in his club act, and from there it got into lyrical territory that would demand censorship even by today’s standards. It was during a lunch break from his first-ever recording session that Little Richard went to the piano and banged that filthy tune out for producer Bumps Blackwell, who was extremely unhappy with the results of the session so far. As Blackwell would later tell it, “He hits that piano, dididididididididi…and starts to sing, ‘Awop-bop-a-Loo-Mop a-good Goddam…’ and I said ‘Wow! That’s what I want from you Richard. That’s a hit!'” But first, the song’s racy lyrics had to be reworked for there to be any chance of the song being deemed acceptable by the conservative American audience of the 1950s.
An aspiring local songwriter by the name of Dorothy La Bostrie was quickly summoned to the Dew Drop Inn [in New Orleans] to come up with new lyrics for the un-recordable original, and by the time they all returned from lunch, the “Tutti frutti, all rooty” with which we are now familiar was written down alongside lyrics about two gals named Sue and Daisy. In the last 15 minutes of that historic recording session on September 14, 1955, “Tutti Frutti” was recorded, and Little Richard’s claim to have been present at the birth of rock and roll was secured.
Thought Experiment: what if the Beatles had played punk?…
From the ever-illuminating Dangerous Minds:
If The Beatles had been Glaswegian and played Punk they may have sounded a bit like The New Piccadillys, a fab four of respected musicians: George Miller (Lead guitar), Keith Warwick (Rhythm guitar), Mark Ferrie (Bass guitar), and Michael Goodwin (Drums), who have variously worked with Sharleen Spiteri, The Kaisers, The Thanes, Ray Gunn and The Rockets and The Scottish Sex Pistols. This is their toe-taping version of The Ramones’ “Judy is a Punk.” European tours, world domination and Piccadillymania beckon…
“The Nobs,” February 28, 1970, KB Hallen, Copenhagen, Denmark (source)The Sincerest Form of Flattery, Part Two: The Wonders of Cultural Appropriation…
From the always-amusing 11 Points (“Because Top Ten Lists Are For Cowards”), “11 Amazing Fake Harry Potter Books Written In China“…
From Harry Potter and the Leopard Walk-Up-To Dragon (cover above)…
…the author took the text of J.R.R. Tolkien’s “The Hobbit” and replaced the character names with names from the Harry Potter universe. Except for Gandalf — he remains and joins forces with the Potter crew. Here’s a passage, full on [SIC] in advance:
“There was a hobbit, who didn’t even know how to return home. He lived in a hole in the ground, and didn’t know where he came from or where he was going to. He even didn’t know why he had become a hobbit. This was Hogwartz School of Witchcraft and Wizardry 5th year apprentice Harry Potter.”
…through Rich Dad, Poor Dad and Harry Potter…
I couldn’t find a translation of this book (or a picture of its cover) but the title just kills me — smashing together two completely unrelated, but popular, Western book series to produce (I’m guessing) a non-sequitur mess. It would be like the bootleggers making a movie called “Avatar: The Hangover” or a TV show called “Laverne and Shirley and Jon and Kate”.
… to Harry Potter and Platform Nine-and-Three-Quarters…
This is an interesting literary move — they just carbon copied the plot of the first real “Harry Potter” book… but moved the voice to Harry’s first-person perspective. That’s some deep “Rosencrantz and Guildenstern” stuff right there.
An excerpt:
“This was a secret I had cherished in my heart for seven days. It scratched my heart and made it itch, and I decided not to tell anyone of it. But when I saw Hedwig, my owl, jumping outside my window, I knew it was the call from Hogwarts for me.
…
I would ride on my favorite flying broom, together with Hedwig and my magic wand, go-go-go, night clouds in the urban sky would cover my trails, and the meteor you saw in the sky was my traipsing manteau.”
The other eight Harrys, along with some absolutely stunning cover art– including the jacket for Harry Potter and Beaker and Burn, onto which Harry welcomes (for no explicable reason) Flick, the star of Pixar’s A Bug’s Life— at “11 Amazing Fake Harry Potter Books Written In China.”
Readers might note that cultural appropriation of this sort has long (and storied) precedent. Jim Fallows quotes a wonderful passage from “”Wild Bird Hickcock and His Friends,” an essay by James Thurber– a fan of French pulp-novel versions of American Westerns:
There were, in my lost and lamented collection, a hundred other fine things, which I have forgotten, but there is one that will forever remain with me. It occurred in a book in which, as I remember it, Billy the Kid, alias Billy the Boy, was the central figure. At any rate, two strangers had turned up in a small Western town and their actions had aroused the suspicions of a group of respectable citizens, who forthwith called on the sheriff to complain about the newcomers. The sheriff listened gravely for a while, got up and buckled on his gun belt, and said, “Alors, je vais demander ses cartes d’identité!” There are few things, in any literature, that have ever given me a greater thrill than coming across that line.
As we realize that we too are free to mash up, say, Dostoyevsky, we might recall that it was on this date in 1954 that Bill Haley & His Comets released “Rock Around the Clock”, the first rock and roll record to reach number one on the Billboard charts.
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