Michael Gross, the art director of the National Lampoon in its 70s heyday and creator of the (in)famous work above, also created a parody issue of Print.
Read all about it in “The Cutting Humor of Michael Gross” in ImPrint…
[TotH to J.J. Sedelmaier]
As we reach for the rubber cement, we might recall that it was on this date in 1955 that Richard Wayne Penniman– better known as Little Richard– recorded Tutti Frutti.” As History.com reports,
“Tutti frutti, good booty…” was the way the version went that Little Richard was accustomed to performing in his club act, and from there it got into lyrical territory that would demand censorship even by today’s standards. It was during a lunch break from his first-ever recording session that Little Richard went to the piano and banged that filthy tune out for producer Bumps Blackwell, who was extremely unhappy with the results of the session so far. As Blackwell would later tell it, “He hits that piano, dididididididididi…and starts to sing, ‘Awop-bop-a-Loo-Mop a-good Goddam…’ and I said ‘Wow! That’s what I want from you Richard. That’s a hit!'” But first, the song’s racy lyrics had to be reworked for there to be any chance of the song being deemed acceptable by the conservative American audience of the 1950s.
An aspiring local songwriter by the name of Dorothy La Bostrie was quickly summoned to the Dew Drop Inn [in New Orleans] to come up with new lyrics for the un-recordable original, and by the time they all returned from lunch, the “Tutti frutti, all rooty” with which we are now familiar was written down alongside lyrics about two gals named Sue and Daisy. In the last 15 minutes of that historic recording session on September 14, 1955, “Tutti Frutti” was recorded, and Little Richard’s claim to have been present at the birth of rock and roll was secured.