Posts Tagged ‘Philip K. Dick’
“When the going gets weird, the weird turn pro”*…
Philip K. Dick, whose work appeared from the 1950s into the early 1980s, is one of those too-rare writers whose deep questions–and the mind-bending ideas they spawned– are at least as relevant today as then. Jared Shurin offers a path in…
Philip K. Dick is a persistent, iconic cultural presence. His work has given us Blade Runner, Minority Report, The Man in the High Castle, A Scanner Darkly and a pair of Total Recall movies (one of which is an undisputed cinematic classic, the other of which has Colin Farrell). Like all adaptations, these all have a strained (and occasionally distant) relationship with the source material. But however bastardised they are, they demonstrate the greatest strength of PKD’s work: the big idea.
Science fiction’s history is filled with big ideas. But Philip K. Dick had an exceptional, if not unmatched, ability to think about the biggest ideas of them all. What if we are not who we think we are? What are memories if they are not our own? What if reality itself were not, in any sense, real? His work is unbothered with how we make fusion energy or break light speed or maintain life on the moon. The ‘how’ and the ‘what’ are often taken for granted; traditional science fiction platforms used as launch pads for deeper, more provocative expeditions into perception, interpretation, and the nature of truth itself.
Big Ideas are great for inspiring Big Movies, even if something gets lost in translation along the way. Why have Arnie wrestle with existential angst when he can pull a giant metal booger out of his brain instead? With that ease in mind, it is hardly a surprise that Dick thrives in adaptation while his fiction, I’m sorry to say, remains (relatively, at least) unappreciated.
This is not entirely Hollywood’s fault. Dick is inspirational. He’s exciting! He is challenging and surprising, always finding ways to push ideas forward; often beyond the point of exhaustion. His books can twist like a child’s tangled Slinky, and be—frankly—just as infuriating to unwind. In short, and I say this in full transparency: PKD’s works can be hard to read. Especially if one goes in expecting the film.
They are, however, well worth reading. Below, you’ll find a few suggestions on where to start, and why. I’m a believer in not plunging into the deep end, which, with Dick, can be outright abyssal. Instead, there’s merit in starting with some of the slightly more straightforward (for him) works, which riff off recognisable tropes and scenarios, but in a uniquely Dickian way. (I’m sure there are many brilliant readers out there that read VALIS when they were ten and think I’m a big weenie. I look forward to hearing from you in the comments.)…
There follows a path into the extraordinary works of PKD.
A reader’s guide: “Jump in the Deep End With Philip K. Dick,” from @reactorsff.bsky.social.
FWIW, your correspondent, while agreeing that VALIS (and The Divine Invasion) are titles to hold until one is acclimated, would include Time Out of Joint (1959) as one of the novels with which to start… but then, that’s the point of lists like this :)
* Hunter S. Thompson
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As we wrestle with reality, we might recall that it was on this date in 1993 (on the anniversary of the introduction of the first “TV dinner” about 40 years earlier) that the The X-Files, created by Chris Carter, premiered on Fox. The series– which followed FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) as they investigated unsolved cases involving paranormal phenomena, government conspiracies, and extraterrestrial life– spawned two feature films, multiple spin-offs, a revival series, and a dedicated fanbase known as “X-Philes.” The show’s tagline, “The Truth Is Out There,” has, of course, become an enduring phrase in popular culture.
“Sooner or later, everything old is new again”*…
Maude Mayberg, a.k.a. Madame Yale, in her “laboratory”
On an April afternoon in 1897, thousands of women packed the Boston Theatre to see the nation’s most beguiling female entrepreneur, a 45-year-old former homemaker whose talent for personal branding would rival that of any Instagram celebrity today. She called herself Madame Yale. Over the course of several hours and multiple outfit changes, she preached her “Religion of Beauty,” regaling the audience with tales of history’s most beautiful women, a group that included Helen of Troy, the Roman goddess Diana and, apparently, Madame Yale.
The sermon was her 11th public appearance in Boston in recent years, and it also covered the various lotions and potions—products that Yale just happened to sell—that she said had transformed her from a sallow, fat, exhausted woman into the beauty who stood on stage: her tall, hourglass figure draped at one point in cascading white silk, her blond ringlets falling around a rosy-cheeked, heart-shaped face. Applause thundered. The Boston Herald praised her “offer of Health and Beauty” in a country where “every woman wants to be well and well-looking.”
Madame Yale had been delivering “Beauty Talks” coast to coast since 1892, cannily promoting herself in ways that would be familiar to consumers in 2020. She was a true pioneer in what business gurus would call the wellness space—a roughly $4.5 trillion industry globally today—and that achievement alone should command attention. Curiously, though, she went from celebrated to infamous virtually overnight, and her story, largely overlooked by historians, is all the more captivating as a cautionary tale…
A century before today’s celebrity health gurus, an American businesswoman was a beauty with a brand: “Madame Yale Made a Fortune With the 19th Century’s Version of Goop.”
* The Colorado Kid)
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As we contemplate comeliness, we might spare a thought for writer who explored our fascination with fascinating, Philip Kindred Dick; he died on this date in 1982. A novelist, short story writer, essayist and philosopher, Dick published 44 novels and 121 short stories, nearly all in the Science Fiction genre. While he was recognized only within his field in his lifetime, and lived near poverty for much of his adult life, twelve popular films and TV series have been based on his work since his death in 1982 (including Blade Runner, Total Recall, A Scanner Darkly, Minority Report, Paycheck, Next, Screamers, The Adjustment Bureau, Impostor, and the Netflix series The Man in the High Castle). In 2005, Time magazine named Ubik one of the hundred greatest English-language novels published since 1923; and in 2007, Dick became the first science fiction writer to be included in The Library of America series.
We might also note that it’s the birthday of Chris Martin, front man of the inexplicably-popular pop group Coldplay, and the “consciously uncoupled” ex of Gwyneth Paltrow, the heir to Madame Yale.
“The early 70s were the days when all the survivors of the Sixties went a bit nuts”*…
Stephen Paul Miller calls the seventies the uncanny decade — the “undecade.” Things were particularly weird in these years, which remain shrouded in America’s cultural memory, as if by a kind of smog. One reason for the haze is the period’s elusive placement between the highly overdetermined sixties — often considered by historians to last well into the subsequent decade — and the more garish icons that come to the fore later in the seventies, like disco and punk, Pong and Star Wars, Jonestown and the Bicentennial. Indeed, liminality is a key characteristic of the early seventies. Radical and transformative forces unleashed in the sixties mutated and dissipated into much broader segments of culture and society. One no longer needed to be an inhabitant of San Francisco, the East Village, or Ann Arbor to explore the creative maelstrom of drugs, uncorked sexual experimentation, and the alternative worldviews associated with radical politics or the occult revival. Thresholds were everywhere.
At the same time, and in stark contrast to the previous years, the horizon of individual and social possibilities abruptly narrowed. Whether left, right, or center, the nation drifted into a Slough of Despond perhaps unprecedented in American history. In polls taken at the end of the seventies, people looked back at a decade of “disillusion and cynicism, helplessness and apprehension,” a list we might as well round out with disorientation, paranoia, boredom, and frustrated rage. I suspect that one reason we find ourselves dependably amused by tacky seventies fluff like shag carpet, massive sideburns, and smiley face buttons is that we need to keep the trauma and perplexity of the era at bay. This is despite (or due to) the fact that so many of the era’s bummers resonate with our own: fears about terrorism and environmental collapse, surveillance paranoia, political cynicism, foreign war fatigue, and a pervasive apocalyptic undertow that tugs beneath an over-heated, desperately sexualized, fantastical, and often bleak popular culture…
Three psycho-spiritual “events” of the 1970s — involving Philip K. Dick, Robert Anton Wilson, and Terence and Dennis McKenna — had a strange synchronicity. In an excerpt from his new book, High Weirdness, the ever-illuminating Erik Davis explains: “In the Age of the Psychonauts.”
* Robert Anton Wilson
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As we push at the doors of perception, we might recall that it was on this date in 1971 that the theatrical musical Jesus Christ Superstar premiered on Broadway. With music by Andrew Lloyd Webber and lyrics by Tim Rice, it had originated the prior year as a concept album (that was given a concert performance in Pittsburgh earlier in 1971).
“This may be the most important proposition revealed by history: ‘At the time, no one knew what was coming’.”*…
Well, maybe someone had an inkling…
Philip K. Dick‘s Radio Free Albemuth (1985).
Unlike Dick’s many stories set in a dystopian future, this one is set in a dystopian present — one in which an opportunistic incompetent, the mouthpiece for a crackpot conspiracy theory and front-man of a right-wing populist movement, becomes president of the United States with the secret support of the KGB and the FBI. (“Why should disparate groups such as the Soviet Union and the U.S. intelligence community back the same man? … They both like figureheads who are corrupt. So they can govern from behind.”) As he wages war against “Aramchek,” an imaginary subversive organization, President Fremont abrogates American civil liberties; this leads to the emergence of a resistance movement… organized through transmissions from a superintelligent, extraterrestrial being or network known as VALIS. (See Dick’s 1981 novel VALIS.) Nicholas Brady, a record store employee, is the recipient of these transmissions, and a kind of subliminal organizer of the resistance; his experiences are a lightly fictionalized version of Dick’s own infamous “2–3–74” gnostic freak-out. As Brady becomes a successful record producer (encoding anti-Fremont messages into folk songs), his best friend, science-fiction writer Philip K. Dick, struggles in vain to stay out of the clutches of the right-wing populists. Brady’s ultimate song-message is written by a woman named Aramchek; it is recorded by a band called, yes, Alexander Hamilton.
Fun facts: Drafted in 1976, published posthumously despite not being finalized. The novel was adapted by John Alan Simon in 2010; the film stars Jonathan Scarfe as Brady, Shea Whigham as Dick, and Alanis Morissette as Sylvia Aramchek…
Via the ever-educational HiloBrow…
* 1Q84
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As we ponder prescience, we might recall that it was on this date in 1960 that The Twilight Zone aired its 31st episode in its inaugural season, “The Chaser.” As IMDb recounts, “a young man obsessed with winning over an uninterested beauty gets more than he bargained for when he buys a love potion to gain her affection.”
“All we are not stares back at what we are”*…
I went to a bookstore and asked the saleswoman, “Where’s the self-help section?” She said if she told me, it would defeat the purpose.
– George Carlin
Napoleon Hill is the most famous conman you’ve probably never heard of. Born into poverty in rural Virginia at the end of the 19th century, Hill went on to write one of the most successful self-help books of the 20th century: Think and Grow Rich. In fact, he helped invent the genre. But it’s the untold story of Hill’s fraudulent business practices, tawdry sex life, and membership in a New York cult that makes him so fascinating…
Modern readers are probably familiar with the 2006 sensation The Secret, but the concepts in that book were essentially plagiarized from Napoleon Hill’s 1937 classic Think and Grow Rich, which has reportedly sold over 15 million copies to date. The big idea in both: The material universe is governed quite directly by our thoughts. If you simply visualize what you want out of life, those things and more will be delivered to you. Especially if those things involve money…
You can see the influence of Hill in everything from the success sermons of Tony Robbins to the crooked business dealings of Trump University. In fact, you can draw a direct line to Donald Trump’s way of thinking through Norman Vincent Peale, an ardent follower of Napoleon Hill. Reverend Peale, author of the 1952 book The Power of Positive Thinking, was Donald Trump’s pastor as a child [c.f. here]…
I’m not here to say that there’s nothing to be learned from some of Hill’s writings—especially those that speak of self-confidence, being kind to others, and going the extra mile for something you believe in. But the real story behind Napoleon Hill’s life is long past due…
That fascinating tale in full at “The Untold Story of Napoleon Hill, the Greatest Self-Help Scammer of All Time.”
* W.H. Auden
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As we tell ourselves that we’re OK, we might send speculative birthday greetings to the anti-Hill, Philip Kindred Dick; he was born on this date in 1928. A novelist, short story writer, essayist and philosopher, Dick published 44 novels and 121 short stories, nearly all in the Science Fiction genre. While he was recognized only within his field in his lifetime, and lived near poverty for much of his adult life, twelve popular films and TV series have been based on his work since his death in 1982 (including Blade Runner, Total Recall, A Scanner Darkly, Minority Report, Paycheck, Next, Screamers, The Adjustment Bureau, Impostor, and the Netflix series The Man in the High Castle). In 2005, Time magazine named Ubik one of the hundred greatest English-language novels published since 1923; and in 2007, Dick became the first science fiction writer to be included in The Library of America series.
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