(Roughly) Daily

Posts Tagged ‘motion pictures’

The Perils of Early Adoption…

On November 26, 1936, three weeks after television transmissions began in England, Mr G.B. Davis of Dulwich (south–east London) paid 99 pounds. 15 shillings– over half the average annual wage of the day, equivalent to almost 4,000 pounds today– for the seventh television set manufactured in the UK, a Marconi “Type 702, number 1-007.”  The receiver had a 12-inch screen contained in a walnut and mahogany case, with a mirror in the lid onto which the picture was reflected.

But poor Mr. Davis (presumably along with his fellow early enthusiasts) was able to enjoy his pioneering purchase for only a few hours: three days after he took the plunge, the nearby Crystal Palace and its transmitter burned down.  The area could not receive television pictures again until 1946.

But Mr. Davis’ loss is his grandchildren’s gain.  Bonham’s is set to auction the set later this month. There are more Stradivarius violins in existence that pre-war TVs, so the auction house expects the set to fetch much more than it’s pre-sale estimate of 5,000 pounds.

Read the full story in The Telegraph.

As we summon memories of Sid Caesar and Soupy Sales, we might recall that it was on this date in 1953 that the first color 3-D feature film premiered– House of Wax.  Shot with a two-camera process, and viewed through “stereo” glasses with differently tinted lens, the film grossed a then-impressive $4.3 million.  It launched its star, Vincent Price, on a career in the horror genre, and goosed the careers of his supporting players, Phyllis Kirk and Charles Buchinsky (who shortly thereafter changed his name to Charles Bronson).  House of Wax kicked off the first period of enthusiasm for 3-D films (the second, a year-long period in the 70s); we are, of course, currently in the third.

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All Singing! All Dancing!– All Free!…

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From Chaplin and Keaton to Astaire and Olivier; from Kurosawa and Godard to von Sternberg and Tarkovsky; from Scorsese and Hitchcock to Ford and Huston– 300 Free Movies Online.

(Readers should be sure to look through the list to the very bottom, where they will find a list of links to more streaming riches…)

As we politely refuse butter, we might recall that it was on this date in 1958 that Paul Newman and Joanne Woodward were married; they celebrated their 50th anniversary just months before Newman succumbed to lung cancer at the age of 83.

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I may not know art, but…

The good folks at Metaphilm (“enjoying the late-night conversation about—you know—what the movie ‘really’ means”) invoke the spirit of their patron saint Robert Bresson to serve up an on-going series of essays that decode (“we don’t review, we interpret”).

Your correspondent has enjoyed entries ranging from…

Sympathy for the Devil
Dorothy Sayers and the American Faust Film
How a British Detective Novelist Can Help Us Understand an American Film Obsession

to…

Knight and Day vs. Inception
More Than This
Knight and Day delivers all the profundity that Inception only promises

But perhaps no one entry has been as impactful as Galvin P. Chow’s (in)famous reinterpretation of David Fincher’s martial masterpiece…

Fight Club
The Return of Hobbes
Hobbes is reborn as Tyler to save “Jack” (a grown-up Calvin) from the slough of un-comic despair

And lest readers think that criticism is an empty exercise, with no meaningful influence on the field that it surveys, consider GorillaMask’s illustration of Chow’s thesis:  I am Jack’s Calvin and Hobbes…

(Special Calvin and Hobbes bonus:  Michael “Bing” Yingling’s Calvin and Hobbes, the Search Engine… tres cool!)

As we renew our subscriptions to Cahiers du Cinéma, we might recall that it was on this date in 1536 that monk, physician, humanist scholar, and writer Francois Rabelais  was absolved  by Pope Paul III of apostasy and allowed to get on with his work, both medical and literary.  Rabelais’ influential (and oft-imitated) satiric masterpiece, Gargantua and Pantagruel (five books, 1532-52) is a mock-quest… with the emphasis decidedly on the “mock”: the “prize” sought being at times the ideal toilet paper, at times the wisdom of the Holy Bottle.

Rabelais

Hold still…

From Christian Annyas, “The Movie Title Stills Collection“– screen shots of the head titles, end titles, and trailer titles from hundreds of feature films dating from the 1920s to today.

 

As we fiddle with our fonts, we might recall that it was on this date in 1961 that Danish barbers’ assistants, who had begun a labor action in Copenhagen in 1938, ended their 33-year-long strike– the longest on record.

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Oh. My. God!…

This pretty little dress was most likely made for the ’72 television version of Emma. It was used again several years later on Mrs.Hurst in Pride and Prejudice. It is seen on in the background on an extra at a ball in Mansfield Park a few years later. Most recently it was seen in the mini-series John Adams in the episode “Unnecessary War.”

 

359 (so far) other illustrated examples at Recycled Movie Costumes.

As we look discretely over our shoulders, we might recall that Ralph Rueben Lifshitz was born in New York City on this date in 1939.  Better known by his designer name, Ralph Lauren, he remade American wardrobes with lines like Chaps and Polo– and in the process, conjured a broad nostalgia for a “past” that he created, as it were, from whole cloth.

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