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Posts Tagged ‘manual

“All business sagacity reduces itself in the last analysis to judicious use of sabotage”*…

 

sabotage

 

Since World War II, US intelligence agencies have devised innovative ways to defeat their adversaries. In 1944, CIA’s precursor, the Office of Strategic Services (OSS), created the Simple Sabotage Field Manual.

This classified booklet described ways to sabotage the US’ World War II enemies. The OSS Director William J. Donovan recommended that the sabotage guidance be declassified and distributed to citizens of enemy states via pamphlets and targeted broadcasts.

Many of the sabotage instructions guide ordinary citizens, who may not have agree with their country’s wartime policies towards the US, to destabilize their governments by taking disruptive actions. Some of the instructions seem outdated; others remain surprisingly relevant. Together they are a reminder of how easily productivity and order can be undermined.

Here’s a list of five particularly timeless tips from the Simple Sabotage Field Manual:

  1. Managers and Supervisors: To lower morale and production, be pleasant to inefficient workers; give them undeserved promotions. Discriminate against efficient workers; complain unjustly about their work.

  2. Employees: Work slowly. Think of ways to increase the number of movements needed to do your job: use a light hammer instead of a heavy one; try to make a small wrench do instead of a big one.

  3. Organizations and Conferences: When possible, refer all matters to committees, for “further study and consideration.” Attempt to make the committees as large and bureaucratic as possible. Hold conferences when there is more critical work to be done.

  4. Telephone: At office, hotel and local telephone switchboards, delay putting calls through, give out wrong numbers, cut people off “accidentally,” or forget to disconnect them so that the line cannot be used again.

  5. Transportation: Make train travel as inconvenient as possible for enemy personnel. Issue two tickets for the same seat on a train in order to set up an “interesting” argument…

From the CIA, a “classic” that can be read (as Veblen suggests) as a guide to what an executive should avoid in his/her own organization and what s/he might encourage in others: “Timeless Tips for ‘Simple Sabotage’.” Download the full Simple Sabotage Field Manual here.

(TotH to David Perell)

* Thorstein Veblen

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As we muse on the fragility of it all, we might recall that it was on this date in 1869 that Thomas Edison was gratnted his first patent (U.S. Patent 90,646) for an “electric vote recorder.”  He was in Louisville, KY at the time, where he had as a night shift employee of Western Union, assigned to the Associated Press; Edison preferred graveyard duty, as it left him lots of unsupervised time to read and experiment.  He had been fired a few moths earlier, when one of his projects leaked sulfuric acid onto the floor… where ran between the floorboards and onto his boss’s desk below.   When his vote recorder failed to find a market, Edison moved to the New York City area, where his career as we all know it began in earnest.

vote recorder source

 

Written by (Roughly) Daily

June 1, 2020 at 1:01 am

“Good taste is the first refuge of the non-creative. It is the last ditch stand of the artist”*…

 

Filmmaker Samantha Horley recently posted an image of this set of “Guidelines,” which she found among her father’s effects, on her Facebook page. Horley told me that her aunt worked at the BBC as a secretary in the 1960s and 1970s; she thinks the page originally came from her aunt’s papers.

The BBC’s press office told me, over email, that the page looks like it came from The BBC Variety Programmes Policy Guide For Writers and Producers, published in 1948. Although the BBC spokesperson couldn’t confirm this theory, I think this sheet was probably printed up for the amusement of employees in the more free-and-easy 1970s.The BBC reprinted the entire document as a book in the late 1990s; it’s now out of print, but here is a version in PDF. The longer document includes provisions that are less overtly amusing than this section but are interesting nonetheless, offering guidelines on libel and slander, religious and political references, and jokes about physical and mental disability.

Under the heading “American Material and ‘Americanisms,'” the anonymous authors of the handbook observed that “American idiom and slang” were often found in scripts and that “dance band singers for the most part elect to adopt pseudo American accents.” This “spurious Americanisation” should be avoided, the handbook urged, since it was “unwelcome to the great majority of listeners and … seldom complimentary to the Americans.”

Via the invaluable Rebecca Onion and her blog, The Vault.

* Marshall McLuhan

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As we mind our P’s and Q’s, we might recall that it was on this date in 1782 that Donatien Alphonse François, Marquis de Sade, escaped from prison… only to be quickly apprehended.   The French aristocrat, revolutionary politician, philosopher, author, and libertine spent much of his adult life behind bars.  In 1778, de Sade had been imprisoned by order of the king: ostensibly his offense was licentious behavior; but historians note that his mother-in-law, at whose urging the king acted, believed that the young Marquis was spending her daughter’s money too quickly.  (There were also accusations of an affair with his wife’s sister… and it may have further motivated the mother-in-law that her daughter was rumored to be complicit in de Sade’s sexual escapades.)  In any case, it was in the Bastille that he battled boredom by writing– among other things, The 120 Days of Sodom.

He was freed from prison in 1790, and ingratiated himself with the new Republic (calling himself “Citizen Sade”).  de Sade began writing again, anonymously publishing works including Justine and Juliette… until, in 1801, Napoleon ordered his arrest (again for indecency and blasphemy).  de Sade spent two years in prison, until his family had him declared insane, and moved him to the asylum at Charenton (the scene of Peter Weiss’s remarkable play Marat/Sade), where he died in 1814.

 source

 

Written by (Roughly) Daily

July 16, 2015 at 1:01 am