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Posts Tagged ‘Magazine

“I believe in looseness”*…

 

Robert Greene as pictured in the frontispiece to John Dickenson’s Greene in Conceipt (1598)- the only known image of the dramatist, poet, pamphleteer

Known for his debauched lifestyle, his flirtations with criminality, and the sheer volume of his output, the Elizabethan writer Robert Greene was a fascinating figure.  Ed Simon explores the literary merits and bohemian traits of the man who penned the earliest known (and far from flattering) reference to Shakespeare as a playwright: “Robert Greene, the First Bohemian.”

* Willie Nelson

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As we frolic on the fringes, we might recall that it was on this date in 1750 that the first issue of the first college student magazine, Student, or the Oxford and Cambridge Miscellany, was published.

Cover of a 20th century collected reprint

source

 

Written by LW

January 31, 2016 at 1:01 am

So it went…

source

In the late 70s, Tony Wilson— who would go on to co-found Factory Records (the seminal independent label that embodied “The Manchester Sound”) and The Hacienda (the warehouse-based club that was the birthplace of the rave)– hosted a tea-time television show called So It Goes.

A weekly arts/culture/music series, the program’s passion was emerging new pop music…  which in those days meant Punk and New Wave.

The Way We Were is a Channel 4 (UK) retrospective first broadcast circa 1984.– a compilation of performances by bands performing on So It Goes– many of them making their TV debuts: Sex Pistols, Clash, Buzzcocks, Iggy Pop, The Fall, Elvis Costello, Blondie, Penetration, Wreckless Eric, Ian Dury, Tom Robinson, Magazine, John Cooper Clarke, XTC and Joy Division…

[TotH to Richard Metzger and his essential Dangerous Minds for the lead to TWWW]

As we slam dance down memory lane, we might recall that it was on this date in 1976– as we in the U.S. were beginning our Bi-Centennial Day celebrations– that the Clash gave their first public performance: they opened for the Sex Pistols at The Black Swan in Sheffield, England.  As U2 guitarist The Edge later wrote, “This wasn’t just entertainment. It was a life-and-death thing….It was the call to wake up, get wise, get angry, get political and get noisy about it.”

The Clash, 1976 (source)

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