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Posts Tagged ‘glass

“Sopping, and with no sign of stopping, either- then a breather. Warm again, storm again- what is the norm, again? It’s fine, it’s not, it’s suddenly hot: Boom, crash, lightning flash!”*…

 

Farmers Alamanac

 

Americans are highly dependent on weather forecasts. Today, most of us rely on modern technology for predictions about the weather—forecasts based on readings of countless measuring tools, fed into computer models, then analyzed and broadcast or sent straight to our smartphones. But I had other tools of weather prediction, small enough to fit in my backpack: two farmers almanacs. They’ve been around hundreds of years, since before the Civil War, and have survived the advent of modern technology.

Almanacs occupy a special place in the history of weather prediction. In the 1700s and 1800s, scores of publishers printed almanacs, and they were trusted widely enough as a source that Abraham Lincoln once won a murder trial using an almanac as evidence. Today, though, there are easier, more modern, and more scientific—simply, better—ways to tell the weather. Yet The Old Farmer’s Almanac, founded in 1792, is among the longest-running continuously published periodicals in the United States. The Farmers’ Almanac, which began publishing in 1818, is not far behind it. Which led me to wonder: Who still reads farmers almanacs?

As it turns out, a lot of people. The Old Farmer’s Almanac’s editors say it prints and distributes around 3 million copies a year, selling them at retail locations across the U.S. and in Canada. Its parent company, Yankee Publishing Inc., which also publishes Yankee and New Hampshire magazines, and several forms of Almanac-adjacent products like calendars and versions for kids, is profitable, according to its editors. In October, The Old Farmer’s Almanac topped the Boston Globe’s regional bestseller list in paperback nonfiction…

Modern media is a mess and weather prediction remains a crap shoot, but the only kind of publication that combines both—almanacs—are not only surviving, but thriving in the 21st century: “The Surprising Success of America’s Oldest Living Magazine.”

* The Old Farmer’s Almanac

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As we turn the page, we might send cultivated birthday greetings to Sir Joseph Paxton; he was born on this date in 1803.  In 1826, Paxton, a young gardener, began work as Head Gardener to William Cavendish, the 6th Duke of Devonshire, possessor of one of England’s premier gardens on his estate, Chatsworth.

Paxton settled into his job and became the Duke’s right-hand man for projects on the estate.  Paxton noticed the need of a conservatory, so designed and built one: The Great Conservatory at Chatsworth.  Paxton took advantage of the then-recent introduction of the sheet glass method into Britain by Chance Brothers to construct what was, at the time, the largest glass structure in England.  It was lit with twelve thousand lamps when Queen Victoria was driven through it in 1842, and she noted in her diary: “It is the most stupendous and extraordinary creation imaginable.”

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So, when Prince Albert hatched plans for The Great Exhibition of the Works of Industry of all Nations– or the Great Exhibition, as it was more familiarly known– to be held in 1851, Paxton was recruited to design its central building: The Crystal Palace.

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Paxton was knighted, and went on to cultivate the Cavendish banana, the most consumed banana in the Western world, and to serve as a Member of Parliament.

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“More poetry, less demo”*…

 

School for Poetic Computation is an artist run school in New York that was founded in 2013. A small group of students and faculty work closely to explore the intersections of code, design, hardware and theory — focusing especially on artistic intervention. It’s a hybrid of a school, residency and research group…

The school for poetic computation is organized around exploring the creative and expressive nature of computational approaches to art and design. The school approaches writing code like creative writing — focusing on the mechanics of programming, the demystification of tools, and hacking the conventions of art-making with computation.

We value the craft necessary to realize an idea, recognizing that every writer needs space and time to hone their trade. Our school aims to provide a safe haven for you to get acquainted with the craft of coding at your own pace, make it your own, and investigate the space between creative process and craft. This takes conversations with colleagues and the right push at the right time.

The school aims to be more than a technical bootcamp. It is an opportunity to work intensively with a small group of students, faculty, and artists to explore questions about the poetics of computation. For us, computation is poetic when technology is used for critical thinking and aesthetic inquiry – a space where logic meets electricity (hardware), math meets language (software) and analytical thinking meets creative experimentation…

More about the New York City-based School here; more projects (larger and more legible) here; and more background, via the School’s blog, here.

* motto of the School for Poetic Computation

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As we get past the do loops to just do it, we might recall that it was on this date in 1667 that Samuel Pepys took delivery of the first recorded glass-fronted bookcase.  He wrote in his famous diary:

“So took up my wife and home, there I to the office, and thence with Sympson, the joyner home to put together the press he hath brought me for my books this day, which pleases me exceedingly.”

and a few days later he wrote:

“and then comes Sympson to set up my other new presses for my books, and so he and I fell into the furnishing of my new closett … so I think it will be as noble a closett as any man hath.”

These cabinets– each with paired glazed doors in 21 small panes, over a low section, also with glazed panes, made to hold large folio volumes– are believed to be the same bookcases on display in the Pepys Library at Magdalene College, Cambridge.

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Written by LW

August 17, 2014 at 1:01 am

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