Posts Tagged ‘John Lennon’
“For the largest part ill handwriting in the world is caused by hurry”*…
Happily, there are some with the virtue of patience– and as Todd Oppenheimer (the founder, editor, and publisher of Craftsmanship) explains, with equal measures of creativity and resourcefulness…
One of the things I love most about publishing a magazine on craftsmanship is that it continually leads me to little-known but fascinating subcultures.
Almost without fail, these communities are filled with highly talented sorts, who pursue their endeavors with uncommon passion and commitment. That was certainly the case, in extremis, when I dove recently into the world of calligraphy.
I know—the practice of calligraphy is no secret. First introduced in China, it has been around since 1600 BCE, and over the centuries took shape in one form or another in virtually every culture across the globe. What I didn’t know about—even though I’ve been fussing with fountain pens and my own versions of calligraphy since I was a teenager—are the craft’s complex dimensions behind the scene, and its numerous, much-admired innovators. By some measures, we might even be in the midst of a kind of calligraphy renaissance. Hundreds of different calligraphy societies are operating across the globe today, many growing vigorously. Perhaps most surprising, the craft seems to be attracting a new generation of young enthusiasts, particularly in the U.S…
The fascinating story, beautifully illustrated: “Calligraphy’s Magicians.”
* Lewis Carroll/Charles Dodgson
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As we practice our hand, we might recall that it was on this date in 1957 that two gentlement whose pen work was hugely consequential (if not beautiful) met for the first time: Beatles songwriting team John Lennon and Paul McCartney met for the first time at the St. Peter’s Church Rose Queen garden fête in Woolton (near Liverpool), England, at which Lennon’s skiffle group The Quarrymen were playing. In the audience was 15-year-old Paul McCartney. At the Woolton Village Hall across the street, where The Quarrymen were scheduled to perform that evening, McCartney borrowed Lennon’s guitar to play Eddie Cochran’s “Twenty Flight Rock” as well as Little Richard’s “Long Tall Sally” on the hall’s piano. Lennon later told biographer Hunter Davies, “I half thought to myself, ‘He’s as good as me.’ If I take him on, what will happen? It went through my head that I’d have to keep him in line if I let him join. But he was good, so he was worth having. He also looked like Elvis. I dug him.”
“Instant karma’s gonna get you, gonna knock you right on the head”*…
What goes round…
Bored Panda collected a schadenfreude-filled list of “50 Times Justice Was Served To People Who Totally Deserved It.”
… comes round: “Excellent examples of people getting exactly what they deserve,” from @pesco in @BoingBoing. All of them, here.
* John Lennon
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As we ponder predestined propriety, we might recall that it was on this date in 1988 that Def Leppard‘s “Love Bites” hit #1 on the Billboard Hot 100. The follow-up single (from the #1 album Hysteria, which won a string of industry awards and racked up global sales totaling over 25 million) to “Pour Some Sugar on Me,” the power ballad is considered a classic of the glam metal genre.
“The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There’s also a negative side.”*…
I would like to begin this talk on the future of “popular” music with a few cautionary notes about our ability to see into the future clearly. The fact is, it would appear we are not very good at it. Somewhere back in our Savannah DNA, we got very good at reacting to danger when it presented itself — say a lion or tiger. However, it seems we are less capable of looking ahead to avoid danger. In other words, we are a reactive rather than proactive animal. The contemporary analogy in relation to climate change is that we are similar to the frog in a pot of hot water who does not have the sensors to recognize the increasing temperature and the fact that he should get out of the boiling pot.
Yes, there have been a handful of futurists – H.G Wells, Aldous Huxley, and given the state of many current governments I would grudgingly include Ayn Rand. Probably the most successful futurists in our lifetime may have been Marshall McLuhan and Stanley Kubrick, but even so, all of these writers and film makers have been only partially successful gazing into the crystal ball. Given that the past is no more fixed than the future I begin this conversation with you.
What I hope to discuss in this time with you is the relationship between technology, the gift of music and the commodification of that gift and how that gift and the commodification of the gift has been eroded in the digital age, and as I see it, could continue to be eroded well into the 21st century…
A provocative talk by Ian Tamblyn, a pillar of the Canadian music world, on popular music and its uncertain future: “A brief history of why artists are no longer making a living making music.”
TotH to friend CE. Image above: source.
* Hunter S. Thompson
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As we pay the piper, we might recall that it was on this date in 1969 that John Lennon and Yoko Ono were married in the British Consul’s office in Gibraltar. “We wanted to get married on a cross-channel ferry – that was the romantic part,” Lennon said in the Beatles Anthology documentary. “We went to Southampton and then we couldn’t get on because she wasn’t English, and she couldn’t get the day visa to go across. They said, ‘Anyway, you can’t get married. The Captain’s not allowed to do it any more.'”
The Vice President will see you now…
A firearms instructor accidentally shot a student while teaching a gun-safety class on Saturday in Fairfield County [Ohio] to people seeking permits to carry concealed weapons.
Terry J. Dunlap Sr., who runs a shooting range and training center at 6995 Coonpath Rd. near Lancaster, was demonstrating a handgun when he fired a .38-caliber bullet that ricocheted off a desk and into student Michael Piemonte’s right arm.
Dunlap, 73, also is a long-time Violet Township trustee who is running for re-election in November.
Yesterday, Piemonte said he feels lucky, and it could have been worse.
He and his wife, Allison, both 26 and residents of Pataskala in Licking County, attended the daylong concealed-carry class together.
“My wife was sitting just inches away from me,” he said. “It could have easily hit her.”
Dunlap apparently didn’t know that the gun was loaded, Piemonte said — “That’s my guess”…
Read the full story in The Columbus Dispatch, and here (from whence, the photo above).
Oh, and as Gawker reports, a Republican state senator in Arkansas who is leading a legislative committee on the subject of giving guns to school teachers accidentally shot a teacher during an “active shooter” drill earlier this year.
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As we load and lock, we might recall that it was on this date in 1971 that John Lennon and Yoko Ono landed in New York City, having left London in the aftermath of the break-up of the Beatles. They took up residence at the Dakota, near what’s now known as “Strawberry Fields,” two years later.
The man who made the clothes that make the man…
Nudie Cohn, perched on one of his 18 custom cars (source)
Nuta Kotlyarenko immigrated to America from Kiev at age 11, and bought into the American Dream big time. After kicking around the country as a shoeshine boy and a boxer (and indeed, he claimed, as a companion of Pretty Boy Floyd), Kotlyarenko– by then, “Cohn”– and his wife opened a New York lingerie store, Nudies for the Ladies, specializing in custom-made undergarments for showgirls.
In 1947, after relocating to Los Angeles– and taking “Nudie” as his given name– Cohn persuaded a young, struggling country singer named Tex Williams to buy him a sewing machine with the proceeds of an auctioned horse; in exchange, Cohn made clothing for Williams. The creations were so popular that Nudie opened a North Hollywood store to feature his chain-stitched and rhinestone-studded creations.
Over the years, Nudie gave dozens of performers their signature looks, from Elvis’ $10,000 gold lame suit to the costumes of Roy Rogers and Dale Evans. But his specialty was country (and country rock) singers: e.g., Porter Wagoner (a peach-colored suit featuring rhinestones, a covered wagon on the back, and wagon wheels on the legs), Hank Williams (a white cowboy suit with musical notations on the sleeves), and Gram Parsons (the suit he wears on the cover of the Flying Burrito Brothers album The Gilded Palace of Sin, featuring pills, poppies, marijuana leaves, naked women, and a huge cross). John Lennon was a customer, as were John Wayne, Gene Autry, George Jones, Cher, Ronald Reagan, Elton John, Robert Mitchum, Pat Buttram, Tony Curtis, Michael Landon, Glenn Campbell, Hank Snow, and numerous musical groups including “that little band from Texas,” ZZ Top.
Nudie with The King in “the Suit” (source)
Nudie died in 1984; the store (which remained open under the management of his daughter) closed in 1994. But his work remained prized– Porter Waggoner reckoned, just before he died in 2007, that he had 52 Nudie Suits, costing between $11,000 and $18,000 each (and worth by then much, much more).
And Nudie’s legacy remains strong. His glittering garments were a bright stab at the conformity of their times… and set the precedent (if they didn’t in fact lay the foundation) for the Culture of Bling that has erupted out of Rap and Hip Hop into life-at-large.
For more wonderful photos of Nudie, his creations, and his cars visit Nudie (“the official site”) and check out the wonderful pictorial essay at The Selvedge Yard.
As we smile at the irony of a clothier named “Nudie,” we might wish a tuneful Happy Birthday to James Henry Neel Reed, better known simply as Henry Reed; he was born on this date 1884, in the Appalachian Mountains of Monroe County, West Virginia. Reed was a master fiddler, banjoist, and harmonica player whose repertoire consisted of hundreds of tunes, performed in several different styles. But beyond his importance as a performer, he became, in effect, the Ur Source for academic research into the history of U.S. fiddle music. (Learn more about Reed, and hear him play, at the Library of Congress’ Henry Reed Collection.)
Henry Reed (in street clothes), 1967 (source)
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