Posts Tagged ‘Horace’
“Who ever converses among old books will be hard to please among the new”*…
There are four original manuscripts containing poetry in Old English—the now-defunct language of the medieval Anglo-Saxons—that have survived to the present day. No more, no less. They are: the Vercelli Book, which contains six poems, including the hallucinatory “Dream of the Rood”; the Junius Manuscript, which comprises four long religious poems; the Exeter Book, crammed with riddles and elegies; and the Beowulf Manuscript, whose name says it all. There is no way of knowing how many more poetic codices (the special term for these books) might have existed once upon a time, but have since been destroyed…
All four are on display at “Anglo-Saxon Kingdoms: Art, Word, War,” a new show of artifacts at the British Library in London. An appreciation of “the ineffable magic of four little manuscripts of Old English poetry” at “What Do Our Oldest Books Say About Us?“
* William Temple
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As we turn the pages with care, we might spare a thought for Quintus Horatius Flaccus– Horace– the Roman soldier and poet, born on this date in 65 BCE… Horace’s Satires, Epodes, Odes, and Epistles, have earned him a reputation akin to Virgil’s… He was in some ways the antithesis of earlier honoree (and champion of the Republic) Cicero; an apologist for empire, Horace was Augustus’ Poet Laureate. He may have coined, but was in any case the first to use “carpe diem” in a recorded setting. And he offered this good advice: “Add a sprinkling of folly to your long deliberations.”
Horace, as imagined by Anton von Werner
Tap, tap, tap…
There’s a certain elegance in the the earliest typewriters– all of that mechanical complexity wrestled into utility.
The first commercially successful typewriter– the “Sholes & Glidden Type Writer”– was brought to market in 1874 by Christopher Lathem Sholes, with backing from Carlos Glidden and manufacturing support by Remington & Sons.
The lure of the clear communications (and the market it could create) made possible by typewriters attracted inventors and tinkers by the dozens. Over the next 25 years, dozens of variations were tried (e.g., curved keyboards, double keyboards, no keyboards…) were tired; but by the turn of the Twentieth Century, the basic parameters of the typewriter-as-our-parents-knew-them were settling into place.
Martin Howard is an Englishman, living in Toronto– and curating a marvelous collection of early typewriters. (Martin came by his passion in the family way: his dad was an academic who studied antique mechanical objects.) Happily for those of us who share his passion, he has sublimated his collection onto the web. At Antique Typewriters: The Martin Howard Collection, one can find a veritable “Burgess Shale” of machines dating mostly from that last part of the Nineteenth Century… machines like these:
As we limber our fingers, we might might wish an animated “Happy Birthday” to Ub Iwerks, who was born on this date in 1901. Iwerks met Walt Disney when they were teenagers, working together at a Kansas City art studio. Iwerks followed Disney to California, and spent most of his career as one of Disney’s lead animators (though Iwerks did do stints at MGM and Warner Bros.).
Iwerks created Disney’s first hit character, Oswald the Rabbit. But Disney lost the rights to Universal, and had to ask Ub to go back to the drawing board. Iwerks first came up with with a female cow (who later morphed into Clarabelle) and a male horse (who later became Horace), but Walt wanted something different. So Iwerks created a mouse…
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