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Posts Tagged ‘Gustave Dore

“All fantasy should have a solid base in reality”*…

 

One of the most notorious examples of Waldeck’s penchant for fantasy: an elephant head in this rendition of an Ancient Mayan temple

Not a lot concerning the artist, erotic publisher, explorer, and general enigma Count de Waldeck can be taken at face value, and this certainly includes his fanciful representations of ancient Mesoamerican culture which — despite being brilliantly executed on-site at Mayan monuments like Palenque — run wild with anatopistic lions, elephants, and suspicious architecture.  Rhys Griffiths looks at the life and work of one of the 19th century’s most mysterious and eccentric figures: “Brief Encounters with Jean-Frédéric Maximilien de Waldeck.”

* Sir Max Beerbohm, Zuleika Dobson

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As we ponder a predecessor of Photoshop, we might send delightfully-drawn birthday greetings to Paul Gustave Doré; he was born on this date in 1832.  An engraver, sculptor, and illustrator– indeed, the defining illustrator of works by Rabelais, Balzac, Milton, Cervantes, and many others– Doré is probably best-remembered as the man who showed us Heaven and Hell: the canonical illustrator of Dante.

Don Quixote, his horse Rocinante, and his squire Sancho Panza after an unsuccessful attack on a windmill.

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The Tempest of Hell in THE DIVINE COMEDY

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Written by LW

January 6, 2018 at 1:01 am

“It is amazing how complete is the delusion that beauty is goodness”*…

 

Conversely, it’s amazing how how complete the delusion that all mistakes are ugly…

Corey Johnson runs a Tumblr called “Art of the Glitch,” where he posts images that he’s captured of erratic irregularities in analog technology, but only those that meet the requirements of his personal interest in glitch art…

“There was a precision and a refinement to that particular glitch style that I’ve been chasing after in my own work,” Johnson says. He’s not interested in the total destruction that some glitch artists practice; he sees the glitch as “more a storytelling tool than an aesthetic unto itself.” More resolutely, he says he’s looking for that “weird balance of destruction and tangibility.”

No more is this obvious in his latest series of images that have been created from obstreperous VCR errors. These often skew a single subject—the centerpiece of his story—especially faceless people: juddering skulls wrapped in pallid skin with sudden bands of discordant color ripping across them like the scratch of a claw. Add to this the inescapable repetition of the GIF, and these images almost seem depraved, resembling hell’s endless torture of its sinners…

More at “The Creepy Beauty of VCR Errors,” and “Art of the Glitch.”

* Leo Tolstoy, The Kreutzer Sonata

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As we glory in glitches, we might send delightfully-drawn birthday greetings to Paul Gustave Doré; he was born on this date in 1832.  An engraver, illustrator, and sculptor, Dore is probably best-remembered as the man who showed us Heaven and Hell: the canonical illustrator of works by Rabelais, Balzac, Milton, Cervantes, and Dante.

Don Quixote, his horse Rocinante, and his squire Sancho Panza after an unsuccessful attack on a windmill.

 source

The Tempest of Hell in THE DIVINE COMEDY

 source

 source

 

Written by LW

January 6, 2016 at 1:01 am

“There are no rules for good photographs, there are only good photographs”*…

 

Berlin-based Erik Johansson doesn’t so much “take” photographs; he “makes” them…


See more of his wonderful work here.

* Ansel Adams

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As we recommit to learning Photoshop, we might send delightfully-drawn birthday greetings to Paul Gustave Doré; he was born on this date in 1832.  An engraver, illustrator, and sculptor, Dore is probably best-remembered as the man who showed us Heaven and Hell: the canonical illustrator of works by Rabelais, Balzac, Milton, Cervantes, and Dante.

Don Quixote, his horse Rocinante, and his squire Sancho Panza after an unsuccessful attack on a windmill.

 source

The Tempest of Hell in THE DIVINE COMEDY

 source

 source

 

Written by LW

January 6, 2013 at 1:01 am

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