Posts Tagged ‘Grunge’
“When I was a boy the Dead Sea was only sick”*…

Does your local craft brewery’s logo helpfully inform you that the business was “Est. 2019”? Is the sign outside the trendy coffee shop down the street proud to declare it was “Est. 2016”? Logos declaring the year that a company was founded are gaining rapid popularity. In particular, businesses like these seeking to adopt a hipster aesthetic appear to append an “Est.” to their logos just as often as they use crossed objects or mustaches in their trademarks. Why the sudden popularity of this visual quirk?
Before the use of corporate logos or illustrations became common practice in the 20th century, newspaper advertising was largely a typographic exercise. And aside from strategically setting your ad in one of the few typefaces available for use on the paper’s printing press or inserting a snappy slogan, there was little that companies could do to communicate a positive message, or vibe, about themselves. But one way to concisely tout a business’s bona fides was to attach an “Est.” followed by the year the company was founded in. This would show that the firm wasn’t some fly-by-night operation, but that it was trustworthy, legitimate, and, well, “established.”
This convention became widespread, eventually making its way into many company logos themselves, but over time it seemed to acquire an unfashionable air of stodginess.
Analysis of United States Patent and Trademark Office (USPTO) data shows that the use of “Est.” and its variants in American trademarks bottomed out during the heyday of the counterculture movement in the 1970s when it was certainly not considered hip or very relevant to be associated with the establishment in any way.
But the data show that in recent years, “Est.” has made quite a comeback, appearing in trademarks at a rate 17 times higher in 2020 than in 1980. Businesses ranging from car washes to barbeque restaurants to soccer teams are all eager to let you know the year they were founded…

A new wave of company logos all include the same three-letter abbreviation: “Why Nostalgic Logos Are Booming Right Now.”
* George Burns
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As we proclaim our bona fides, we might recall that it was on this date in 1991 that Nirvana’s second album, Nevermind, (their first with drummer Dave Grohl) was released. While their debut album Bleach had done well enough with the relatively few critics who heard it, it had failed to chart. Nevermind, by contrast, became an unexpected commercial success, at its peak selling 300,000 copies per week; cumulatively (so far), over 30 million copies. It was also a critical success, among the most acclaimed albums in the history of music. In all, it was materially responsible for bringing both grunge and alternative rock to a mainstream audience… and for ending a period of dominance by hair metal.

“Here we are now, entertain us / I feel stupid and contagious”*…
Bardcore: “Smells Like Teen Spirit Cover In Classical Latin (75 BC to 3rd Century AD)”
[TotH to Jonah Goldberg]
* Kurt Cobain/Nirvana, “Smells Like Teen Spirit”
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As we scale the top of the pops, we might that it was on this date in 1969 that photographer Iain MacMillan shot the cover for what would be The Beatles’ last studio album, Abbey Road, just outside the studio of the same name, where the band recorded many of its classic songs. Macmillan, who worked quickly while a policeman held up traffic, used a Hasselblad camera with a 50mm wide-angle lens, aperture f22, at 1/500 of a second; he produced six shots, from which Paul picked the cover.
The photo, which simply shows the band crossing the street while walking away from the studio, has become iconic in its own right and provides “Paul Is Dead” enthusiasts with several erroneous “clues” to his “death,” including the fact that Paul is barefoot (supposedly representing a corpse, though McCartney has averred that it was simply a hot day).
“A good snapshot stops a moment from running away”*…
Doug Battenhausen thinks all our advances in cell-phone cameras and photo-sharing technology haven’t made our pictures better, but rather more sterile. We all know how to get the perfect selfie now, with just the right filter — but to him, that’s boring.
What Battenhausen is interested in, and has been collecting since 2010 on his blog “Internet History,” are photos that are beautifully amateurish and capture strange moments.
To find these types of photos, Battenhausen mines the forgotten reaches of the internet, particularly defunct photo accounts on sites like the (now deleted) Webshots, Flickr, or Photobucket…
Read more, and see a selection of Battenhausen’s picks at “A photographer looked through people’s forgotten, dead photo accounts for 5 years — here are the beautiful and eerie pictures he found.”
And see them all at Battenhausen’s blog.
* Eudora Welty
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As we reaffirm our commitment to sort through those digital shoe boxes, we might send aggressively-laid-out birthday greetings to David Carson; he was born on this date in 1954. A successful professional surfer through much of the 80s, he turned to design, working on a series of skateboard and surfing magazines until 1992, when he became design director of Ray Gun, the seminal alternative music/lifestyle magazine.
At Ray Gun Carson used Dingbat, a font containing only symbols, for what he considered a rather dull interview with Bryan Ferry (though the whole text was published in a legible font at the back of the same issue)– one of the moves that earned him the honorific “Father of Grunge Typology.”
When the magazine Graphic Design USA listed the “most influential graphic designers of the [modern] era” Carson was listed as one of the all time 5 most influential designers, with Milton Glaser, Paul Rand, Saul Bass and Massimo Vignelli.
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