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Posts Tagged ‘Great White Way

“The radio was shouting at you, pleading with you, and seducing you”*…

 

For your holiday listening pleasure, from Studio Puckey, live radio streams (and more) from around the world: radio.garden.

* David Byrne, How Music Works

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As we touch that dial, we might recall that it was on this date in 1880 that New York’s “Great White Way” was born when Charles F. Brush successfully demonstrated his arc lamps along Broadway– two years before Thomas Edison’s Pearl Street Station began lighting New York.

Brush’s New York central power plant dynamos, which powered arc lamps from December, 1880 along a 2 mile long circuit, including Broadway

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(Coincidentally, on this date 20 years later, Nature reported the invention, by William Du Bois Duddell, an English physicist, of the Musical Arcs– the first fully electric musical instrument.)

 

Written by LW

December 20, 2016 at 1:01 am

Life imitates art far more than art imitates life*…

It is absurd to have a hard and fast rule about what one should read and what one shouldn’t. More than half of modern culture depends on what one shouldn’t read.
– Oscar Wilde, The Importance of Being Earnest

Santino Fontana and David Furr, stars of the Roundabout Theatre Company’s production of The Importance of Being Earnest, reading transcripts from The Jersey Shore.

[via Playbill; TotH to Stephen Fry]

* “Life imitates art far more than art imitates life.” Oscar Wilde, The Decay of Lying (1889)

As we remember that to lose one parent “may be regarded as a misfortune, to lose both looks like carelessness,” we might recall that it was on this date in 1968 that Hair ( book by Gerome Ragni and James Rado, music by Galt MacDermot) premiered on Broadway.  Though it had done well with audiences in an earlier six-week run at the Public Theater, Hair was considered a long-shot on the Great White Way, and opened to mixed reviews.  But it charmed audiences (and spawned a million-selling original cast recording and a #1 song, “Aquarius,” for the Fifth Dimension).  Looking back forty years later, critic Charles Isherwood wrote in the New York Times, “For darker, knottier and more richly textured sonic experiences of the times, you turn to the Doors or Bob Dylan or Joni Mitchell or Jimi Hendrix or Janis Joplin. Or all of them. For an escapist dose of the sweet sound of youth brimming with hope that the world is going to change tomorrow, you listen to Hair and let the sunshine in.”

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