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Posts Tagged ‘crime fiction

“Slang is a language that rolls up its sleeves, spits on its hands and goes to work”*…

 

In 1699, an anonymous lexicographer known only as “B. E., Gent.” published the first comprehensive dictionary of non-standard English. Although shorter word lists and glossaries of slang terminology had been published previously, B.E.’s New Dictionary of the Canting Crew listed over 4000 words and phrases, and is credited with being the first such publication resembling a modern dictionary. As a result, it remained the standard reference work for English slang and jargon for almost another century…

“Addle-plot,” “ebb-water,” and 28 other examples of historic jargon at “30 Excellent Terms From a 17th Century Slang Dictionary.”

* Carl Sandburg

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As we reach for the right phrase, we might send gritty birthday greetings to a man who was a master of the coinage of crime– Samuel Dashiell Hammett; he was born on this date in 1894.  Hammett worked as an agent of the Pinkerton National Detective Agency from 1915-1922, when– disillusioned by the organization’s role in strike-breaking– he left to become a writer, providing copy in an ad agency until his fiction earned enough to support him.  Hammett drew for his fiction on his experiences as a “Pinkerton Man,” and created an extraordinary series of characters– Sam Spade (The Maltese Falcon), Nick and Nora Charles (The Thin Man), The Continental Op (Red Harvest and The Dain Curse)– on the way to becoming, as the New York Times called him, “the dean of the… ‘hard-boiled’ school of detective fiction.”

In his book The Simple Art of Murder, Raymond Chandler, considered by many to be Hammett’s successor, observed,

Hammett was the ace performer… He is said to have lacked heart; yet the story he himself thought the most of The Glass Key is the record of a man’s devotion to a friend. He was spare, frugal, hard-boiled, but he did over and over again what only the best writers can ever do at all. He wrote scenes that seemed never to have been written before. 

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Written by LW

May 27, 2017 at 1:01 am

“Every moment of light and dark is a miracle”*…

 

Long before the lights from Pittsburgh’s PNC Park began illuminating the North Shore every summer, a local corporation gave the city an art show every night on the same grounds.

The Westinghouse Electric Supply Company (a subsidiary of the Westinghouse Electric Corporation, or Wesco), based in Pittsburgh, moved into a warehouse facing the Allegheny River in 1948. On its roof, a giant orange and blue sign spelled out the the company’s tag line, “You can be sure … if it’s Westinghouse.”

As modernist design trickled down from the Bauhaus to Madison Avenue, most noticeably in the 1960s, corporate giants like Westinghouse began leaning towards minimalist visual identities. In 1960, Paul Rand gave the company a logo that looked like an electrical socket that also spelled out the letter W.

Six years later, Richard Huppertz, head of Westinghouse’s Corporate Design Center, wanted to emphasize the company’s sleek new identity with text-free signage on top of their North Shore warehouse. Huppertz ran the idea by Rand, who then came up with the country’s first computer-controlled sign…

Read the rest of this illuminating story at “Remembering Pittsburgh’s Most Mesmerizing Sign.”

* Walt Whitman

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As we celebrate bright ideas, we might turn to the noir side and send hard-boiled birthday greetings to Raymond Chandler, novelist (The Big SleepFarewell, My Lovely, et al.) and screenwriter (Double Indemnity, with Billy Wilder, e.g.), whose Philip Marlowe was (with Hammett’s Sam Spade) synonymous with “private detective,” whose style (with Hammett’s) defined a genre, and who was (unlike Hammett) born on this date in 1888.

Love interest nearly always weakens a mystery because it introduces a type of suspense that is antagonistic to the detective’s struggle to solve the problem. It stacks the cards, and in nine cases out of ten, it eliminates at least two useful suspects. The only effective love interest is that which creates a personal hazard for the detective – but which, at the same time, you instinctively feel to be a mere episode. A really good detective never gets married.

– Raymond Chandler, “Casual Notes on the Mystery Novel” (essay, 1949)

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Written by LW

July 23, 2014 at 1:01 am

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