Posts Tagged ‘chess’
“Most gods throw dice, but Fate plays chess”*…

Chess has been revolutionized several times since 1850. 1851 marked the first international chess tournament in London, leaving the German Adolf Anderssen as the official best chess player in Europe at the time. The 20th century saw several breakthroughs in chess theory as chess players began to treat chess as a science more than a pastime. With the advent of computers in the mid-1900s, chess players started analyzing games and writing computer opponents to hone their craft. Then in the 1990s, the widespread adoption of the Internet allowed players to play chess games with anyone in the world online.
That leaves us to wonder: How has chess changed in that timespan?…
Find out at “A data-driven exploration of the evolution of chess.”
And for a close look at one of the most recent developments– the surreptitious use of illegal technology– check out “Chess grandmaster accused of using iPhone to cheat during international tournament.”
* Terry Pratchett
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As we begin to understand Marcel Duchamp’s choice, we might spare a thought for the polymathic Benjamin Franklin; he died on this date in 1790. Justly remembered and rightly revered as a Founding Father of the U.S., author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, statesman, diplomat, and aphorist, it is perhaps less well known that Franklin was a fanatic chess player. He was playing chess by around 1733, making him the first chess player known by name in the American colonies. His widely-reprinted and translated 1786 essay “The Morals of Chess,” a paean to the game that prescribed a code of behavior for its players, is the second known writing on chess in America. He was inducted into the U.S. Chess Hall of Fame in 1999.

Edward Harrison May’s “Lady Howe faisant mat Benjamin Franklin” (“Lady Howe mating Benjamin Franklin”), 1867
“While all artists are not chess players, all chess players are artists”*…

A painter, sculptor, and conceptual artist, Duchamp was, with Picasso and Matisse, one the defining figures in the revolution that redefined the plastic arts in the early Twentieth Century– in Duchamp’s case, as an early Cubist (the star of the famous 1913 New York Armory Show), as the originator of ready-mades, and as a father of Dada.
In the 1930s, Duchamp turned from the production of art to his other great passion, chess. He became a competitive player; then, as he reached the limits of his ability, a chess writer. Duchamp’s Samuel Beckett, an friend of Duchamp, used Duchamp’s thinking about chess strategy as the narrative device for the 1957 play of the same name, Endgame. In 1968, Duchamp played an on-stage chess match with avant-garde composer, friend, and regular chess opponent John Cage, at a concert entitled Reunion, in which the music was produced by a series of photoelectric cells underneath the chessboard, triggered when pieces were moved in game play.

Duchamp (center; his wife Teeny, right) “performing” Reunion with John Cage (left) in 1968
Media artist (and childhood chess whiz) Scott Kildall wants the world to have the chance to share his admiration for Duchamp, so he created Playing Duchamp:
Marcel Duchamp is widely recognized for his contribution to conceptual art, but his lifelong obsession was the game of chess, in which he achieved the rank of Master. Working with the records of his chess matches, I have created a computer program to play chess as if it were Marcel Duchamp. I invite all artists, skilled and unskilled at this classic game, to play against a Duchampian ghost.
So go ahead, play Duchamp.
* Marcel Duchamp
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As we contemplate Duchamp’s urinal, we might note that it was on this date in 1863 that Thomas Crapper patented his version of the one-piece pedestal flushing toilet that still bears his name in many parts of the English-speaking world.
The flushing toilet was invented by John Harrington in 1596; Joseph Bramah patented the first practical water closet in England in 1778; then in 1852, George Jennings received a patent for the flush-out toilet. While Crapper’s improvements merited a patent, his real contribution was promotional: In a time when bathroom fixtures were barely mentionable, Crapper, who was trained as a plumber, set himself up as a “sanitary engineer”; he heavily promoted “sanitary” plumbing and pioneered the concept of the bathroom fittings showroom. His efforts were hugely successful; he scored a series of Royal Warrants (providing lavatories for Prince, then King Edward, and for George V) and enjoyed great commercial success.
(book available here)
“If you think you are too small to make a difference, try sleeping with a mosquito”*…

Deep into the Dog Days of Summer, readers are likely struggling to beat the heat… and thinking defensively about those predatory pests-of-the-season, mosquitoes (or as Bill Gate’s calls the species, “the deadliest animal in the world“). The little-bitty buzzers just keep on coming… And perhaps most frustratingly, they seem to bother some of us much more than others.
Smithsonian runs down the surprisingly long list of reasons in “Why Do Mosquitoes Bite Some People More Than Others?” (Spoiler alert: while 85% of them are genetic, beer makes one a more attractive morsel to the little bloodsuckers.) Happily, there is a prospect of some relief.
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As we splash on the DEET, we might recall that it was on this date in 1254 that the first known court case involving chess and violence was heard in Essex, England. It dealt with a chess player who stabbed his opponent to death after losing. But while this was the of relatively few such incidents to make it into the criminal justice system, chess violence was apparently pretty wide-spread– common enough to move French King Louis IX to ban chess. And indeed, such violence continues to this day.

“The King is dead”
“All philosophy lies in two words, sustain and abstain”*…
To Epictetus’ dictum in the title of this post, one might add “disdain”…
“That most deformed concept-cripple of all time.”
– Friedrich Nietzsche on Immanuel Kant
“Hegel, installed from above, by the powers that be, as the certified Great Philosopher, was a flat-headed, insipid, nauseating, illiterate charlatan who reached the pinnacle of audacity in scribbling together and dishing up the craziest mystifying nonsense.”
– Arthur Schopenhauer on Georg Hegel
“There’s no ‘theory’ in any of this stuff, not in the sense of theory that anyone is familiar with in the sciences or any other serious field. Try to find… some principles from which you can deduce conclusions, empirically testable propositions where it all goes beyond the level of something you can explain in five minutes to a 12-year-old. See if you can find that when the fancy words are decoded. I can’t. So I’m not interested in that kind of posturing. Žižek is an extreme example of it. I don’t see anything to what he’s saying.”
– Noam Chomsky on Slavoj Žižek
“Well, with all deep respect that I do have for Chomsky, my… point is that Chomsky, who always emphasizes how one has to be empirical, accurate… well, I don’t think I know a guy who was so often empirically wrong.”
– Slavoj Žižek on Noam Chomsky
“Russell’s books should be bound in two colors, those dealing with mathematical logic in red – and all students of philosophy should read them; those dealing with ethics and politics in blue – and no one should be allowed to read them.”
– Ludwig Wittgenstein on Bertrand Russell
The hits just keep on coming at “The 30 Harshest Philosopher-on-Philosopher Insults in History” and “Philosophers’ Insults.”
Special bonuses: Monty Python’s “Philosophers’ Football” and “Dead Philosophers in Heaven.”

* Epictetus
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As we live the examined life, we might send porcelain brithday greetings to Marcel Duchamp; he was born on this date in 1887. A painter, sculptor, and conceptual artist, Duchamp was, with Picasso and Matisse, one the defining figures in the revolution that redefined the plastic arts in the early Twentieth Century– in Duchamp’s case, as an early Cubist (the star of the famous 1913 New York Armory Show), as the originator of ready-mades, and as a father of Dada.
In the 1930s, Duchamp turned from the production of art to his other great passion, chess. He became a competitive player; then, as he reached the limits of his ability, a chess writer. Duchamp’s Samuel Beckett, an friend of Duchamp, used Duchamp’s thinking about chess strategy as the narrative device for the 1957 play of the same name, Endgame. In 1968, Duchamp played an on-stage chess match with avant-garde composer, friend, and regular chess opponent John Cage, at a concert entitled Reunion, in which the music was produced by a series of photoelectric cells underneath the chessboard, triggered when pieces were moved in game play.

Duchamp (center; his wife Teeny, right) “performing” Reunion with John Cage (left) in 1968
Float like a butterfly, sting like a king…

There’s a boxing ring planted in the middle of a London nightclub.
So far, nothing too out of the ordinary. But there’s also a folding table in the center of the ring, and on it, a chessboard. And rather than gloving up to start sparring, the two boxers, hands wrapped, sit down to square off over the board. Because this isn’t regular boxing—it’s chessboxing.
Chessboxing is a hybrid sport that is exactly what it sounds like: Chess plus boxing, or, more specifically, a round of chess followed by a round of boxing, repeated until someone comes out the victor. As Tim Woolgar, founder of London Chessboxing, says, “If you know how to play chess and you know how to box, you know how to chessbox”…
Get the dope at “TKO By Checkmate: Inside the World of Chessboxing.”
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As we roll on the ropes, we might recall that it was on this date in 1926 that Thomas Alva Edison opined that “Americans prefer silent movies over talkies.”

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