Posts Tagged ‘Holidays’
“The public domain is the basis for our art, our science, and our self-understanding. It is the raw material from which we make new inventions and create new cultural works.”*…
From Nancy Drew to Animal Crackers to The Maltese Falcon, 1930’s greatest works enter the U.S. public domain on January 1, 2026. Aaron Moss counsels us to expect celebration, confusion, and at least one Betty Boop slasher film…
The weather’s getting colder, the nights are getting longer, and Hollywood has decided Betty Boop would be more marketable as a serial killer. It can only mean one thing: Public Domain Day 2026 is upon us.
Regular observers of copyright law’s favorite holiday know the drill: on January 1, 2026, a new crop of creative works from 1930 (along with sound recordings from 1925) will enter the public domain in the United States—ready to be remixed, recycled, or repurposed into B-grade horror films and ill-advised erotica.
This year’s film class is stacked with classics: Howard Hughes’s aviation epic Hell’s Angels (Jean Harlow’s screen debut and, at the time, the most expensive movie ever made); The Big Trail, featuring John Wayne in his first starring role; Greta Garbo’s first talkie, Anna Christie; Bing Crosby’s film debut in King of Jazz; and 1930 Best Picture winner All Quiet on the Western Front. There’s plenty of comedy too, including the Marx Brothers’ Animal Crackers, Laurel and Hardy’s Another Fine Mess, and Soup to Nuts, best remembered for featuring an early iteration of the Three Stooges.
Among the standout literary works in the Public Domain Day Class of 2026 are heavyweights like William Faulkner’s As I Lay Dying, Dashiell Hammett’s The Maltese Falcon, Edna Ferber’s bestseller Cimarron, and Evelyn Waugh’s champagne-soaked satire Vile Bodies. Children’s literature fans can look forward to Swallows and Amazons by Arthur Ransome, Watty Piper’s The Little Engine That Could, and Elizabeth Coatsworth’s Newbery Medal winner The Cat Who Went to Heaven.
Not to take anything away from Hammett’s Sam Spade, but it’s an especially strong year for female detectives—both young and old. The earliest Nancy Drew mysteries from 1930 hit the U.S. public domain on January 1, 2026, as does the first outing of the genteel Miss Marple in Agatha Christie’s The Murder at the Vicarage. Maybe they can team up to solve the mystery of why Hollywood is only interested in using public domain characters to make schlocky horror films.
In the world of comics and animation, two Disney shorts featuring early versions of Pluto are also set to enter the public domain. The future canine star first appeared as an unnamed bloodhound in 1930’s The Chain Gang before resurfacing later that year as Minnie Mouse’s pet “Rover” in The Picnic. He wouldn’t officially become Mickey’s dog Pluto until 1931’s The Moose Hunt—a film set to enter the U.S. public domain in 2027…
Read on for a rundown of more film, characters, and music that’s about to be more freely available: “Public Domain Day 2026 Is Coming: Here’s What to Know,” from @copyrightlately.bsky.social.
* James Boyle, The Public Domain: Enclosing the Commons of the Mind
The Holidays are upon us, and with them, (R)D’s annual solstice hiatus. Regular service will resume on or around January 2; in the meantime (and in lieu of an almanac entry), two seasonal offerings.
First, a collection of pieces from JSTOR: “Winter Holidays“…
December means the winter holidays are upon us: Solstice, Hanukkah, Kwanzaa, St. Stephen’s Day, and New Year’s Eve, with all your favorite wintertime traditions. Celebrate with some seasonal scholarship below. All stories contain free links to the supporting academic research on JSTOR. Happy Holidays!
And then, with your correspondent’s seasonal best, two timely tunes:
“In my experience, clever food is not appreciated at Christmas. It makes the little ones cry and the old ones nervous.”*…
With this post– and with all best wishes for the Holidays!– (Roughly) Daily heads into its annual seasonal hiatus. Regular service will resume in the new year.
Tis the season when thoughts turn to festive feasts… featuring, for many, turkey; but for others, a range of alternate “mains.” Adam Shprintzen shares the history– and his personal experience– of a real outlier– but one that played an important role in the development of American food culture…
… Meat substitutes marked a turn for the vegetarian movement at the start of the 20th century, one that led to a depoliticization for a whole generation of vegetarians. Protose—the name mashes together the word protein and the suffix -ose, or full of—was the most popular and enduring meat substitute crafted in the experimental kitchen at the Battle Creek Sanitarium (or San), the Michigan health resort operated by John Harvey Kellogg from 1876 to 1943. Promoted as a versatile meat alternative, Protose could be eaten as an entrée like a beef steak, on a sandwich for a light lunch, or as a roast to be carved ceremonially. The product was served to San visitors, marketed via mail order, and available at local grocers. The marketing of fake meats in early-20th-century America represented a transformation from vegetarianism’s radical, 19th-century political past into a community of individualistic consumers looking to produce healthy, economically productive bodies and minds…
… Research based on product descriptions led me to an approximation of the product: wheat gluten, cereal, and peanut butter. I used a wooden mixing spoon to work the ingredients together, which increased in resistance as the peanut butter activated the gluten proteins. The ingredients combined into a meatish paste with the consistency of raw, ground beef.
To turn the basic recipe into a real meal, I followed a 1913 recipe for Protose cutlets from Lenna Frances Cooper, the San’s head dietician. The recipe called for Protose to be mixed with corn flakes, milk, eggs, and salt. The mixture was slow-roasted in an oven and filled our apartment with a smell that can best be described as vaguely chicken-adjacent. The result was texturally satisfying, though admittedly a little bland….
… The experience [helped] me understand why this was a culinary step forward for vegetarians, both fulfilling a desire to have more food choices and to present vegetarianism as socially acceptable by emulating meat. Smelling, tasting, and touching this fake meat helped me appreciate the sensory power of food as a historical force. And as a vegetarian of 16 years, the process also helped me appreciate and understand that my own food choices were and are very much shaped by the fake meats of the past…
The emergence of fake meat: “Protose Cutlets,” from @veghistory.bsky.social and @historians.org.
###
As we size up surrogates, we might consider an alternative to eggnog: today is National Sangria Day. The name derives from the Spanish word for bloodletting and refers to the red wine that was used as a base for the wine, fruit, and fruit juice punch.
While it’s typically associated with summer, one notes that Sangria’s red color makes it a perfect celebratory libation for the Holidays.
“Come they told me / Pa rum pum pum pum”*…
A special Holiday Hiatus-interrupting edition of (Roughly) Daily to share this excerpt from the Pee Wee’s Playhouse Christmas Special in 1988…
Happy Holidays!
TotH to @BoingBoing.
###
As we hum along, we might recall that it was on this date in 1823 that “A Visit from St. Nicholas” (aka “‘Twas the Night Before Christmas”) was published for this first time in the Troy, New York Sentinel on this day in 1823. It was originally published anonymously though the author was Clement Clarke Moore who was a professor and didn’t want his reputation to be ruined for writing such an un-scholarly verse. At the urging of his children he acknowledged his work in 1837, then, in 1844, included the poem in a collection of his works.

“Once, during Prohibition, I was forced to live for days on nothing but food and water”*…

Americans tend to have a pretty jaundiced view of Prohibition…
… driven by extremists, the country was pushed into an extreme experiment — to ban the sale, production, and transportation of alcohol in the US in 1919 through a constitutional amendment, the 18th. The policy was a political failure, leading to its repeal in 1933 through the 21st Amendment.
There’s also a widespread belief that Prohibition failed at even reducing drinking and led to an increase in violence as criminal groups took advantage of a large black market for booze.
“‘Everyone knows’ that Prohibition failed because Americans did not stop drinking,” historian Jack Blocker wrote in the American Journal of Public Health. He summarized what’s now the conventional wisdom: “Liquor’s illegal status furnished the soil in which organized crime flourished.”
But there’s a lot wrong with these present-day assumptions about Prohibition.
People like [Carry] Nation, as extreme as they were, were driven by real problems caused by excessive drinking, including alcohol-induced domestic violence and crime as well as liver cirrhosis and other health issues. This was perceived as a widespread problem, at least in popular media: George Cruikshank’s 1847 series of drawings, The Bottle, portrayed a father spending all his family’s money drinking and, eventually, killing his wife by attacking her with a bottle. And as historian David Courtwright documented in The Age of Addiction, per capita alcohol consumption increased by nearly a third from 1900 to 1913, largely due to advancements in brewing that helped make beer much cheaper.
Contrary to the conventional wisdom, the evidence also suggests Prohibition really did reduce drinking. Despite all the other problems associated with Prohibition, newer research even indicates banning the sale of alcohol may not have, on balance, led to an increase in violence and crime.
It’s time to reconsider whether America’s “noble experiment” was really such a failure after all…
America’s anti-alcohol experiment cut down on drinking and drinking-related deaths– and it may have reduced crime and violence overall. Vox takes a sober look at the an episode in American history clouded in received ideas that may not be altogether accurate, making the case that: “Prohibition worked better than you think.”
* W.C. Fields
###
As we muse on moderation, we might recall that it was on this date in 1894 (after 30 states had already enshrined the occasion) that Labor Day became a federal holiday in the United States.

The country’s first Labor Day parade in New York City on Sept. 5, 1882. This sketch appeared in Frank Leslie’s Illustrated Newspaper.
source (and source of more on the history of Labor Day)






You must be logged in to post a comment.