Long-time readers of (R)D will know of your correspondent’s affection for– and commitment to– archives and archiving: see, e.g., here, here, here, here, or here. As the new administration is sytematically scrubbing government websites of public data and threatening the National Archive, it’s a painfully-timely concern.
Digital pioneer Mark Pesce weighs in with a reminder that our archiving efforts should be broad– and that we shouldn’t neglect the personal…
When moving house a few months back I found several heavy plastic tubs that, upon inspection, I saw contained my life’s work in print. They were full of articles, magazines, books and book chapters.
That informal archive represents only a small portion of my total output. I’ve been writing on and for the web pretty much since it came into existence outside of CERN, so have more than 30 years’ worth of material online.
Those plastic tubs are therefore a proverbial iceberg that represent perhaps a tenth of my output, the rest of which is submerged on networks.
I had wanted to write about how to make our invisible digital lives more visible; then two horrible events – one personal, the other of global significance – reset my compass.
Earlier this month I lost my good friend Tony Kastanos to lung cancer. I’d always known him as an artist – musician, painter, provocateur – but it wasn’t until he was gone that I learned from his collaborators that he’d also released three albums of electronic music, produced with collaborator Tim Gruchy, who showed me how to find it on iTunes and Spotify.
I’d known Tony for two decades, but he’d never told me about his electronica work. Nor had he told me about his award-winning stop-motion video animation, Amerika Amerika.
Tim wondered aloud how to ensure that their collaborations would continue to be available. It’s an essential question confronting any creative talent working in the digital era: How do we continue to offer our contributions to the generations that follow, when we’re no longer around to spruik them?
The Internet Archive has a pivotal role to play here – not just because of its immunity to the commercial mutability of a Spotify or an Apple Music, but because its very existence and name imply a promise to maintain a long-term archive of all online creative works. Tim – and all of Tony’s other collaborators – could be putting copies of all their works into a Tony-Kastanos-archive-within-The-Archive. If that happens, my friend won’t disappear completely.
Half an hour after I’d learned of Tony’s passing, a friend in Los Angeles sent me a long, harrowing text message expressing fear the fires battering the city could claim their home.
A week later, they were relieved to find their home intact – but many others did not.
Within a few days, a story began to circulate about one of the structures that did not survive: The building housing the archive of the Theosophical Society.
A century ago, Theosophists stood at the forefront of what today we’d call the “New Age” movement. Although the society’s star has dimmed in the decades since, their influence on religion, philosophy and culture remains profound. Their archive housed most the papers and correspondence of the founders and main movers of the Theosophical Society – its genesis and history.
As Errol Morris has said, “People can burn archives; people can destroy evidence, but to say that history is perishable, that historical evidence is perishable, is different than saying that history is subjective.” The best defense is wide distribution (per the full Aaron Swartz quote, below).
Where are the comprehensive archives to protect digital works, or allow us to memorialize friends? “Memories fade. Archives burn. All signal eventually becomes noise,” from @mpesce.arvr.social.ap.brid.gy in @theregister.com.
See also: “Century-Scale Storage” from Maxwell Neely-Cohen and the Library Innovation Lab at Harvard Law School
Oh, and now is a good time to visit– and support– the Internet Archive.
* “We need to take information, wherever it is stored, make our copies and share them with the world. We need to take stuff that’s out of copyright and add it to the archive. We need to buy secret databases and put them on the Web. We need to download scientific journals and upload them to file sharing networks… With enough of us, around the world, we’ll not just send a strong message opposing the privatization of knowledge – we’ll make it a thing of the past.” — Aaron Swartz
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As we prioritize protection, we might recall that it was on this date in 1497 that Dominican friar and populist agitator Girolamo Savonarola, having convinced the citizenry of Florence to expel the Medici and recruited the city-state’s youth in a puritanical campaign, presided over “The Bonfire of the Vanities,” the public burning of art works, books, cosmetics, and other items deemed to be vessels of personal aggrandizement. Many art historians, relying on Vasari‘s account, believe that Botticelli, a partisan of Savonarola, consigned several of his paintings to the flames (and then “fell into very great distress”). Others are not so certain. In any case, it seems sure that the fire consumed works by Fra Bartolomeo, Lorenzo di Credi, and many other painters, along with books by Boccaccio, manuscripts of secular songs, a number of statues, and other antiquities.
