(Roughly) Daily

“Symbols can be so beautiful, sometimes”*…

 

McDonalds

 

One of Northern Europe’s arguably most distinctive exports is “slow TV”: real-time recordings of train journeys, ferry crossings or the migration of reindeer, which regularly draw record audiences.

Among perhaps the most successful — and least exciting — examples of that genre is the live stream of a McDonald’s cheeseburger with fries. At its peak, it drew 2 million viewers a month. The only element on the screen that moves, however, is the time display.

The burger looks the same way, hour after hour.

As of this week, it has looked like that for 10 years.

Purchased hours before the corporation pulled out of the country in 2009, in the wake of Iceland’s devastating financial crisis, the last surviving McDonald’s burger has become much more than a burger. To some, it stands for the greed and excessive capitalism that “created an economic collapse that was so bad that even McDonald’s had to close down,” said Hjörtur Smárason, 43, who purchased the fateful burger in 2009. To others, the eerily fresh look of the 10-year-old meal has served as a warning against the excessive consumption of fast food…

A symbol for our times: “The cautionary political tale of Iceland’s last McDonald’s burger that simply won’t rot, even after 10 years.”

* Kurt Vonnegut, Breakfast of Champions

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As we muse of the messages in our meals, we might send gloriously-written birthday greetings to today’s epigramist, Kurt Vonnegut Jr.; he was born on this date in 1922.  In a career spanning over 50 years, Vonnegut published fourteen novels, three short story collections, five plays, and five works of non-fiction, with further collections being published after his death. He is probably best known for his darkly-satirical, best-selling 1969 novel Slaughterhouse-Five.

Vonnegut called George Orwell his favorite writer, and admitted that he tried to emulate Orwell– “I like his concern for the poor, I like his socialism, I like his simplicity”– though early in his career Vonnegut decided to model his style after Henry David Thoreau, who wrote as if from the perspective of a child.  And of course, Vonnegut’s life and work are resonant with Mark Twain and The Adventures of Huckleberry Finn. 

Author Josip Novakovich marveled that “The ease with which he writes is sheerly masterly, Mozartian.”  The Los Angeles Times suggested that Vonnegut will “rightly be remembered as a darkly humorous social critic and the premier novelist of the counterculture“; The New York Times agreed, calling Vonnegut the “counterculture’s novelist.”

220px-Kurt_Vonnegut_1972 source

 

 

 

 

Written by (Roughly) Daily

November 11, 2019 at 1:01 am

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