(Roughly) Daily

The Design of Everyday Things…

From  “Improbability,” a series from Giuseppe Colarusso that depicts everyday objects transformed into unusual, unlikely, unusable versions of themselves…

See more of Colarusso’s creations here; see all of them on his web site; and read about the series on Laughing Squid.

[Readers may recognize that the title of this post is appropriated from Donald Norman’s wonderful primer on smart design…]


As we endeavor to emulate the Eames, we might send a birthday snapshot to the father of modern photojournalism, Henri Cartier-Bresson; he was born on this date in 1908.  An early master of the 35mm format, he pioneered “street shooting” and more broadly, a form of candid photography that set the model– and the standard– for generations of photojournalists who’ve followed.  Indeed, after World War II (most of which he spent as a prisoner of war) and his first museum show (at MoMA in 1947), he joined Robert Capa and others in founding the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life, while retaining control over their work.

To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.

– from his book The Decisive Moment (1952)

Photography is not like painting.  There is a creative fraction of a second when you are taking a picture.  Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera.  That is the moment the photographer is creative. Oop!  The Moment!  Once you miss it, it is gone forever.

– from an interview in The Washington Post (1957; recounted here)

Hamburg, 1952-3  (The sign reads, “Looking for any kind of work.”)



Written by (Roughly) Daily

August 22, 2013 at 1:01 am

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