Posts Tagged ‘tightrope’
“Thou art a very ragged Wart”*…
Few painters have created as rich a world as Hieronymus Bosch did in The Garden of Earthly Delights. The late 15th- or early 16th-century triptych, which depicts the creation of man, the licentious frolicking of all creatures on a paradisiacal Earth, and the subsequent fall into damnation, draws a scrutiny — and causes an amusement — as intense as ever…
Bosch not only created a world with The Garden of Earthly Delights, he populated it thoroughly. And despite the human-centric story the work appears to take as its basis, the cast with which it retells it extends far beyond mere humanity: the panels feature not just wildlife of all shapes and sizes but a variety of mythical grotesques, from imps to chimeras to hybrids of man and animal to much more besides. He drew from the same surreal imaginative well to fill his other paintings, and you can now pull out a few of these colorful, menacing, preposterous, and darkly humorous characters yourself in collectible figurine form…
More (including a link to the figurines) at “Hieronymus Bosch Figurines: Collect Surreal Characters from Bosch’s Paintings & Put Them on Your Bookshelf.” [TotH to Mark S]
You can also take a virtual tour of the painting (there’s even an app for it), see it brought to life with modern animation, and hear the song tattooed on the posterior of one of the work’s many characters.
See also: “Bosch is great because what he imagines in color can be translated into justice.”
* Shakespeare, Henry IV, Part 2
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As we get weird, we might recall that it was on this date in 1859 that Jean-Francois Gravelet (stage name, Charles Blondin) became the first person to cross Niagara Falls on a tightrope. Then he did it again.
On the morning of June 30, 1859, about 25,000 thrill-seekers arrived by train and steamer and dispersed on the American or Canadian side of the falls, the latter said to have the better view. Both banks grew “fairly black” with swarms of spectators, among them statesmen, judges, clerics, generals, members of Congress, capitalists, artists, newspaper editors, professors, debutantes, salesmen and hucksters. Vendors hawked everything from lemonade to whiskey, and Colcord gave tours to the press, explaining the logistics of what the Great Blondin was about to attempt.
A light rope, not even an inch thick, had been attached to one end of his hempen cable so it could be conveyed across the Niagara River. On the American side the cable was wound around the trunk of an oak tree in White’s Pleasure Grounds, but securing it on the Canadian side presented a problem. Blondin’s assistants feared that the light rope wouldn’t bear the weight of the cable as it was drawn up the gorge for anchorage in Canada, but the rope dancer, to the delight of his audience, executed a daring solution.
After tying another rope around his waist, he rappelled 200 feet on the small rope, attached the second rope to the end of the cable, and then blithely climbed back to Canadian ground and secured the cable to a rock. To prevent swaying, guy ropes ran from the cable at 20-foot intervals to posts on both banks, creating the effect of a massive spider web. Blondin could do nothing, however, about the inevitable sag in its center, approximately 50 feet of cable to which it was impossible to fasten guy ropes. At that spot, in the middle of his crossing, he would be only 190 feet above the gorge. “There were hundreds of people examining the rope,” reported one witness, “and, with scarcely an exception, they all declared the inability of M. Blondin to perform the feat, the incapacity of the rope to sustain him, and that he deserved to be dashed to atoms for his desperate fool-hardiness.”
Shortly before 5 p.m., Blondin took his position on the American side, dressed in pink tights bedecked with spangles. The lowering sun made him appear as if clothed in light. He wore fine leather shoes with soft soles and brandished a balancing pole made of ash, 26 feet long and weighing nearly 50 pounds. Slowly, calmly, he started to walk. “His gait,” one man noted, “was very like the walk of some barnyard cock.” Children clung to their mothers’ legs; women peeked from behind their parasols. Several onlookers fainted. About a third of the way across, Blondin shocked the crowd by sitting down on his cable and calling for the Maid of the Mist, the famed tourist vessel, to anchor momentarily beneath him. He cast down a line and hauled up a bottle of wine. He drank and started off again, breaking into a run after he passed the sagging center. While the band played “Home, Sweet Home,” Blondin reached Canada. One man helped pull him ashore and exclaimed, “I wouldn’t look at anything like that again for a million dollars.”
After 20 minutes of rest Blondin began the journey to the other side, this time with a Daguerreotype camera strapped to his back. He advanced 200 feet, affixed his balancing pole to the cable, untied his load, adjusted it in front of him and snapped a likeness of the crowd along the American side. Then he hoisted the camera back into place and continued on his way. The entire walk from bank to bank to bank took 23 minutes, and Blondin immediately announced an encore performance to take place on the Fourth of July… [source]

Blondin and his camera, as rendered in “Blondin: His Life and Performances.” [source]
“Let us now praise famous men [and women], and our fathers [and mothers] that begat us”*…
The classical scholar and tutor Miriam Griffin, who has died aged 82, played a crucial role in getting readers to appreciate the philosophical writing of the ancient Romans in their historical context, in particular that of Seneca, the Stoic philosopher and tutor to the emperor Nero.
Seneca’s works had generally been viewed either as the self-exculpation of a hypocrite, parading his aspirations to virtue while pocketing Nero’s largesse, or as an unreliable compilation of ideas from earlier (otherwise lost) Greek Stoics. Miriam’s intellectual biography, Seneca: A Philosopher in Politics (1992), made a case for thinking about Seneca’s writing in its specifically Roman social, intellectual and political context, illuminating the particular dilemmas with which Stoic ideas enabled him to grapple…
The scholar who rescued the philosophical reputation of Seneca (and Cicero), as she illuminated the often torrid world of Roman imperial politics: Miriam Griffin.
* from the Wisdom of Sirach (44:1), famously appropriated by james Agee as the title for his celebrated collaboration with photographer Walker Evans
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As we note that too often what’s past is present again, we might think of Seneca’s challenge as we recall that it was on this date in 1859 that Charles Blondin crossed Niagara Falls on a tightrope. Twice.
On the morning of June 30, 1859, about 25,000 thrill-seekers arrived by train and steamer and dispersed on the American or Canadian side of the falls, the latter said to have the better view. Both banks grew “fairly black” with swarms of spectators, among them statesmen, judges, clerics, generals, members of Congress, capitalists, artists, newspaper editors, professors, debutantes, salesmen and hucksters. Vendors hawked everything from lemonade to whiskey, and Colcord gave tours to the press, explaining the logistics of what the Great Blondin was about to attempt.
A light rope, not even an inch thick, had been attached to one end of his hempen cable so it could be conveyed across the Niagara River. On the American side the cable was wound around the trunk of an oak tree in White’s Pleasure Grounds, but securing it on the Canadian side presented a problem. Blondin’s assistants feared that the light rope wouldn’t bear the weight of the cable as it was drawn up the gorge for anchorage in Canada, but the rope dancer, to the delight of his audience, executed a daring solution.
After tying another rope around his waist, he rappelled 200 feet on the small rope, attached the second rope to the end of the cable, and then blithely climbed back to Canadian ground and secured the cable to a rock. To prevent swaying, guy ropes ran from the cable at 20-foot intervals to posts on both banks, creating the effect of a massive spider web. Blondin could do nothing, however, about the inevitable sag in its center, approximately 50 feet of cable to which it was impossible to fasten guy ropes. At that spot, in the middle of his crossing, he would be only 190 feet above the gorge. “There were hundreds of people examining the rope,” reported one witness, “and, with scarcely an exception, they all declared the inability of M. Blondin to perform the feat, the incapacity of the rope to sustain him, and that he deserved to be dashed to atoms for his desperate fool-hardiness.”
Shortly before 5 p.m., Blondin took his position on the American side, dressed in pink tights bedecked with spangles. The lowering sun made him appear as if clothed in light. He wore fine leather shoes with soft soles and brandished a balancing pole made of ash, 26 feet long and weighing nearly 50 pounds. Slowly, calmly, he started to walk. “His gait,” one man noted, “was very like the walk of some barnyard cock.” Children clung to their mothers’ legs; women peeked from behind their parasols. Several onlookers fainted. About a third of the way across, Blondin shocked the crowd by sitting down on his cable and calling for the Maid of the Mist, the famed tourist vessel, to anchor momentarily beneath him. He cast down a line and hauled up a bottle of wine. He drank and started off again, breaking into a run after he passed the sagging center. While the band played “Home, Sweet Home,” Blondin reached Canada. One man helped pull him ashore and exclaimed, “I wouldn’t look at anything like that again for a million dollars.”
After 20 minutes of rest Blondin began the journey to the other side, this time with a Daguerreotype camera strapped to his back. He advanced 200 feet, affixed his balancing pole to the cable, untied his load, adjusted it in front of him and snapped a likeness of the crowd along the American side. Then he hoisted the camera back into place and continued on his way. The entire walk from bank to bank to bank took 23 minutes, and Blondin immediately announced an encore performance to take place on the Fourth of July… [source]

Blondin and his camera, as rendered in “Blondin: His Life and Performances.” [source]
The Ultimate Superpower…
We must respect the other fellow’s religion, but only in the sense and to the extent that we respect his theory that his wife is beautiful and his children smart.
– H. L. Mencken
Adherents.com is a growing collection of over 43,870 adherent statistics and religious geography citations: references to published membership/adherent statistics and congregation statistics for over 4,200 religions, churches, denominations, religious bodies, faith groups, tribes, cultures, movements, ultimate concerns, etc. The religions of the world are enumerated here.
Basically, researchers can use this site to answer such questions as "How many Lutherans live in Wisconsin?", "What are the major religions of India?", or "What percentage of the world is Muslim?" We present data from both primary research sources such as government census reports, statistical sampling surveys and organizational reporting, as well as citations from secondary literature which mention adherent statistics…
One can also use Adherents to…
…discover the religious affiliations of influential and famous adherents of over 100 different religious groups (famous Methodists, famous Jews, famous Catholics, famous Zoroastrians, famous Jehovah’s Witnesses, famous Theosophists, etc.), and lists of prominent people (actors, politicians, authors, U.S. presidents, artists, musicians, Supreme Court justices, film directors, etc.) classified by religious affiliation. These lists are linked to thousands of detailed religious/spiritual biographies.
Plus, one can use Adherents to find the denomination of one’s favorite superhero! For instance…
***
As we commune with our comics, we might recall that it was on this date in 1859 that Jean François Gravelet-Blondin, the tightrope walker better known as Charles Blondin, crossed Niagara Falls for the first time on an 1100 feet high wire (160 feet above the water) near the location of the current Rainbow Bridge. He crossed the Falls several time subsequently, always with different theatrical variations: blindfolded; in a sack; trundling a wheelbarrow; on stilts; carrying his manager, Harry Colcord, on his back; and finally, sitting down midway while he cooked and ate an omelet, standing on a chair with only one chair leg on the rope.
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