Posts Tagged ‘St Augustine’
“That which does not kill us makes us stronger”*…
In 1702, when the Spanish still ruled Florida, an English fleet from colonial Carolina approached Castillo de San Marcos, a Spanish stronghold on the Atlantic shore.
The fort guarded the Spanish empire’s trade routes as well as the surrounding city of St. Augustine, and the English wanted to run this politically and economically important outpost for themselves. Led by Carolina’s governor James Moore, the English boats dropped their anchors and laid siege.
But even after nearly two months of being shelled with cannonballs and gunfire, the fort’s walls wouldn’t give. In fact, they appeared to be “swallowing” the British cannonballs, which then became embedded within the stone. Precisely how the walls did this remained a mystery for the next three centuries.
Normally, a cannonball creates long, deep cracks in stone that radiate out from the impact’s center, causing catastrophic damage to a structure. This was clearly not the case for the walls surrounding Castillo de San Marcos. Built from coquina—sedimentary rock formed from compressed shells of dead marine organisms—the walls suffered little damage from the British onslaught. As one Englishman described it, the rock “will not splinter but will give way to cannon ball as though you would stick a knife into cheese.”…
The secret of the Spanish– and what it might mean for the future: “The Mystery of Florida’s Cannonball-Eating Spanish Fort.”
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As we muse on mutable materials, we might send altitudinous birthday greetings to Ferdinand Adolf Heinrich August Graf von Zeppelin; he was born on this date in 1838. An inventor, engineer, and manufacturer, he was the aviation pioneer who built the first rigid dirigible airships– called, in his honor, Zeppelins.
He patented his idea in 1895, then formed a company to build airships in 1898– though many thought his invention incredible, and dubbed him “Foolish Count.” His first airship took off on July 2, 1900; its success stimulated funding. Eventually, he produced more than 100 dirigibles for military uses in World War I, during which, the Zeppelins were used to bomb Britain. After the war, he continued to improve the design and built a fleet of airships for commercial passenger service, which included transatlantic flights. Zeppelin use ended after the May 6, 1937 Hindenburg fire disaster at Lakehurst, N.J.
“I think it would be a good idea”*…
Culture – like religion and nation and race – provides a source of identity for contemporary human beings. And, like all three, it can become a form of confinement, conceptual mistakes underwriting moral ones. Yet all of them can also give contours to our freedom. Social identities connect the small scale where we live our lives alongside our kith and kin with larger movements, causes, and concerns. They can make a wider world intelligible, alive, and urgent. They can expand our horizons to communities larger than the ones we personally inhabit. But our lives must make sense, too, at the largest of all scales. We live in an era in which our actions, in the realm of ideology as in the realm of technology, increasingly have global effects. When it comes to the compass of our concern and compassion, humanity as a whole is not too broad a horizon.
We live with seven billion fellow humans on a small, warming planet. The cosmopolitan impulse that draws on our common humanity is no longer a luxury; it has become a necessity…
From “There is no such thing as western civilisation,” an excerpt from the edited version of Kwame Anthony Appiah’s BBC Reith lecture, “Culture,” the fourth part of the series Mistaken Identities.
* Mahatma Gandhi, when asked what he thought of Western civilization (widely quoted, but possibly apocryphal)
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As we take E.M. Forster’s advice (Howard’s End), “only connect, we might send recently-reformed birthday wishes to Augustine of Hippo, AKA St. Augustine; he was born on this date in 354. Augustine famously came to his faith later in life, after a youth filled with worldly experience… including a long engagement (to an underaged girl– to wit the length), for which he left the concubine who was the love of his life, “The One”– and which he broke off just before the wedding.
After his embrace of the faith, Augustine became a theologian and philosopher whose writings (e.g., The City of God and Confessions) were hugely influential in the development of… western civilization.

Imagined portrait by Philippe de Champaigne (17th cen.)
“All investigations of Time, however sophisticated or abstract, have at their true base the human fear of mortality”*…
Thomas Pynchon’s earliest colonial ancestor, William Pynchon, was a key figure in the early settlement of New England (and, as the portrait above attests, less picture-shy than his descendant)… He was also the author of a book which became, at the hands of the Puritans against which it riled, one of the first to be banned and burned on American soil.
Read the extraordinary tale at “The Price of Suffering: William Pynchon and The Meritorious Price of Our Redemption.”
* Thomas Pynchon, Against the Day
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As we celebrate free speech, we might send recently-reformed birthday wishes to Augustine of Hippo, AKA St. Augustine; he was born on this date in 354. Augustine famously came to his faith later in life, after a youth filled with worldly experience… including a long engagement (to an underaged girl– to wit the length), for which he left the concubine who was the love of his life, “The One”– and which he broke off just before the wedding.

Imagined portrait by Philippe de Champaigne (17th cen.)
Put asunder?…
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As we recall that the presents still need to be returned, we might send recently-reformed birthday wishes to Augustine of Hippo, AKA St. Augustine; he was born on this date in 354. Augustine famously came to his faith later in life, after a youth filled with worldly experience… including a long engagement (to an underaged girl– to wit the length), for which he left the concubine who was the love of his life, “The One”– and which he broke off just before the wedding.

Imagined portrait by Philippe de Champaigne (17th cen.)
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