Posts Tagged ‘Beatles’
“For last year’s words belong to last year’s language / And next year’s words await another voice”*…
A few of the words first used in the year of your correspondent’s birth…
Enter a year (in recorded history) and find the words first used then: Merriam-Webster’s Time Traveler.
* T.S. Eliot, Four Quartets
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As we root around for roots, we might recall that it was on this date in 1961 that the Beatles played their first evening gig at the Cavern Club in Liverpool. One month earlier, fresh back from Hamburg, they had played a lunchtime set; the club, which had focused until then on jazz, was experimenting with rock. The test was a success, so the club’s owner, Ray McFall, declared Tuesday nights “Blue Jean Guest Night,” and kicked off with Dale Roberts & The Jay Walkers, The Remo Four, and the Beatles. The band swiftly became a regular fixture at the Cavern, attracting a loyal audience to over 290 performances until their final appearance on August 3, 1963. It was, of course, at the Cavern Club that Brian Epstein first saw the Beatles.
The Beatles (with Pete Best on drums) at the Cavern Club. Best was replaced by Ringo the following year.
“First they moved, then they talked– now they smell”*…
In 1959, influenced by [Aldous] Huxley, two American films were made… introducing smell to cinema. The poster for one proclaimed: “FIRST They moved (1893) THEN They talked (1927) NOW They smell (1959).” The films premiered in December 1959 and January 1960, and the press dubbed their rivalry “The Battle of the Smellies.”
The redolent story of Smell-O-Vision: “Cinematic Airs.”
* Smell-O-Vision tagline
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As we hold our noses, we might recall that on this date in 1964, the Beatles made their U.S. TV debut on The Ed Sullivan Show, performing “I Want To Hold Your Hand” (#1 on Billboard’s Hot 100 at the time) for an estimated 73 million Americans.
“Why would heavy metal ever go away?”*…
Metalheads all the world over can agree on one thing: its culture, just like its music, eschews pretense. Nowhere is this better reflected than in Dumisani Matiha, lead singer and rhythm guitarist of Metal Orizon, one of Botswana’s heaviest outfits.
On an unseasonably warm afternoon, the 41-year-old is taking time out of his day job as a farmer to explain what distinguishes this metal movement from other scenes spread out across the globe.
“We see ourselves as warriors and poets,” says Dumisani. “This is a calling. We use metal to speak to our social conditions as Africans: the struggles, the climate we operate in… It might be cheesy to you but, to us, metal is just another way of speaking about romance. To us, love is hardcore, yo!”…
Botswana is 70 per cent desert and most of its metalheads dress in old-school biker gear – made even heavier with studs, chains and all kinds of trinkets – topped off with leather cowboy hats. They are a throwback to a purer time, an era when no heavy metal fan would have dreamed of Metallica and Lou Reed making an album together, let alone calling it Lulu.
Musically speaking, the metal scene in Botswana is neither heavy nor metal. It’s a combination that sounds impossible when articulated: a mix of African hard riddims, mid-70s Manchester punk, cacophonous dub, psychedelic swamp music, free-wheelin’ progjazz and some sped-up Ohio funk thrown in for good measure…
Far beyond driven: “The hell bangers of Botswana’s underground metal scene.”
* Scott Ian (founding member and lyricist of Anthrax)
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As we celebrate the shred, we might recall that it was on this date in 1966 that the Beatles said “thank you, and goodnight” for the last time– at the end of their last public concert, at Candlestick Park in San Francisco. (This is, of course, not counting the 1969 impromptu performance on the roof of Apple Records headquarters in London — the Beatles’ last public appearance together.)
“The world is full of magic things, patiently waiting for our senses to grow sharper”*…
Before the 18th century, most successful magicians were European, and white. Richard Potter– the son of a slave–changed all that. A magician, ventriloquist, and fire eater, he is credited with being both the first American-born and the first Black professional stage magician in the (then young) United States.
His extraordinary story at “Gravesite of Richard Potter.”
* W.B. Yeats
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As we say “Abracadabra,” we might recall that it was on this date in 1967, just days after the completion of Sgt. Pepper’s Lonely Hearts Club Band, that the Beatles returned to Studio Three, at EMI Studios in London to begin their next project, a film to be called Magical Mystery Tour. The group laid down the basic rhythm track and assembled the title track’s coach and traffic noises into a tape loop.
While the film was widely panned, the soundtrack album (a double EP in the U.K; an LP in the U.S.) went to #1 on the British and American album charts, and was nominated for a Grammy.
“Cold, cold, cold”*…
Around the millennium, [David] Lynch and sound engineer John Neff worked on a number of projects together, one of which was their band BlueBOB (whose “Thank You, Judge” was an example of high-quality streaming video at the time). Another was a “restored” CD of the Eraserhead soundtrack released on Lynch’s Absurda label in 2001. “Eraserhead Soundtrack cleaned with Waves Restoration-X Plugins for ProTools treated with the Aphex 204 Aural Exciter,” the liner notes explained.
Original Soundtrack Plus was so named because it dangled a bonus track: Lynch and Neff’s ten-minute, 16-second “Eraserhead Dance Mix.” It may not transport you to the exact same place as the original album, but it will take you to a nearby, very cold region of that territory…
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More of the backstory at “In heaven everything is funky fresh: David Lynch’s dance mix of the Eraserhead soundtrack.”
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As we tap our toes, we might recall that on this date in 1964, The Beatles had the #1, #2, #3, #4, and #5 spots on Billboard‘s U.S. Singles chart: #1, “Can’t Buy Me Love”; #2, “Love Me Do”; #3, “She Loves You”; #4, “I Want To Hold Your Hand”; and #5 ,”Please Please Me.” It was the first and only time any recording act has ever achieved that feat. At the same time the Fab Four also had nine other singles on the Hot 100 for a total of 14 at the same time– also still a record.
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