Posts Tagged ‘Alfred Hitchcock’
Looking back…
…if you think that, in the past, there was some golden age of pleasure and plenty to which you would, if you were able, transport yourself, let me say one single word: “dentistry.”
– P.J. O’Rourke, All the Trouble in the World
Still, nostalgia has its uses. The economy seems poised for another dip in the tank; the weather is delivering hotter, wetter warnings of the wages of climate disruption; health care costs are reaching escape velocity; education and infrastructure are (literally) crumbling, as state funding implodes… one could go on.
Instead, one turns one’s gaze to the past; one conjures up the remembered comforts of times gone by: “it didn’t use to be this way”… As P.J. O’Rouke suggests, it’s more often that not the flimsiest kind of illusion– out-of-context features of a whole-cloth past, selectively recalled (indeed, too often imagined), then amplified by the need for consolation.
Still, one does it– one “remembers”– because… well, because it’s what one does.
And so, Dear Readers, three “seed crystals”– three blasts from the past– that can, your correspondent hopes, help one (as they’ve helped him) spin stories that amuse, even as they help us find our way past the challenges that are the stuff of our days…
First, from the ever-informative Brain Pickings, “7 Must-See What’s My Line Episodes“:
The premise of the show was simple: In each episode, a contestant would appear in front of a panel of blindfolded culture pundits — with few exceptions, a regular lineup of columnist Dorothy Kilgallen, actress Arlene Francis, Random House founder Bennett Cerf, and a fourth guest panelist — who would try to guess his or her “line” of work or, in the case of famous “mystery guests,” the person’s identity, by asking exactly 10 yes-or-no questions. A contestant won if he or she presented the panel with 10 “no” answers.
Over the 17-year run of the show, nearly every iconic cultural luminary of the era, from presidents to pop stars, appeared as a mystery guest…
Indeed, over it’s 17 year run through the 50s and early 60s, WML was basically the only media property that could “have” any celebrity or cultural figure. (Sullivan could out-book WML on the entertainment front, but only there.) This was perhaps largely due to the involvement of Random House founder Bennett Cerf who, through his deep connections in the journalism and media world, was but a Kevin-Bacon’s-breath away from essentially any public figure. In any case, no one said “no” to WML.
BP has curated seven of the very best examples of this pull: Alfred Hitchcock, Lucille Ball, Eleanor Roosevelt, Jean Desmond (a girdle tester), Walt Disney, host John Daly (in an early example of meta-comedy), and…
See them all here.
Second, for somewhat younger readers, from our old friend The Selvedge Yard, a look back at The Rolling Stones when they were still “The Rolling Stones.” TSY muses on the theme of this missive:
When I’m feeling roadworn, forlorn, or the subject of scorn– nothing takes me to my happy place faster than great old pics of guitar porn. I came across the below Stones’ porn pic sifting through the internets and became mesmerized by the artfully haphazard array of axes. You can almost smell the sweat, smoke and stale beer as you gaze at the overturned cans, ash, and listing guitars.
The late ’60s – early ’70s was an epic time for the Rolling Stones, and Rock & Roll as a whole. It was a time I largely missed (being born in 1970), but feel like I experienced, partially at least, vicariously through my mom. She was a music junkie, went to Woodstock, worshipped Janis Joplin.

The Stones' Guitars

Berlin, 1965
Many more here.
And finally, for younger readers still, a glance back at the 80s and one of that decade’s indelible icons: from Walyou, “16 Cool Mr. T Themed Designs.”
For those who grew up on the A-Team TV Show or are big fans of Rocky, Mr. T will always be a memorable personality which is simply larger than life. Although you do not see him as much in TV or movies these days, he is still a personality to be reckoned with.
This collection of 16 Mr. T designs includes various pieces of art, design, products and more which prove that Mr T is still popular today, and if you don’t agree…then I pity the fool.

Mr T Cookie Jar

Mr. T Infographic
See the rest here.
As we stroll down memory lane, we might recall that it was on this date in 1905 that Ty Cobb, “The Georgia Peach” made his major league debut; playing for the Detroit Tigers, he doubled off the New York Highlanders’s (later Yankees) Jack Chesbro, who had won a record 41 games the previous season.
“The map is not the territory”…
“The Treachery of Images,” René Magritte, 1928-9
Alfred Korzybski reminds one (in the title-line quote, above), as does Surrealist wit like Magritte’s, that representations are not the things they represent.
Still, they fascinate us– precisely because of their power to evoke the thing that they aren’t. And when the things that maps evoke aren’t real things at all? Even niftier!
Consider, for example, two kinds of maps of fictional territories…
For nine years, from 1943 to 1952, Dell published 557 mystery novels with “map backs.” Some charted fictional action on “real” terrain, for instance…

But most located the imagined plot in an imaginary setting, for example…

and…

In a different imaginary arena (not to say “a parallel universe”), the world of comics, comic books, and graphic novels, maps also play an important role…
Sometimes they are used to elaborate on a conceit in a way that adds narrative credibility through detail, e.g…
Nick Fury’s Tunnel, Strange Tales #141
…and sometimes, simply for dramatic effect, e.g…
Superman throws out the first pitch
Today abstraction is no longer that of the map, the double, the mirror, or the concept. Simulation is no longer that of a territory, a referential being or substance. It is the generation by models of a real without origin or reality: A hypperreal. The territory no longer precedes the map, nor does it survive it. It is never the less the map that proceeds the territory – pressesion of simulacra- that engenders the territory.
– Jean Baudrillard, Simulacra & Simulation, 1994
Or, as someone who isn’t a French Post-Structuralist might say, way cool!
Readers can find more Bantam map-backs at Marble River’s Ephemera (from whence, the examples above) and at Mystery Scene. Readers can get more graphic guidance at Comic Book Cartography (the source of those examples). Grateful TotH to reader MH-H for the lead to CBC.
As we endeavor (but not too hard) to avoid the fallacy of misplaced concreteness, we might recall that it was on this date in 1987 (44 years to the day after “Bicycle Day,” the day that Dr. Albert Hofmann, the discoverer of LSD, deliberately took the hallucinogen for the first time) that The Simpsons debuted, as a short within The Tracey Ullman Show.
Victorian visualization…
Tableau De L’Histoire Universelle depuis la Creation jusqu’a ce jour
…a fold-out print depicting all of human history from the time of creation (4693 BC = Adam & Eve; the great flood = 3300 BC) up to the date of publication (1858 by Eug. Pick, Paris). Vignettes of historically significant people, places and buildings etc are arranged along the borders.
Earlier posts (e.g., here and here) will have tipped readers to your correspondent’s weakness for charts and visualizations. A wonderful collection at Bibliodyssey reminds one that interesting infographics have a long and storied history… and that earlier examples can be a mesmerizingly beautiful as their successors…
Tinted drawing showing the comparative lengths of rivers and heights of mountains worldwide. The first text page in this volume has the legend for this sheet.
In: ‘General Atlas Of The World: Containing Upwards Of Seventy Maps…’ by Adam & Charles Black, Sidney Hall and William Hughes, 1854; published in Edinburgh by A & C Black.
See them all at Bibliodyssey’s “Victorian Infographics.”
And for readers who are also listeners to This American Life, may enjoy This American Infographic— a project of E. J. Fox to create a visualization for every episode of that extraordinary series; e.g., Episode 5:

As we chart our progress, we might pause to celebrate a different kind of visualization coup: it was on this date in 1944 that Alfred Hitchcock’s Lifeboat— based on a story by John Steinbeck– premiered at the Astor Theater in New York. Starring the divine Tallulah Bankhead (along with William Bendix and Walter Slezak), Lifeboat was remarkable for confining all action to the space of the small boat awash in the ocean…
and for including the director’s trademark cameo in a newspaper ad for weight loss that one of the characters reads.
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