(Roughly) Daily

Posts Tagged ‘Academy Award

By the numbers…

The 2010 Census results are in.  The headlines:  men are living longer; marriage isn’t.

Some highlights…

Since the 2000 census, the number of men in the U.S. increased by 9.9 percent. Woman grew 9.5 percent.  There are more men than women under the age of 34, because “more boys than girls tend to be born.”
But above age 85, the number of women is double that of men. Female life expectancy is 80.8 years; male, 75.6 years.

Baby boomers are aging: The 45-plus group grew 25.6 percent since 2000, while the under-45 group only increased 1.4 percent.  The median national age was 37.2 years, from 35.3 in 2000.  Seven states now have a median age of over 40.  Maine is oldest, at 42.7; Utah is youngest, at 29.2.

The share of U.S. households with married couples fell to 48.4 percent, down from 51.7 percent in 2000– the first time the number dropped below 50 percent. In 1950, married couples made up 77 percent of households.

More descriptive demographics in this AP report and at the Census Bureau’s site.

As we do our best to age gracefully, we might recall that it was on this date in 1933 that Walt Disney’s edifying fable “Three Little Pigs” was released.  Winner of the 1934 Academy Award for Best Animated Short, “Three Little Pigs” was ranked #11 on the list of 50 Greatest Cartoons, and was selected for preservation in the United States National Film Registry by the Library of Congress.

Practical Pig, Fiddler Pig and Fifer Pig sing “Who’s Afraid of the Big Bad Wolf?” (source)

Special Academy Awards Prep Edition: Inside “Social Network”…

Aaron Sorkin

Aaron Sorkin, the odds-on favorite for this year’s Best Adapted Screenplay Oscar, set out to be an actor.  But as Pete Hammond reports in Deadline Hollywood, his career took a different turn…

…those early plans were trumped when he began writing for the stage. In 1989, at the age of 28, he was named Outstanding American Playwright by the Outer Critics Circle for A Few Good Men. Just three years later, he wrote the screenplay for the film version which was nominated for the Best Picture Oscar. His subsequent success in film has included scripts for Malice (1993), The American President (1995), Charlie Wilson’s War (2007) and the upcoming Moneyball. As an Emmy-winning television writer and producer, he was behind critically acclaimed [and your correspondent’s all-time fave] Sports Night, long-running The West Wing, and the short-lived Studio 60 On The Sunset Strip. But he has never been nominated for an Academy Award.

Discover how Sorkin (who worked from the book proposal, not the book, which wasn’t written when he started) did his research, how he shaped his characters, and how he approaches a “non-fiction film”…

I would tell anyone that if you are seeing a movie that begins with “The following is a true story…,” you need to look at that movie the way you would a painting and not a photograph. This is my take on what happened. You can put a bowl of fruit on a table and have 10 people take a picture of it and those 10 photographs would look pretty much like each other. If you ask 10 painters to paint it, you’re going to get a lot of different versions of the thing. And so I was telling a true story, but very quickly the people became characters to me and not historical figures. And people, and properties of people, and properties of characters, actually have very little to do with each other. I know people don’t speak in dialogue, and life doesn’t play itself out in a series of connected scenes that form a narrative. But that’s what a writer does.

… and more in his interview with Hammond.  As a special bonus, use the link there (or here) to download a pdf of Sorkin’s full script.

And lest one fret that Sorkin’s dreams of greasepaint came to naught, watch for him in his cameo as the advertising executive in Social Network.

As we recheck our privacy settings on Facebook, we might recall that it was on this date in 1981 that Hill Street Blues premiered on NBC.  The first show from Sorkin’s spiritual forefather Stephen Bochco, the gritty HSB resurrected the then-moribund “cop show” genre and introduced the ensemble cast as a structural feature of series.  By the time the show signed off in May 1987, it had set the records for most Emmy nominations and most Emmys won in a single season.  In its first season alone, it received eight Emmy awards– a debut season record surpassed only by Sorkin’s ensemble political drama The West Wing.

title card

 

%d bloggers like this: