“Real randomness requires an infinite amount of information”*…
If you have ever tossed dice, whether in a board game or at the gambling table, you have created random numbers—a string of numbers each of which cannot be predicted from the preceding ones. People have been making random numbers in this way for millennia. Early Greeks and Romans played games of chance by tossing the heel bone of a sheep or other animal and seeing which of its four straight sides landed uppermost. Heel bones evolved into the familiar cube-shaped dice with pips that still provide random numbers for gaming and gambling today.
But now we also have more sophisticated random number generators, the latest of which required a lab full of laser equipment at the U.S. National Institute of Standards and Technology (NIST) in Boulder, CO. It relies on counterintuitive quantum behavior with an assist from relativity theory to make random numbers. This was a notable feat because the NIST team’s numbers were absolutely guaranteed to be random, a result never before achieved.
Why are random numbers worth so much effort? Random numbers are chaotic for a good cause. They are eminently useful, and not only in gambling. Since random digits appear with equal probabilities, like heads and tails in a coin toss, they guarantee fair outcomes in lotteries, such as those to buy high-value government bonds in the United Kingdom. Precisely because they are unpredictable, they provide enhanced security for the internet and for encrypted messages. And in a nod to their gambling roots, random numbers are essential for the picturesquely named “Monte Carlo” method that can solve otherwise intractable scientific problems…
Using entanglement to generate true mathematical randomness– and why that matters: “The Quantum Random Number Generator.”
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As we leave it to chance, we might send learned birthday greetings to Athanasius Kircher; he was born on this date in 1602. A scholar, he published over 40 works. perhaps most notably on comparative religion, geology, and medicine, but over a range so broad that he was frequently compared to Leonardo Da Vinci (who died on the date in 1519) and was dubbed “Master of a Hundred Arts.”
For a look at one of his more curious works, see “Wonder is the beginning of wisdom.” And his take on The Plague (through which he lived in Italy in 1656), see here.
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