Posts Tagged ‘rock and roll’
So you wanna be a rock and roll star…
Q: How do you get a drummer off of your front porch?
A: Pay for the pizza.
In a recent interview, Mick Jagger (who studied, one might remember, at the London School of Economics) observed that the financial lot of a recording artist has been pretty dodgy since the beginning of the 20th century. As the BBC reports:
“When the Stones started out they didn’t make any money out of records because record companies didn’t pay you,” he said. “Nobody got paid. I always wonder if Frank Sinatra got paid.
“Your royalty was so low. If you sold a million records you got a million pennies. It was all very nice, but not what you imagined you were going to get.”
However things changed as musicians became more adept at controlling their creations.
This came at about the time the Stones hit what many see as their peak, which included the 1972 release of the critically acclaimed Exile on Main Street.
Later the boom in music sales through the development of the compact disc bolstered the earnings of those on lucrative royalty deals.
“There was a small period from 1970 to 1997 where people did get paid and they got paid very handsomely,” Sir Mick said. “They did make money but now that period’s done. If you look at the history of recorded music from, say, 1900 to now, there was that period where artists did very well but the rest of the time they didn’t.”
So how does a musician fare these days? According to a recap in The Root… well, You Can’t Always Get What You Want:

Read the whole sad story at The Root.
As we reconsider taking out a loan to pay for that additional floor tom, we might recall that it was on this date in 1954 that Sun Records released the first single by Elvis Presley, “That’s All Right (Mama)”/”Blue Moon of Kentucky.”
The tracks were covers that clued early listeners to the influences that Presley would marry with such power as he rose to royalty: “That’s All Right” is a blues song by Arthur “Big Boy” Cruddup, while “Blue Moon of Kentucky” is a bluegrass ballad by Bill Monroe.
But that stardom was still in the distance; while Presley’s renditions became instant hits in Memphis, hometown of both Elvis and Sun, the 45 received mixed reviews in the rest of what would become Presley’s kingdom.
The Sincerest Form of Flattery, Part Two: The Wonders of Cultural Appropriation…

From the always-amusing 11 Points (“Because Top Ten Lists Are For Cowards”), “11 Amazing Fake Harry Potter Books Written In China“…
From Harry Potter and the Leopard Walk-Up-To Dragon (cover above)…
…the author took the text of J.R.R. Tolkien’s “The Hobbit” and replaced the character names with names from the Harry Potter universe. Except for Gandalf — he remains and joins forces with the Potter crew. Here’s a passage, full on [SIC] in advance:
“There was a hobbit, who didn’t even know how to return home. He lived in a hole in the ground, and didn’t know where he came from or where he was going to. He even didn’t know why he had become a hobbit. This was Hogwartz School of Witchcraft and Wizardry 5th year apprentice Harry Potter.”
…through Rich Dad, Poor Dad and Harry Potter…
I couldn’t find a translation of this book (or a picture of its cover) but the title just kills me — smashing together two completely unrelated, but popular, Western book series to produce (I’m guessing) a non-sequitur mess. It would be like the bootleggers making a movie called “Avatar: The Hangover” or a TV show called “Laverne and Shirley and Jon and Kate”.
… to Harry Potter and Platform Nine-and-Three-Quarters…
This is an interesting literary move — they just carbon copied the plot of the first real “Harry Potter” book… but moved the voice to Harry’s first-person perspective. That’s some deep “Rosencrantz and Guildenstern” stuff right there.
An excerpt:
“This was a secret I had cherished in my heart for seven days. It scratched my heart and made it itch, and I decided not to tell anyone of it. But when I saw Hedwig, my owl, jumping outside my window, I knew it was the call from Hogwarts for me.
…
I would ride on my favorite flying broom, together with Hedwig and my magic wand, go-go-go, night clouds in the urban sky would cover my trails, and the meteor you saw in the sky was my traipsing manteau.”
The other eight Harrys, along with some absolutely stunning cover art– including the jacket for Harry Potter and Beaker and Burn, onto which Harry welcomes (for no explicable reason) Flick, the star of Pixar’s A Bug’s Life— at “11 Amazing Fake Harry Potter Books Written In China.”
Readers might note that cultural appropriation of this sort has long (and storied) precedent. Jim Fallows quotes a wonderful passage from “”Wild Bird Hickcock and His Friends,” an essay by James Thurber– a fan of French pulp-novel versions of American Westerns:
There were, in my lost and lamented collection, a hundred other fine things, which I have forgotten, but there is one that will forever remain with me. It occurred in a book in which, as I remember it, Billy the Kid, alias Billy the Boy, was the central figure. At any rate, two strangers had turned up in a small Western town and their actions had aroused the suspicions of a group of respectable citizens, who forthwith called on the sheriff to complain about the newcomers. The sheriff listened gravely for a while, got up and buckled on his gun belt, and said, “Alors, je vais demander ses cartes d’identité!” There are few things, in any literature, that have ever given me a greater thrill than coming across that line.
As we realize that we too are free to mash up, say, Dostoyevsky, we might recall that it was on this date in 1954 that Bill Haley & His Comets released “Rock Around the Clock”, the first rock and roll record to reach number one on the Billboard charts.
No Hat, No Cattle…
Dallas, January 1978 (a club once owned by Jack Ruby)
From The Selvedge Yard, a blog that your correspondent regularly enjoys, “Vicious White Kids– the Sex Pistols Take on Rock ‘N Roll & the South.”


Read the entire instructive tale, see other photos, and check out the live Dallas performance footage here.
As tap our toes to “Anarchy in the U.K.,” we might recall that it was on this date in 321 that Roman Emperor Constantine I decreed:
On the venerable day of the Sun let the magistrates and people residing in cities rest, and let all workshops be closed. In the country however persons engaged in agriculture may freely and lawfully continue their pursuits because it often happens that another day is not suitable for grain-sowing or vine planting; lest by neglecting the proper moment for such operations the bounty of heaven should be lost.
… and dies Solis— day of the sun, “Sunday”– became the day of rest throughout the Roman Empire… and ultimately, the West.
Constantine (Capitoline Museums)


The Director General (

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