Posts Tagged ‘profanity’
“The sort of twee person who thinks swearing is in any way a sign of a lack of education or a lack of verbal interest is just a f–king lunatic”*…
Rude words are a constant; but, as Suzannah Lipscomb explains, their ability to cause offense is in flux…
I stumbled upon this question as a historical consultant for a new drama set in the 16th century, when I needed to assess whether certain curse words in the script would have been familiar to the Tudors. The revelation – given away in the title of Melissa Mohr’s wonderful book Holy Sh*t – is that all swear words concern what is sacred or what is scatological. In the Middle Ages, the worst words had been about what was holy; by the 18th century they were about bodily functions. The 16th century was a period when what was considered obscene was in flux.
The most offensive words still used God’s name: God’s blood, God’s wounds, God’s bones, death, flesh, foot, heart, arms, nails, body, sides, guts, tongue, eyes. A statute of 1606 forbade the use of words that ‘iestingly or prophanely’ spoke the name of God in plays. Damn and hell were early modern variations of such blasphemous oaths (bloody came later), as were the euphemistic asseverations, gad, gog and egad.
Many words we consider, at best, crude were medieval common-or-garden words of description – arse, shit, fart, bollocks, prick, piss, turd – and were not considered obscene. To say ‘I’m going to piss’ was the equivalent of saying ‘I’m going to wee’ today and was politer than the new 16th-century vulgarity, ‘I’m going to take a leak’. Putting body parts or products where they shouldn’t normally be created delightfully defiant phrases such as ‘turd in your teeth’, which appears in the 1509 compendium of the Oxford don John Stanbridge. Non-literal uses of these words – which is what tends to be required for swearing – like ‘take the piss’, ‘on the piss’, ‘piss off’ – all seem to be 20th-century flourishes. For the latter, the Tudors would have substituted something diabolical – ‘the devil rot thee’ – or epidemiological – ‘a pox on you’.
But the scatological was starting to become obscene. Sard, swive, and fuck were all slightly rude words for sexual intercourse. An early recorded use of the f-word was a piece of marginalia by an anonymous monk writing in 1528 in a manuscript copy of Cicero’s De officiis (a treatise on moral philosophy). The inscription reads: ‘O d fuckin Abbot’. Given that the use of the f-word as an intensifier didn’t catch on for another three centuries, this is likely a punchy comment on the abbot’s immoral behaviour…
The chronicles of cursing: “Explicit Content,” from @sixteenthCgirl.
See also: “I’ve been accused of vulgarity. I say that’s bullshit” and “All slang is metaphor, and all metaphor is poetry.”
* Stephen Fry
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As we choose our words, we might recall that it was on this date in 1960 that “Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini” hit #1 on Billboard’s Hot 100 chart. A novelty song written by Paul Vance and Lee Pockriss and first released in June 1960 by Brian Hyland, it tells the tale of a shy young lady wearing her new swimsuit for the first time. Hyland’s recording also sailed up the charts in the rest of the Anglophone world, and subsequent versions topped the charts in France and Germany.
The tune is believed to have had a broader impact: the bikini had been introduced over a decade before, but hadn’t found wide acceptance; after Hyland’s hit two-pieces began to fly off the racks… and teen “surf movies” became the rage.
“Warning: this guide contains highly offensive language and discussion of content which may cause offence”*…
Salty language, systematically sorted…
Ofcom [the UK’s communications regulator— essentially their FCC] commissioned Ipsos MORI to conduct research to help them understand public attitudes towards offensive language on TV and radio. This document serves as a Quick Reference Guide summarising views towards the acceptability of individual words on TV and radio…
For example…
And there’s more: other sections unpack the relative offensiveness of “references to body parts,” “sexual references,” “political references,” “references to race, nationality, and ethnicity,” “references to sexual orientation and gender identity,” “religious references,” and “Non-English words” [mostly South Asian].
Public Attitudes to Offensive Language on TV and Radio: a Quick Reference Guide… a report that doubles as a remarkable lexicon.
See also: “Cursing and the Bloody Class Struggle.”
* from the title page of this report
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As we curse carefully, we might recall that it was on this date in 1888 that The “From Hell” letter was postmarked. Received the next day by George Lusk, head of the Whitechapel Vigilance Committee, it purported to be from the serial killer we know as Jack the Ripper, who enclosed half a preserved human kidney. The police and Lusk’s group received hundreds of letters pertaining to the Ripper case, many dozen supposedly from the killer himself. The “From Hell” letter is one of the few that has been seriously considered to be genuine.
“Under certain circumstances, profanity provides a relief denied even to prayer”*…
Ofcom, the government regulator of communications in the U.K., recently commissioned research into the relative offensiveness of 150 obscene words and gestures, as a basis for its regulations on content.
The “Quick Reference Guide” is here; the full report, here. As the cover of each notes: “Warning: this guide contains a wide range of words which may cause offence.”
* Mark Twain
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As we titter, we might recall that it was on this date in 1886 that the “tuxedo” made it’s debut, at a formal ball at the then-new Tuxedo Park Club, just outside of New York City.
Earlier that year, Tuxedo Park resident James Brown Potter and his wife were vacationing in England, where they were invited to dinner by the Prince of Wales (later Edward VII). Unprepared to dress for such an occasion, Potter asked the Prince for advice, and was sent to the the Prince’s tailor, Henry Poole & Co., where he was fitted with a short black jacket and black tie– not the then-standard white tie and tails.
Potter brought the ensemble back to Tuxedo Park, where he showed it to Pierre Lorillard IV, the scion of a wealthy tobacco family, who had just opened the Tuxedo Park Club– and whose passion was designing clothes. Lorillard revised the design to include the crepe lapels, covered buttons, and other now-standard details, and unveiled his creation at the Autumn Ball.
The prospect of liberation from tails proved irresistible– and the “tuxedo” steadily replaced traditional “evening wear” as the American formal standard. (Edward continued to wear “black tie,” so the fashion caught on in England too– as the “dinner jacket”– but remained a less formal option…)
Lorillard (in his jacket, but with a white tie)
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