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Posts Tagged ‘copying

“I am my own secretary; I dictate, I compose, I copy all myself”*…

 

In this age of the email attachment and of the “duplicate” and “save as” commands, we’ve come to take copies for granted.  But the quest for a way easily to make/keep duplicates of correspondence and records without transcribing them has a long history: most readers will be old enough to remember the days when Xerox machines– introduced in 1959**– were the duplicators of choice; and some, the era of the carbon copy.  But while xerography ruled for around 50 years, carbon paper held sway for over 100.

The first version of carbon paper was patented by Ralph Wedgwood—an estranged member of the famous Wedgwood pottery family—in 1806. The paper was the central component of Wedgwood’s  “Manifold Stylographic Writer,” which was originally meant to aid the blind in writing (through the addition of thin metal wires to guide in forming words along lines), but was soon used primarily as a copying device. Wedgwood wasn’t the only manufacturer of manifold writers; the portable (approx. 8.5 x 10 in) leather wallet above includes a label naming “inventor and patentee” F. Folsch.

Early adopters were mixed in their reviews.

Poet Robert Southey called it a “very excellent contrivance”; on the other hand, Thomas Jefferson wrote to Charles Willson Peale in 1807, noting with disapproval the olfactory effect of the oil used to create the carbonated paper: “The fetid smell of the copying paper would render a room pestiferous, if filled with presses of such papers.”

In the end, wide adoption of carbon paper came in the 1870s with the introduction of typewriting (and the development of better-smelling ink).

Read more at Slate in Nora Wilkinson’s “The Nifty, Portable Copying Technology Used by Early-19th-Century Letter-Writers,” and even more in her longer post on the subject on the Bodleian Library’s Conveyor blog.

* the Venerable Bede

** The Xerox machine was the much sharper competitor of- and, with it’s technological copycats, ultimately replacement for– the first office copiers, introduced in 195o (main among them, 3M’s Therma-Fax machine).

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As we savor sharing, we might send nostalgic birthday greetings to that most exquisite of (self-)copiers, Valentin Louis Georges Eugène Marcel Proust; he was born on this date in 1871.  Proust spent the last three years of his life confined to his cork-lined bedroom, working to complete what Somerset Maugham called the “greatest fiction to date,” the seven-volume novel A la Recherche de Temps Perdu (Remembrance of Things Past, or as more recently translated, In Search of Lost Time).

All the greatest things we know have come to us from neurotics. It is they and they only who have founded religions and created great works of art. Never will the world be conscious of how much it owes to them, nor above all of what they have suffered in order to bestow their gifts on it.

– Remembrance of Things Past: The Guermantes Way

 source

Pencil vs. Camera…

Belgian artist Ben Heine has no interest in leaving well enough alone.  In a series he calls “Pencil vs. Camera,” he creates photos in which he matches drawings to the subject of the shot…

As he explained to The Telegraph (from whence, the photo above)…

There are four ways that I produce my work… There is the traditional way, which is to simply draw the picture and hold out your hand with the scenery behind it. With this method I always remember that there has to be a contrast between your imagination and the reality of the photo. The second way is slightly different in that I print a very large picture of a background scenery and then place this on the wall and hold the drawing up to it. This gives me time to re-touch my work during and after. The third is to take a picture of my hand holding the drawing and then digitally match them up with a totally different background that I have photographed. I do not follow that particular method often. And the fourth and final way is to use the computer to create a digital background and add a digitally drawn picture to the scene.

For more, visit the Telegraph article linked above, or Ben’s own site.

As we make an addition to our mental catalogue of ways to mediate reality, we might send a toner-smudged copy of a birthday card to Chester Carlson, the inventor of “electrophotography” (which came to be known as “xerography”); he was born on this date in 1906.  Carlson developed the process– which involved sensitizing a photoconductive surface to light by giving it an electrostatic charge– between 1934 and 1938; but while he immediately protected his invention with a tangle of patents, he wasn’t able to obtain funding for further development until 1944.  In 1947 he sold the commercial rights for his invention to the Haloid Company, a small manufacturer of photographic paper… which later became the Xerox Corporation.

source: University of Rochester

 

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