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Tech billionaires are building a post-democratic America. Francesca Bria and a team of researchers supported by the Friedrich-Ebert-Stiftung (FES, the oldest political foundation in Germany) warn that Europe is next…

In late July 2025, deep within the Pentagon’s bureaucratic machinery, the U.S. Army quietly signed away a piece of its sovereignty.

A ten-billion-dollar contract with Palantir Technologies—one of the largest in the Department of Defense’s history—was framed as a move toward “efficiency.”

It consolidated seventy-five procurement agreements into a single contract: a strategic handover of core military functions to a private company whose founder, Peter Thiel, has declared that “freedom and democracy are no longer compatible.”…

… J.D. Vance, propelled to the vice-presidency by $15 million from Peter Thiel, became the face of tech-right governance. Behind him, Thiel’s network moved into the machinery of the state.

Under the banner of “patriotic tech“, this new bloc is building the infrastructure of control—clouds, AI, finance, drones, satellites—an integrated system we call the Authoritarian Stack. It is faster, ideological, and fully privatized: a regime where corporate boards, not public law, set the rules.

Our investigation shows how these firms now operate as state-like powers—writing the rules, winning the tenders, and exporting their model to Europe, where it poses a direct challenge to democratic governance…

[Bria an the team use elegant interactive infographics to map and explain the what’s happened so far in the U.S, then turns to Europe…]

… By mid-2025, its reverberations were already felt across Europe. In Rome, Italian defense officials moved to integrate Elon Musk’s Starlink into military communications. In Berlin, Rheinmetall and Anduril expanded their joint venture to deploy autonomous drone swarms for NATO. The German variants of its drones still run on Californian code. Musk livestreams with the AfD’s Alice Weidel, endorsing the German far-right while supplying NATO infrastructure.

In London, the NHS scaled Palantir’s £330 million Federated Data Platform across tens of millions of patient records, By May 2025, the government had to pay KPMG £8 million just to encourage hospital adoption. Meanwhile, a £1.5 billion defense partnership binds Britain to Palantir’s AI systems.

None of these decisions provoked real debate. Few reached front pages. Together, they reveal the systematic outsourcing of European sovereignty to American oligarchs whose ideology openly undermines democracy.

It is a paradox with devastating implications: pursuing digital sovereignty while ceding control through every signed contract.

Each new contract deepens the trap. Once Palantir becomes indispensable, once Anduril’s drones are NATO standard, once nuclear facilities power AI that runs everything else— the transformation is irreversible. Europe faces an existential choice: build genuine technological sovereignty now, or accept governance by platforms whose architects view democracy as an obsolete operating system.

Silicon Valley’s Authoritarian Tech Right is not theorizing this world. They are already building it. The pipelines are operational. The feedback loops are functioning. The sovereignty transfers are completing.

Democracy persists as a legacy interface— maintained for stability, while being systematically hollowed out and replaced.

The question now is whether democratic societies can recognize this formation for what it is—and build alternatives before the infrastructure of control becomes too deeply embedded to dislodge…

Eminently worth reading in full: “The Authoritarian Stack,” @francescabria.bsky.social, @fesonline.bsky.social.

* President Theodore Roosevelt, in his 1907 “Provincetown Speech“

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As we reclaim the rudiments of our republic, we might recall that it was on this date in 1970 that The Magic Christian premiered in the U.S. (having premiered in London two months earlier). Starring Peter Sellers and Ringo Starr (with appearances by John Cleese, Graham Chapman, Raquel Welch, Spike Milligan, Christopher Lee, Richard Attenborough and Roman Polanski), it was a scathing farce/satire of capitalism, greed, and human vanities, based on Terry Southern‘s 1959 novel of the same name.

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