(Roughly) Daily

Sister Gertrude Morgan in her Everlasting Gospel Revelation Mission; some of her work, hanging behind her.  New Orleans, Louisiana, 1974

In a new book, Walks to the Paradise Garden, author Jonathan Williams, editor Phillip March Jones, and photographer Roger Manley gather interviews and encounters with artists they met along their road trips through the American South in the 1970s. Some of the artists they spoke with, like Sister Gertrude Morgan, would eventually be discovered by the art-world establishment, while others they met—like former mechanic Vernon Lee Burwell—continued to labor in obscurity.

Along with a deep sense of religious wonder, there is a sense of urgency to the work featured in Walks to the Paradise Garden, a compulsion to make more and more of it until it covered the walls of their homes, crowded the hallways, and spilled onto the front lawn. As Williams writes in the introduction to the book, “We’re talking about a South that is both celestial and chthonian,” pertaining to both heaven and hell. “They are often one and the same.”…

Outsider artists and their work: “Finding Jesus on the Front Yard.”

* Colin Wilson, The Outsider

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As we see through different eyes, we might recall that it was on this date in 1886 that a different kind of “outsider” made its first appearance: Coca-Cola was first sold to the public at the soda fountain in Jacob’s Pharmacy in Atlanta, Georgia.  It was formulated by pharmacist John Stith Pemberton, who mixed it in a 30-gallon brass kettle hung over a backyard fire.  Pemberton’s recipe, which survived in use until 1905, was marketed as a “brain and nerve tonic,” and contained extracts of cocaine and (caffeine-rich) kola nut. The name, using two C’s from its ingredients, was suggested by his bookkeeper Frank Robinson, whose excellent penmanship provided the famous scripted  “Coca-Cola” logo.

Pemberton’s Palace