(Roughly) Daily

“There is so much to do on a film set”*…

 

Legendary director Billy Wilder– Some Like it Hot, Sunset Boulevard, Double IndemnityThe Apartment, et al.– and equally-legendary designers Charles and Ray Eames were long-time friends, from the days when Charles worked as an MGM set designer. The three famously collaborated on “Glimpses of the USA,” a multimedia installation at the 1959 American National Exhibition in Moscow. Moreover, Ray designed the opening credits for Wilder’s Love in the Afternoon.

Wilder (left) with Charles and Ray Eames

The Eames were multimedia masters, frequently—and brilliantly—communicating their philosophy through film and photography.  Over the years, their image archive grew to include over 750,000 snapshots that document everything from travels through India to the circus.  One series in particular—Movie Sets—is the focus of a new exhibition new exhibition at the Art & Design Atomium Museum in Brussels.  Curated by Alexandra Midal, the photographs date from 1951 to 1971 and are all Charles’s snapshots from the sets of Wilder  films

More at “Hollywood’s Golden Age, As Photographed By Charles [and Ray] Eames.”

* Sir Ben Kingsley

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As we take our marks, we might send extravagant birthday greetings to Florenz Edward “Flo” Ziegfeld, Jr.; he was born on this date in 1867.  One of the greatest theatrical showmen in American history, he was a Broadway impresario who produced dozens of shows, mostly (like one of his biggest hits, Showboat) musical spectacles.  But he is best remembered for his 25-year series of elaborate annual theatrical revues, the Ziegfeld Follies (1907–1931), inspired by the Folies Bergère of Paris– a run that introduced such stars as Fanny Brice, Bert Williams, Ed Wynn, W.C. Fields, Marion Davies, Eddie Cantor and Will Rogers.

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Written by LW

March 21, 2016 at 1:01 am

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