“I keep saying the sexy job in the next ten years will be statisticians”*…
Ever since I found out about the Statistical Atlas of the United States, historically produced by the Census Bureau, it annoyed me that there wasn’t one in the works for the 2010 Census due to cuts in funding. The last one was for 2000. Actually, the 2000 edition was called the Census Atlas, but whatever. With more data than ever, it seems like there should be one.
Maybe that’s why there’s isn’t one. Too much data, too much of an undertaking, and too many bureaucratic decisions to make.
The first Atlas, by Francis A. Walker, was published in 1874 using the data from the prior 1870 Census. Counting cover, credits, and all that, it was 56 pages.
I got to thinking, hey, I could do that. And if I did, I wouldn’t have to be annoyed anymore. So I recreated the original Statistical Atlas of the United States with current data. I used similar styling, and had one main rule for myself. All the data had to be publicly available and come from government sites…
See the stunning– and stunningly useful– results (with larger versions of each chart) at “Reviving the Statistical Atlas of the United States with New Data.”
* “I keep saying the sexy job in the next ten years will be statisticians. People think I’m joking, but who would’ve guessed that computer engineers would’ve been the sexy job of the 1990s?” – Hal Varian, The McKinsey Quarterly, January 2009
As we discriminate between the median and the mean, we might spare a thought for Sir D’Arcy Wentworth Thompson; he died on this date in 1948. A classics scholar who was also an accomplished biologist and mathematician, Thompson is best remembered for On Growth and Form (1917, new ed. 1942), a profound consideration of the shapes of living things, starting from the simple premise that “everything is the way it is because it got that way.” Thus one must study not only finished forms, but also the forces that molded them: “the form of an object is a ‘diagram of forces’, in this sense, at least, that from it we can judge of or deduce the forces that are acting or have acted upon it.”
The book paved the way for the scientific explanation of morphogenesis, the process by which patterns are formed in plants and animals. Thompson’s description of the mathematical beauty of nature inspired thinkers as diverse as Alan Turing and Claude Levi-Strauss, and artists including Henry Moore, Salvador Dali, and Jackson Pollock. Peter Medawar, the 1960 Nobel Laureate in Medicine, called On Growth and Form “the finest work of literature in all the annals of science that have been recorded in the English tongue.”