“The past is always tense, the future perfect”*…
Predicting the future of the English language is rather easy, in the short term. The odds are, over the next few decades its New World dialects are going to gain increasing global dominance, accelerating the demise of thousands of less fortunate languages but at long last allowing a single advertisement to reach everybody in the world. Then after a century or two of US dominance some other geopolitical grouping will gain the ascendancy, everyone will learn Chechen or Patagonian or whatever it is, and history will continue as usual. Ho hum. But apart from that… what might the language actually look like in a thousand years time? For comparison, the English spoken at the turn of the last millennium looked like this:
1000 AD: Wé cildra biddaþ þé, éalá láréow, þæt þú tǽce ús sprecan rihte, forþám ungelǽrede wé sindon, and gewæmmodlíce we sprecaþ… 2000 AD: We children beg you, teacher, that you should teach us to speak correctly, because we are ignorant and we speak corruptly…
(1000 AD, from”The Colloquy of Aelfric.”)
So how far will another thousand years take it?…
Peek over the linguistic horizon at “FUTURESE- The American Language in 3000 AD.”
* Zadie Smith
As we envision emergent etymologies, we might spare a thought for a wicked bender of English words, James Augustine Aloysius Joyce; he died on this date in 1941. A poet and novelist best known for Ulysses, he was the preeminent figure in the Modernist avant-garde, and a formative influence on writers as various as (Joyce’s protege) Samuel Becket, Jorge Luis Borges, Salmon Rushdie, and Joesph Campbell.
In 1998, the Modern Library ranked Ulysses No. 1, A Portrait of the Artist as a Young Man No. 3, and Finnegans Wake No. 77, on its list of the 100 best English-language novels of the 20th century. The next year, Time Magazine named Joyce one of its 100 Most Important People of the 20th century, observing that “Joyce … revolutionized 20th century fiction.” And illustrating that Joyce’s influence was not confined to the arts: physicist Murray Gell-Mann used the sentence “Three quarks for Muster Mark!” (in Joyce’s Finnegans Wake) as source for the elementary particle he was naming– the quark.