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“The future is already here — it’s just not very evenly distributed”*…

Brewarrina Aboriginal Fish Traps, 1883 (source)

The future is not a destination. We build it every day in the present. This is, perhaps, a wild paraphrasing of the acclaimed author and futurist William Gibson who, when asked what a distant future might hold, replied that the future was already here, it was just unevenly distributed. I often ponder this Gibson provocation, wondering where around me the future might be lurking. Catching glimpses of the future in the present would be helpful. But then, I think, rather than hoping to see a glimpse of the future, we could instead actively build one. Or at the very least tell stories about what it might be. Stories that unfold a world or worlds in which we might want to live – neither dystopian nor utopian, but ours. I know we can still shape those worlds and make them into somewhere that reflects our humanity, our different cultures and our cares.

Of course, it is not enough to tell stories about some distant or unevenly distributed future; we need to find ways of disrupting the present too. It might be less important to have a compelling and coherent vision of the future than an active and considered approach to building possible futures. It is as much about critical doing as critical thinking. One approach to the future might be to focus less on the instruments of technologies per se and more on the broader systems that will be necessary to bring those futures into existence…

It might be less important to have a compelling and coherent vision of the future than an active and considered approach to building possible futures. It is as much about critical doing as critical thinking…

AI is always, and already, a lot more than just a constellation of technologies. It exists as a set of conversations in which we are all implicated: we discuss AI, worry out loud about its ethical frameworks, watch movies in which it figures centrally, and read news stories about its impact…

[S]tories of the future – about AI, or any kind – are never just about technology; they are about people and they are about the places those people find themselves, the places they might call home and the systems that bind them all together…

When I returned to Australia in 2017, I wanted to build other futures and to acknowledge the country where my work had started and where I was now working again. I knew I needed to find a different world and a different intersection, and to find new ways to tell stories of technology and of the future – I wanted some different pasts and some different touchstones.

I first saw a photograph of the Brewarrina Aboriginal Fish Traps in a Guardian news article, and the image stayed with me.. That black-­and-­white photograph from the late 1800s showed long, sweeping lines of grey stones arcing across a fast-­moving river. The water flowing around the lines of stones was tipped white at the breakpoints. And although there was no one in the image, the arrangement of the stones was deliberate, human-­made and enduring. It was a photograph of the one of the oldest known human-­built technical systems on the planet. And while there are ongoing debates about its exact age – 4,000 years, 10,000 years, 40,000 thousand years – there are no arguments about its complexity or sophistication…

I came to think that the importance of this place was not about the traps per se. It was about the system those traps create, and the systems in which they are, themselves, embedded. This is a system thousands of years in the making and keeping. This is a system that required concerted and continuous effort. This was something that required generations, both of accumulated knowledge about how the environment worked and accumulated knowledge about hydrology and about fish, and an accumulated commitment to continuing to build, sustain and upgrade that system over time.

The technical, cultural and ecological elements cement the significance of this place, not only as a heritage site but as a knowledge base on which contemporary systems could be built. Ideas about sustainability; ideas about systems that are decades or centuries in the making; ideas about systems that endure and systems that are built explicitly to endure. Systems that are built to ensure the continuities of culture feel like the kind of systems that we might want to be investing in now. This feels like the outline of a story of the future we would want to tell…

Now, we need to make a different kind of story about the future. One that focuses not just on the technologies, but on the systems in which these technologies will reside. The opportunity to focus on a future that holds those systems – and also on a way of approaching them in the present – feels both immense and acute. And the ways we might need to disrupt the present feel especially important in this moment of liminality, disorientation and profound unease, socially and ecologically. In a present where the links towards the future seem to have been derailed from the tracks we’ve laid in past decades, there is an opportunity to reform. Ultimately, we would need to think a little differently, ask different kinds of questions, bring as many diverse and divergent kinds of people along on the journey and look holistically and critically at the many propositions that computing in particular – and advanced technologies in general – present.

For me, the Brewarrina Fish Traps are a powerful way of framing how current technological systems should and could unfold. These present a very different future, one we can glimpse in the present and in the past; one that always is and always will be. In this moment, we need to be reminded that stories of the future – about AI, or any kind – are never just about technology; they are about people and they are about the places those people find themselves, the places they might call home and the systems that bind them all together.

Genevieve Bell (@feraldata) on the importance of stories of systems, serendipity, and grace: “Touching the future.” (via Sentiers)

For more, see her Long Now talk, “The 4th Industrial Revolution: Responsible & Secure AI.”

And for an extended riff on the context and implications of the Richard Brautigan poem that she quotes in her piece, see Adam Curtis’ “All Watched Over By Machines Of Loving Grace” (streaming on Amazon Prime).

And for an apposite look at the Renaissance, when mechanical inventions served as a medium for experimental thinking about all aspects of the cosmos, see “When Engineers Were Humanists.”

* William Gibson (in an interview on Fresh Air in August, 1993; repeated by him– and others– many, many times since)


As we think like good ancestors, we might spare a thought for Henry, Duke of Cornwall. The the first child of King Henry VIII of England and his first wife, Catherine of Aragon, celebrated as the heir apparent, he died within weeks of his birth, on this date in 1511. His death and Henry VIII’s failure to produce another surviving male heir with Catherine led to succession and marriage crises that affected the relationship between the English church and Roman Catholicism, giving rise to the English Reformation.

Michael Sittow’s Virgin and Child. The woman appears to have been modelled on Catherine of Aragon.


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