Posts Tagged ‘Gail Godwin’
“It’s the stories, man; it’s the stories!”*…
Readers who are readers will be delighted to discover (if they haven’t already) Narrative Magazine, a wonderful web-based literary review (though there is also a thrice-yearly hard copy edition). Featuring fiction from the likes of Ann Beattie, Richard Bausch, James Salter, Elizabeth Benedict, and Amy Bloom, essays from folks like Gail Godwin, Larry McMurtry, and Rick Bass, it also showcases poetry and your correspondent’s special weakness: cartoons like the one above (use the pull-down on the page at the other end of that link to see other galleries).
The love-child of two Bay Area literati, Narrative is a 501-c3 devoted to Letters. It’s worthy of readers’ attention– and, dare your correspondent suggest, of their support.
* Jazz giant Charlie Parker would hang around a jukebox at one of the clubs he frequented, putting his coins in to play country-western songs. When friends finally asked him, “Why do you listen to that stuff?,” he reportedly replied, “It’s the stories, man, it’s the stories!” (source)… not altogether apropos, your correspondent confesses; but it is an awesome anecdote…
As we luxuriate in good literature, we might recall that it was on this date in 1812, just before he published the first two cantos of Childe Harold’s Pilgrimage, that George Gordon Byron, 6th Baron Byron– aka Lord Byron– made his first speech in the House of Lords… as it happens, a defense of Luddite violence against Industrialism in his home county of Nottinghamshire.
Byron in 1813, in Albanian dress, as painted by Thomas Phillips
Written by (Roughly) Daily
February 27, 2010 at 2:02 am
Posted in Uncategorized
Tagged with 6th Baron Byron, Amy Bloom, Ann Beattie, Charlie Parker, criticism, Elizabeth Benedict, essays, Gail Godwin, George Gordon Byron, George Gordon Noel, House of Lords, James Salter, Larry McMurtry, literary review, literature, Lord Byron, Luddites, Narrative, Narrative Magazine, poetry, review, reviews, Richard Bausch, Rick Bass, short stories
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