Posts Tagged ‘books’
“Books are a uniquely portable magic”*…

A “Pack Horse Librarian” returning for a new supply of books
The Pack Horse Library initiative, which sent librarians deep into Appalachia, was one of the New Deal’s most unique plans. The project, as implemented by the Works Progress Administration (WPA), distributed reading material to the people who lived in the craggy, 10,000-square-mile portion of eastern Kentucky. The state already trailed its neighbors in electricity and highways. And during the Depression, food, education and economic opportunity were even scarcer for Appalachians.
They also lacked books: In 1930, up to 31 percent of people in eastern Kentucky couldn’t read. Residents wanted to learn, notes historian Donald C. Boyd. Coal and railroads, poised to industrialize eastern Kentucky, loomed large in the minds of many Appalachians who were ready to take part in the hoped prosperity that would bring. “Workers viewed the sudden economic changes as a threat to their survival and literacy as a means of escape from a vicious economic trap,” writes Boyd.
This presented a challenge: In 1935, Kentucky only circulated one book per capita compared to the American Library Association standard of five to ten, writes historian Jeanne Cannella Schmitzer,. It was “a distressing picture of library conditions and needs in Kentucky,” wrote Lena Nofcier, who chaired library services for the Kentucky Congress of Parents and Teachers at the time…
Unlike many New Deal projects, the packhorse plan required help from locals. “Libraries” were housed any in facility that would step up, from churches to post offices. Librarians manned these outposts, giving books to carriers who then climbed aboard their mules or horses, panniers loaded with books, and headed into the hills. They took their job as seriously as mail carriers and crossed streams in wintry conditions, feet frozen in the stirrups.
Carriers rode out at least twice a month, with each route covering 100 to 120 miles a week…
A New Deal program brought books to Kentuckians living in the most remote areas: “Horse-Riding Librarians Were the Great Depression’s Bookmobiles.”
* Stephen King, On Writing
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As we check it out, we might send shocking birthday greetings to the enfant terrible of French letters, Arthur Rimbaud; he was born on this date in 1854. In his adolescence and early adulthood (he wrote his final work when he was 21), and with his buddy, Symbolist poet Paul Verlaine, Rimbaud was a leader of the Decadent Movement; fueled by absinthe and hashish, he succeeded in shocking a literary establishment that was nonetheless awed by his visionary verse, which influenced modern literature and arts, inspired a number of important musicians, and prefigured Surrealism.
All known literature is written in the language of common sense—except Rimbaud’s – Paul Valéry
“A book lying idle on a shelf is wasted ammunition. Like money, books must be kept in constant circulation”*…

The librarian greeted me, asked for my name, and scanned a shelf of books along the wall. She pulled one from the collection, and placed it on the counter—but left her hand on the book. She smiled. “Don’t remove this white band,” she said. “Don’t rip it. Don’t touch it. It will cause problems.” I nervously smiled in return. There is nothing more frightening than a confident librarian.
The white band on the book, as fellow devotees of the glorious InterLibrary Loan system know, contains all of the information to facilitate return of the item to the lending library. Removed bands slow down the system. And the last thing that I would ever want to do is hurt, in any way, a system that has been so good to me…
A brief history (and celebration) of the apex of human civilization: “InterLibrary Loan Will Change Your Life.”
* The Books in My Life
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As we disobey Polonius, we might recall that it was on this date in 1938 that a jealous Robert Frost heckled Archibald MacLeish at a reading of the latter’s poetry at the Bread Loaf Writers’ Conference in Middlebury, Vt. Bill Peschel recounts:
The gathering was held at Treman Cottage, and Frost was among the attendees, sitting in the back. It was a time when Hitler was on the ascendant, and the United States was divided between warning against the rise of Fascism in Germany and Italy, and those who didn’t want to intervene in another European war. MacLeish was anti-Fascist, and Frost despised MacLeish’s support of Roosevelt.
That night, as MacLeish read from his poetry, Frost began heckling him. “Archie’s poems all have the sametune,” he said in a whisper that could be heard. When MacLeish read the single-sentence poem, “You, Andrew Marvell,” smoke could be smelled. Frost had accidentally, on purpose, set fire to some papers and was beating them out and waving away the smoke.
Most people accepted the story of the accident, and the reading eventually concluded. MacLeish was still the center of attention, and he was asked to read from one of his plays. But Frost was not done with him. As [Wallace] Stegner wrote:
“His comments from the floor, at first friendly and wisecracking, became steadily harsher and more barbed. He interrupted, he commented, he took exception. What began as the ordinary give and take of literary conversation turned into a clear intention of frustrating and humiliating Archie MacLeish, and the situation became increasingly painful to those who comprehended it”. Even Bernard DeVoto, a scholar and friend of Frost, had enough, calling out, “For God’s sake, Robert, let him read!” Frost ignored him, but shortly thereafter, on some pretext, “said something savage,” and left.
Afterwards, Frost’s defenders tried to kick sand over the events. One friend wrote only of “unfounded allusions” and “behavior not proven by fact.” There were people there who didn’t even notice what Stegner saw that night. But baiting MacLeish had caused a permanent rift between DeVoto and Frost. At the end of the conference, when they met and shook hands, DeVoto told him, “You’re a good poet, Robert, but you’re a bad man.”

“I rather think that archives exist to keep things safe – but not secret”*…

For hundreds of years, families in Mauritania have been maintaining libraries of old Arabo-Berber books. Originally on the route of pilgrims traveling to Mecca, the libraries are now at risk from the spreading Sahara and ever dwindling numbers of visitors, in part because of security restrictions due to terrorism. One center of this preservation is the vanishing city of Chinguetti.
Most of Chinguetti consists of abandoned houses which are being swallowed up by the ever encroaching dunes of the Sahara. But this was once a prosperous city of 20,000 people, and a medieval center for religious and legal scholars; it was known as “The City of Libraries.”
Seen as a legacy from their ancestors, the families feel it’s an honor for them to care for these books:
About 600km north-east of the capital, in Chinguetti, once a centre of Islamic learning, the Habott family owns one of the finest private libraries, with 1,400 books covering a dozen subjects such as the Qur’an and the Hadith (the words of the Prophet), astronomy, mathematics, geometry, law and grammar. The oldest tome, written on Chinese paper, dates from the 11th century…
Precious Arabic manuscripts from western Africa are under threat as Mauritania’s desert libraries vanish. Learn more– and marvel at the photos that you’ll find at “Mauritania’s hidden manuscripts” (source of the direct quote above) and “Desert libraries of Chinguetti” (general source). See also @incunabula and the photos at Messy Nessy.
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As we treasure treasures, we might recall that it was on this date in 1846 that President James K. Polk signed the legislation that established the Smithsonian Institution as a “trust instrumentality” of the United States, to be administered by a Board of Regents and a Secretary of the Smithsonian.
Based on the founding donation of British scientist James Smithson, and originally called as the “United States National Museum,” it now houses over 150 million items in 19 museums, nine research centers, and a zoo, several of which are historical and architectural landmarks. “The Nation’s Attic,” as it is fondly known, hosts over 30 million visitors a year.

The “Castle” (1847), the Institution’s first building, which remains its headquarters
“I subscribe to the Fiona Apple school of titles: I wanted people to know exactly what they were getting into”*…

How many words can you fit in a subtitle? For a slew of modern books, the answer seems to be as many as possible. Just look at Julie Holland’s “Moody Bitches: The Truth About the Drugs You’re Taking, the Sleep You’re Missing, the Sex You’re Not Having, and What’s Really Making You Crazy,” Erin McHugh’s “Political Suicide: Missteps, Peccadilloes, Bad Calls, Backroom Hijinx, Sordid Pasts, Rotten Breaks, and Just Plain Dumb Mistakes in the Annals of American Politics” and Ryan Grim’s “We’ve Got People: From Jesse Jackson to Alexandria Ocasio-Cortez, the End of Big Money and the Rise of a Movement.”
Blame a one-word culprit: search. Todd Stocke, senior vice president and editorial director at Sourcebooks, said that subtitle length and content have a lot to do with finding readers through online searches. “It used to be that you could solve merchandising communication on the cover by adding a tagline, blurb or bulleted list,” he said. But now, publishers “pack the keywords and search terms into the subtitle field because in theory that’ll help the book surface more easily.”…
The whole story at “Book subtitles are getting ridiculously long. What is going on?”
* W. Kamau Bell
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As we search for optimization, we might spare a thought for Lois Duncan Steinmetz– better known by her pen name, Lois Duncan– she died on this date in 2016. A journalist, poet, and novelist, she is probably best remembered as a pioneering author of young adult novels, dubbed the “queen of teen thrillers.” (Indeed, in 2014 she was awarded the Grand Master award from the Mystery Writers of America, alongside James Ellroy.)
We might also send puffing birthday greetings to Wilbert Vere Awdry; he was born on this date in 1911. Better known as “Reverend W. Awdry,” he was a train enthusiast and children’s author, who married his passions to create Thomas the Tank Engine (the central figure in Awdry’s Railway Series, and the star of a long-running animated children’s show).
“You cannot bore people into buying your product”*…

“… Unclear why Messam thinks it’s wise to feature a photo of himself running away from the voter.”
For those who think it trivializes our political process to judge candidates by their typography—what would you prefer we scrutinize? Qualifications? Ground into dust during the last election. Issues? Be my guest. Whether a candidate will ever fulfill a certain campaign promise about a certain issue is conjectural.
But typography—that’s a real decision candidates have to make today, with real money and real consequences. And if I can’t trust you to pick some reasonable fonts and colors, then why should I trust you with the nuclear codes?
Book publishers spend a lot on cover design. [The adage “don’t judge a book by its cover” dates from the time before books were sold with colorful jackets.] Candidates likewise spend a lot on their public presentation. Why? For the same reasons: voters (or readers) are going to make judgments based on design factors (whether consciously or not). So just as we should feel justified judging a book by its cover—because that’s what it’s for—we should likewise feel justified considering how typography reflects on each candidate.
Along those lines, my pet political theory is that even as they labor to reveal their characteristic strengths through typography, candidates tend to be more successful revealing their characteristic limitations. The evidence is left as a thought experiment for sufficiently motivated readers…
Writer, typographer, programmer, and lawyer Matthew Butterick‘s witty and wise observations on the design choices made by presidential candidates (so far): “Typography 2020: a listicle for America.”
* David Ogilvy
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As we face up to face-value, we might recall that this is the “birthday” of the earliest-known dated printed book: the sacred Buddhist text the Diamond Sutra. A copy of the Tang-dynasty Chinese version of the Diamond Sūtra was found among the Dunhuang manuscripts in 1900, and has been dated back to May 11, 868.

Frontispiece of the Chinese Diamond Sūtra
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