(Roughly) Daily

Posts Tagged ‘amusement park rides

“Tradition wears a snowy beard, romance is always young”*…

 

Thomas Gowing felt the mighty yet fragile English Beard to be threatened with extinction by an invasive foreign species, the Razor. So he set out to defend the furry face mammal in every conceivable way. The resulting lecture was received so enthusiastically by a bushy-faced audience in Ipswich that it was soon turned into The Philosophy of Beards (1854) — the first book entirely devoted to this subject.

It is Gowing’s ardent belief that the bearded are better looking, better morally and better historically than the shaven. To call him a huge fan of the suburbs of the chin would be an understatement. “It is impossible” he writes “to view a series of bearded portraits . . . without feeling that they possess dignity, gravity, freedom, vigour, and completeness.” By contrast, the clean-cut look always leaves him with “a sense of artificial conventional bareness”. Gowing’s apology for the beard makes frequent appeals to nature, some of them amusingly far-fetched: “Nature leaves nothing but what is beautiful uncovered, and the masculine chin is seldom sightly, because it was designed to be covered, while the chins of women are generally beautiful.” Sometimes his argument transforms from a shield for the beard into a swipe at the chin: “There is scarcely indeed a more naturally disgusting object than a beardless old man (compared by the Turks to a ‘plucked pigeon’)”.

Gowing was writing at a time when physiognomy — the art of reading a person’s character in their facial features — was still popular in Europe and America. So it is no surprise to learn that “the absence of Beard is usually a sign of physical and moral weakness”…

More tonsorial teaching at: “The Philosophy of Beards (1854).”

Read it in full at the Internet Archive; or buy a hard copy of The Philosophy The British Library republished it in 2014, for the first time since 1854.

* John Greenleaf Whittier

###

As we hail the hirsute, we might recall that it was on this date in 2005 that Kingda Ka opened at the Six Flags Great Adventure Park in Jackson, New Jersey.  The world’s tallest roller coaster (and the world’s second fastest roller coaster), it offers riders an experience that lasts 28 seconds… during which the roller coaster cars are “launched” to a speed of 128 mph (in 3.5 seconds).  At the end of the launch track, the train climbs the main tower (or top hat) and rolls 90 degrees to the right before reaching a height of 456 feet.  The train then descends 418 feet (straight down through a 270-degree right-hand spiral.  The train climbs a second hill of 129 feet, producing a brief period of weightlessness, before descending, turning toward the station, and being smoothly brought to a stop by the magnetic brakes.

Cool.

Kingda Ka’s “top hat”

source

 

Written by LW

May 21, 2018 at 1:01 am

What a way to go…

Euthanasia Coaster

“Euthanasia Coaster” is a hypothetic euthanasia machine in the form of a roller coaster, engineered to humanely – with elegance and euphoria – take the life of a human being. Riding the coaster’s track, the rider is subjected to a series of intensive motion elements that induce various unique experiences: from euphoria to thrill, and from tunnel vision to loss of consciousness, and, eventually, death. Thanks to the marriage of the advanced cross-disciplinary research in space medicine, mechanical engineering, material technologies and, of course, gravity, the fatal journey is made pleasing, elegant and meaningful…

Julijonas Urbonas is a designer, artist, writer, engineer and PhD student in Design Interactions at the Royal College of Art.

Since childhood, I have worked in amusement park development. In 2004, I became a managing director of an amusement park in Klaipeda, Lithuania, and ran it for three years. Having worked in this field – as an architect and engineer but also in ways that are artistic and philosophical – I became fascinated by what in my research I am calling the bodily-perceived aesthetics of “gravitational theatre”…

More on the Euthanasia Coaster here.  Background on gravitational theatre and Gravitational Aesthetics here (and even more here).

As we buckle our seat belts, we might spare a memorial thought for Fifth-Century resister of the Roman Empire (and Caesaropapism) and reformer of the Catholic liturgy, Pope Hilarius; he died on this date in 468… presumably laughing.

 source

%d bloggers like this: